MATRIXSYNTH


Thursday, September 25, 2014

Rare Vintage Synth Scans via Brian Kehew


Brian Kehew gave a presentation on his vintage synthesizer brochures at Knobcon this year. He sent in a few select scans to share with readers of MATRIXSYNTH. Enjoy! Be sure to see the channel labels at the bottom of the post for any you are not familiar with. Three of these warranted separate posts that just went up. You'll find links to them below. These are an amazing bit of synth history, many of which have never been shared online before. HUGE THANK YOU to Brian Kehew for sharing these with us!

The scans pictured in order:

Moog Sonic V Synthesizer "Makes Waves"

ARP Synthesizers

ARP Modular Synthesizer Lab

EML

EMS SYNTHI FLI (always thought of it as the Hi-Fli but the had only has FLI)

Performer by Ionic

Variophone

Sequential Circuits Model 600 Sequencer (see this post for a write-up)

Digelius Electronics Finland DEMI (see this post for a write-up)

DMX-101 Computer Sound Processor for a whopping $35,300 at the time. (see this post for a write-up)


Sequential Circuits' First Product, The Model 600 Sequencer and Complex Wave Generator


Brochure scan in via Brian Kehew.

This is a scan of a product flyer for the the Sequential Circuits Model 600 Sequencer and Complex Wave Generator.  It is first image of the  unit shared on the internet that I am aware of (click here for a search).  It was Sequential Circuits first product. Approximately only four units were made a couple of years prior to the Model 800.

An interesting side note is the aesthetics of the unit.  See if you can spot what's missing before you read on.  Sequential Circuits (along with Oberheim) started out creating products to work with existing synthesizers at the time.  So what's missing?  The trademark knobs and section outlines.  It wasn't until the Model 700 programmer in 1977 that we begin to see what was to become Sequential Circuits trademark look.   Another interesting side note is that the model numbers for Sequential Circuits first three products where not actually sequential, the Model 600 (1974), the Model 800 (1975), and the Model 700 (1977).  They broke out of the "Model" line for the name with the Prophet-5 (which was the Model 1000) in 1978, but came back once with the Model 64 Sequencer for the Commodore 64 in 1983.  One final thing I thought was kind of neat was that the final bullet point in the brochure called out how the Model 600 made for an excellent teaching aid for electronic music.  Indeed.

The following is the description from the scan (note the reference to the unit as a teaching aid):

"MODEL 600 SEQUENCER and COMPLEX WAVE GENERATOR

As A Sequencer -

- Three rows of 16 controls, each row with its own output.
- Built-in sequential control for up to 48 note sequences by turning only one knob.
- Voltage controlled clock can be set internally and/or controlled externally.
Patch one output row back to the VCO input, and the length of each note can be precisely controlled.
- Can sequence slower than one pulse every 30 seconds through and beyond the entire audio range.
- Any one level can be skipped by simply throwing its corresponding switch; hence, any combination of levels can be set.
- Direction switch for forward or backwards direction.
- Handy three-way mixers at the output for easy patch changes.
- LED (light emitting diode) visual display.
- Switch trigger output compatible with Moog synthesizers, including the Mini-Moog.
By flipping one switch, gate and trigger outputs can be obtained for other synthesizers, suck as the ARP 2600.

As A Complex Waveform Generator -

- The quality of the Model 600 makes it possible to be used as a complex waveform generator, with up to 48 segments constructing the composite waveform. Below is an oscilloscope plot of a 48 segment sine wave at 300 hertz, with the lower wave-form the output after being run through a low-pass filter.
- One can easily see the possibility for complete waveform control. With an internal adjustment, the external input can be adjusted to the standard 1 volt/octave; hence, the sequencer can actually be played as an oscillator by any keyboard.
- This capability makes the Model 600 an excellent teaching aid for electronic music, as well as a quality waveform generator for the perfectionist synthesizer performer."

The Digelius DIMI Music Instrument, Computer, Synthesizer, Studio, Rabbit


Brochure scan in via Brian Kehew. This is the first time Digelius has been featured here on MATRIXSYNTH. The following is the description from the scan followed by some info on the man behind Digelius, Erkki Kurenniemi.

“DIMI IS A MUSIC INSTRUMENT. DIMI IS A COMPUTER. DIMI IS A SYNTHESIZER. DIMI IS A MINIATURE ELECTRONIC MUSIC STUDIO. DIMI IS A RABBIT.

The essential part of the digital instrument DIMI is an integrated circuit memory which is capable of storing an almost endless variety of musical structures.

The digitally controlled sound generators can be operated either by manual instructions from the keyboard or by instructions stored in the memory.

Any manual instruction can be recorded into the memory by touching the R-key. The selective erase function permits flexible editing of the stored program.

The interplay between manual and stored instructions results in a music instrument with possibilities not surmised earlier.

* MOS integrated circuit content addressable memory, 100 words 16 bits each.
* two sound generators, eight octaves chromatic scale
* vibrato unit, amplitude variable in eight steps and several frequencies
* two external general purpose inputs
* two selectors for eight sound sources
* two attenuators, seven steps six decibels each and off
* two banks of eight octave band pass filters
* three modulators
* rhythm generator, 48 different durations or tempi
* all parameters are digitally controlled and thus programmable
* contains about 250 integrated circuits
* dimentions 40x40x15 cm
* price 15 300 Fmk (about 3750 US$)

Digelius Electronics Finland Oy
Huvilakatu 24
Helsinki 15
Finland”

Some info on Erkki Kurenniemi via Wikipedia:

"Erkki Kurenniemi (born July 10, 1941 in Hämeenlinna, Finland) is a Finnish designer, philosopher and artist, best known for his electronic music compositions and the electronic instruments he has designed. He is considered one of the leading early pioneers of electronic music in Finland. Kurenniemi is also a science populariser, a futurologist, a pioneer of media culture, and an experimental film-maker.

Kurenniemi completed the majority of his instruments, electronic compositions and experimental films in the 1960s and 1970s. Between 1962 and 1974, he designed and constructed ten electronic instruments and studio devices when he was working as a volunteer assistant at the Department of Musicology at the University of Helsinki, and as designer at Digelius Electronics Finland Oy, founded in 1970. In addition to the Musicology Department, Kurenniemi also worked as assistant and senior designer at the Department of Theoretical Physics from 1962 to 1973. Kurenniemi earned a Bachelor of Sciences degree in 1968.

He subsequently worked as a designer of control systems for industrial robots at Oy W. Rosenlew Ab (1976–1978), and as a designer of industrial automation and robotic systems at Nokia’s cable machinery division (1980–1986). He also worked as a specialist consultant and Head of Planning at the Science Centre Heureka in Vantaa, Finland (1987–1998).

Kurenniemi received the Finland Prize of the Ministry of Education and Culture in 2003.[1] In 2004, he was elected honorary fellow of the University of Art and Design Helsinki.[2] 2011 Kurenniemi received Order of the Lion of Finland medal from The President of Finland Mrs. Tarja Halonen."

Update via Unknown in the comments: There's an article on Erkki Kurenniemi in the September 2013 issue of Sound on Sound (available online here). Definitely worth checking out.

Pictured: "Erkki Kurenniemi's first instrument was the Integrated Synthesizer. Completed in 1967, it used pin-matrix programming on a huge scale."

1982's Digital Music Systems DMX-1010 Computer Sound Processor with $35,300.00 Price Tag


Brochure scan in via Brian Kehew. This is the first post to feature Digital Music Systems and the DMX-1010. The following is the description from the scan. I wasn't able to find any info on the company including whether or not they had additional products.

"The DMX-1010 is the most advanced and powerful audio signal processor available today. It contains two computers - an LSI-11 microcomputer and a super-fast DMX-1000 digital audio signal processor. MUSIC-1000 software allows this system to be programmed easily in an intuitive way for almost any synthesis or processing task.

Features
- Real-time digital synthesis and processing of sound
- User-Oriented software makes system fast and easy to use
- Flexible enough to do any type of audio signal processing
- 16-bit converters and arithmetic for ultra-high fidelity
- Stereo input and output - expandable to quad
- Price competitive with other systems that do only limited synthesis

For Synthesis

Features
Units include:
Oscillators
- generate any waveform
- waveform tables up to 2048 16-bit words
- interpolation between waveform table values may be specified
- double-precision (32-bit) phase accumulation may be specified
White noise generators
Variable high-pass, low-pass and band-pass filters
Reverberent comb filters and all-pass filters
Line-segment, exponential-segment and arbitrary-function envelopes
Frequency modulation, amplitude modulation, phase modulation and ring modulation
Table lookup
MUSIC 1000 allows programmable control and connection of these software units with control and audio signals.
Ultra-high fidelity — 16-bit arithmetic is standard. 32-bit arithmetic may be used when required. 16-bit A/D and D/A converters.
Real-time user inputs - 10 knobs, 5 switches and a foot pedal — may be used to control any synthesis parameters while sound is being generated or processed.

For Sound Processing

The DMX-1010 is a real-time digital audio signal processor and can replace virtually all of the signal-processing units found in a recording studio, including:
- delay lines
- phasers
- flangers
- tape echo units
- reverb units
- graphic and parametric equalizers
- compressors
- limiters

The DMX-1010 Includes:

DMX-1000 Signal Processing Computer
Two channels of audio input (A/D conversion)
Two channels of audio output (D/A conversion)
4K x 16-bit data memory
64K x 16-bit delay memory
PDP-11/03 Computer
64 Kbyte memory
VT-100 terminal
Dual 8” double-density floppy disk drives — 1
Mbyte total capacity
Real-Time Control Panel
10 knobs and 5 switches
Footpedal jack
MUSIC-1000 and DEC RT-11 Software
The DMX-1010 is a complete turnkey system containing all the hardware and software necessary for audio synthesis and processing.

DMX-101 Price
April 1982 is $35,300.00 U.S.”

Access Virus Darkstar with CUSTOM Polar LEDS & Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Access Virus Darkstar with CUSTOM Polar LEDS

I call it the Polarstar :)"

Siel Cruise Vintage String Synthesizer & Mono Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The monophonic portion of this synthesizer works when the keyboard is split and when it is being used as a full keyboard. The polyphonic portion of this synthesizer also works when the keyboard is split and for when using all the keys. All keys work and all the sliders work..."

RF Nomad Launch Party Performances

RF Nomad Launch Party Performances: Greg VanEck

Published on Sep 25, 2014 Russ Hoffman

"Greg VanEck performs on his modular synth, using an RF Nomad as a sound source for this patch.

About the performance, Greg notes: 'One way I discovered to interact with the Nomad is to squeeze the antennae. It can be very touchy when doing this, but I've found the slightest changes in pressure can sometimes really boost reception of a certain frequency, or interfere with it and totally cancel it out. I kept the antennae wrapped up in a coil and would slowly apply pressure and release to the rhythm of the patch... reminded me of interacting with my old noisy theremin.'

This technique can be clearly seen at 5:17.

Video from August 23, 2014 at the Evaton Technologies RF Nomad Launch Party, at Assemble PGH in Pittsburgh, PA, USA."

http://www.evatontechnologies.com/

RF Nomad Launch Party Performances: Margaret Cox

Published on Sep 29, 2014 Russ Hoffman

"Margaret Cox performs at the RF Nomad Launch Party, Saturday, Aug 23, 2014. Manipulated field recordings, amplified found objects, magnetic strip cards.
Video credit: Videographer Ed Huang, dirque@412video.com"

RF Nomad Launch Party Performances: 8CYLINDER & Tongue-Cut Sparrow

Published on Sep 30, 2014 Russ Hoffman

"8CYLINDER and Tongue-Cut Sparrow perform at the RF Nomad Launch Party, Saturday, Aug 23, 2014, at Assemble in Pittsburgh. The performance consists of modular synths, circuit-bent electronics, and, of course, an RF Nomad.

http://rhinoplex.org/8cylinder/

http://www.evatontechnologies.com/rf-...

Video credit: Videographer Ed Huang, dirque@412video.com"

Studio Electronics Boomstar 3003 Filter in Eurorack by Pittsburgh Modular


It looks like the Studio Electronics & Pittsburgh Modular collaboration announced at this year's NAMM show is coming to fruition.

The 3003 filter in eurorack.

15 minutes of Subphatty and MidiMurf exploration


Published on Sep 25, 2014 Richard London

"EP sound design from LONDONsoundlab"

L.C.F Industries Arp-8 to be Released on 8/29/14


via L.C.F Industries

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