Saturday, September 28, 2013
Korg MS20 mini - first demo recording
Published on Sep 28, 2013 Bruno Ender Lee·123 videos
"recorded on 3 stereo-tracks, September 28. 2013
- sequence (with Doepfer MAQ 16/3 - sequencer & Behringer DD600 delay)
- bass (with Behringer DD600 delay)
- fx/leads (with Behringer DD600 delay)
2013 Velvet Voyage Productions"
Shock Wave with Korg MS-20 Mini (Fusion Music)
Published on Sep 26, 2013 DJ Galactic·83 videos
KORG MS20 Minis on eBay
via Dj Galactic on The MATRIXSYNTH Lounge
"Shock Wave (Onde de Choc) with vintage analog keyboard Korg MS-20 Mini, DJ Galactic & Detenus de la Rime (French Hip Hop & Slam) http://www.djgalactic.com
Live Experimental music with Detenus de La rime and DJ Galactic; using the new Korg MS-20 Mini to play a simple bass riff, and play around the knob of this vintage analog, monophonic synth to make this Fusion Music song.
One de Choc (Shock Wave) will be release soon with the studio version, By DJ Galactic and Detenus de La Rue with Zound Records.
KORG MS20 Minis on eBay
via Dj Galactic on The MATRIXSYNTH Lounge
"Shock Wave (Onde de Choc) with vintage analog keyboard Korg MS-20 Mini, DJ Galactic & Detenus de la Rime (French Hip Hop & Slam) http://www.djgalactic.com
Live Experimental music with Detenus de La rime and DJ Galactic; using the new Korg MS-20 Mini to play a simple bass riff, and play around the knob of this vintage analog, monophonic synth to make this Fusion Music song.
One de Choc (Shock Wave) will be release soon with the studio version, By DJ Galactic and Detenus de La Rue with Zound Records.
Wusik 4000 Pre Beta 1 (Win & Mac 64/32 bits)
Published on Sep 28, 2013 Wusik Dot Com·6 videos
"We are near the beta phase of Wusik 4000.
For more information, visit our forum:
http://www.kvraudio.com/forum/viewtop...
and
http://www.kvraudio.com/forum/viewtop...
Or our site:
http://www.Wusik.com"
via Kalfelz Gui on The MATRIXSYNTH Lounge
"We are near the beta phase of Wusik 4000.
For more information, visit our forum:
http://www.kvraudio.com/forum/viewtop...
and
http://www.kvraudio.com/forum/viewtop...
Or our site:
http://www.Wusik.com"
via Kalfelz Gui on The MATRIXSYNTH Lounge
New Wiard Teaser Pics
via Muff's
via Soviet Space Child
"This is the first Wiard product designed by Cary Grace, who is running the show now."
benge obie
Published on Sep 28, 2013 zack dagoba·243 videos
"modular moog and oberheim four voice playing together. see http://myblogitsfullofstars.blogspot.... for more"
"modular moog and oberheim four voice playing together. see http://myblogitsfullofstars.blogspot.... for more"
Microsoft Surface Pro Running Better with Machine
See update3 in this post. Also note this is with Surface Pro, not the Surface Pro 2.
Vintage Moog Micromoog Analog Synthesizer SN 7493
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here
via this auction - learn how to sell on eBay here
Rhodes Chroma Vintage Analog Synthesizer w/ CC+
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Up for sale is a fully working, fully upgraded Rhodes Chroma, without doubt one of the best polyphonic analog synths ever made. This is a fantastic sounding synth that has huge flexibility in terms of voice and filter configurations. It can be used as an 8-voice synth with two oscillators per voice, or with 16 single oscillator voices. The 16 filters (one for each oscillator) can also be arranged in serial or parallel configurations, in either high or low-pass modes. An analog ring-modular, sync and FM are also available. I've owned a Matrix-12 and the Andromeda, and this just blows those out of the water in terms of pure sound quality, plain and simple. The sound is best described as 3-D and organic which is the result of discrete rather than chip-based oscillators.
Better yet, this is one of THE best supported vintage polysynths out there. There's a huge user community and loads of newly developed options and this particular model includes all of them, including:
-CC+ (a new CPU that adds midi control over every parameter)
-Upgraded, new power supply (the old one is usually the source of failures on these)
-Polyphonic aftertouch: this allows you to control aftertouch per KEY, like on the CS-80, rather than across the whole keyboard as is the norm on most synths with aftertouch.
Functionally, this is virtually flawless: autotune works every time and the synth tunes up very quickly after a brief warm-up. (It actually turns on and is basically ready to play, but I have to put in the caveat that it needs to warm up since studio temperatures can always change). Also, ALL of the voice cards have just had their capacitors replaced, and the output EQ board has also just been serviced by one of the master synth techs out there, John Leimseider. All keys trigger reliably, but it is worth noting that several will not trigger if played very lightly and until you have applied full [pressure. This is not due to dirty contacts, but the nature/spacing of the metal contacts internally. I believe this can be adjusted, but I was not prepared to attempt this. If playing normally, this shouldn't be noticed..."
via this auction
"Up for sale is a fully working, fully upgraded Rhodes Chroma, without doubt one of the best polyphonic analog synths ever made. This is a fantastic sounding synth that has huge flexibility in terms of voice and filter configurations. It can be used as an 8-voice synth with two oscillators per voice, or with 16 single oscillator voices. The 16 filters (one for each oscillator) can also be arranged in serial or parallel configurations, in either high or low-pass modes. An analog ring-modular, sync and FM are also available. I've owned a Matrix-12 and the Andromeda, and this just blows those out of the water in terms of pure sound quality, plain and simple. The sound is best described as 3-D and organic which is the result of discrete rather than chip-based oscillators.
Better yet, this is one of THE best supported vintage polysynths out there. There's a huge user community and loads of newly developed options and this particular model includes all of them, including:-CC+ (a new CPU that adds midi control over every parameter)
-Upgraded, new power supply (the old one is usually the source of failures on these)
-Polyphonic aftertouch: this allows you to control aftertouch per KEY, like on the CS-80, rather than across the whole keyboard as is the norm on most synths with aftertouch.
Functionally, this is virtually flawless: autotune works every time and the synth tunes up very quickly after a brief warm-up. (It actually turns on and is basically ready to play, but I have to put in the caveat that it needs to warm up since studio temperatures can always change). Also, ALL of the voice cards have just had their capacitors replaced, and the output EQ board has also just been serviced by one of the master synth techs out there, John Leimseider. All keys trigger reliably, but it is worth noting that several will not trigger if played very lightly and until you have applied full [pressure. This is not due to dirty contacts, but the nature/spacing of the metal contacts internally. I believe this can be adjusted, but I was not prepared to attempt this. If playing normally, this shouldn't be noticed..."
BUCHLA 210e CONTROL AND SIGNAL ROUTER
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
- learn how to sell on eBay here
"The Model 210e Control and Signal Router directs the routing of up to eight control voltages and eight audio signals. The two sections function independently.
Originally conceived of as an aid to store and retrieve patch routings, the 210e evolved into a module with some additional capabilities.
In the control voltage section, each of five outputs can be connected to any one of eight inputs. (This is the functional replacement for a bunch of patchcords.) If more than one input is routed to a single output, the result is averaged.
Similarly, the signal routing section allows connection of each of five outputs to any one of eight inputs (patchcord emulation). Additionally, this section provides the possibility for matrix mixing, in which an output can respond to multiple inputs, with each connection independently scalable.
All 210e settings can be stored and retrieved under the direction of the model 225e or 206e preset manager, thus enabling the re-routing of signals for each preset..."
- learn how to sell on eBay here
"The Model 210e Control and Signal Router directs the routing of up to eight control voltages and eight audio signals. The two sections function independently.
Originally conceived of as an aid to store and retrieve patch routings, the 210e evolved into a module with some additional capabilities.
In the control voltage section, each of five outputs can be connected to any one of eight inputs. (This is the functional replacement for a bunch of patchcords.) If more than one input is routed to a single output, the result is averaged.
Similarly, the signal routing section allows connection of each of five outputs to any one of eight inputs (patchcord emulation). Additionally, this section provides the possibility for matrix mixing, in which an output can respond to multiple inputs, with each connection independently scalable.
All 210e settings can be stored and retrieved under the direction of the model 225e or 206e preset manager, thus enabling the re-routing of signals for each preset..."
BUCHLA 259e TWISTED WAVEFORM GENERATOR
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
- learn how to sell on eBay here
"Popular demand does work occasionally - we’ve resurrected and renamed the original 259e Complex Waveform Generator. The new 259e is practically identical to the original, and is replete with all of the original digital waveshaping, aliasing noise, and foldover frequencies. However, we’ve added new self-modifying, screeching, snarling responses that reflect weird internal origins. Hence the name “twisted”.
Otherwise similar to the 261e Complex Waveform Generator, with voltage-controlled modulation of pitch, amplitude, and timbre, both hard and soft synchronization, and pitch tracking.
In conjunction with the model 225e MIDI Manager, the 259e's pitches respond to internally routed MIDI messages. Up to four 259's can peacefully co-exist in a single system, each with its private MIDI channel.
As in all 200e series modules, the settings of the 259e's pots and switches can be memorized as a part of a preset configuration. Provided you have a 225e or a 206e in your system..."
- learn how to sell on eBay here
"Popular demand does work occasionally - we’ve resurrected and renamed the original 259e Complex Waveform Generator. The new 259e is practically identical to the original, and is replete with all of the original digital waveshaping, aliasing noise, and foldover frequencies. However, we’ve added new self-modifying, screeching, snarling responses that reflect weird internal origins. Hence the name “twisted”.
Otherwise similar to the 261e Complex Waveform Generator, with voltage-controlled modulation of pitch, amplitude, and timbre, both hard and soft synchronization, and pitch tracking.
In conjunction with the model 225e MIDI Manager, the 259e's pitches respond to internally routed MIDI messages. Up to four 259's can peacefully co-exist in a single system, each with its private MIDI channel.
As in all 200e series modules, the settings of the 259e's pots and switches can be memorized as a part of a preset configuration. Provided you have a 225e or a 206e in your system..."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
