MOS-LAB SYSTEM 8A + arpegiateur RSF Polyclavier

"Test et impro avec l'arpégiateur du RSF polyclavier + un System 8A fraichement sorti des ateliers MOS-LAB !"

Mos-lab intro

"System 8A"

This one in via Soviet Space Child.

MOS-LAB KOBOL VCO Tests

Playlist:
MOS-LAB KOBOL VCO First test
MOS-LAB KOBOL VCO 2
MOS-LAB KOBOL VCO 3
MOS-LAB KOBOL VCO 4
Mos-lab growl

This one in via Soviet Space Child.

MOS-LAB KOBOL EXPANDER III DEMO2

Mos-lab Kobol Expander 3
RSF Polykobol 2 (strings pad)
Vlinn (bassdrum, snare, hithat)

Sebastian Moumon is the man behind MOS-LAB.

This one in via Soviet Space Child.

Polykobol Test Sur 4 Voix

"Impro for testing the Polykobol after the calibrating operation of the first four voices card."

Sebastian Moumon is the man behind MOS-LAB.

This one in via Soviet Space Child.

PPG Wave 2.3 arpeggiator test

Arpege : PPG Wave 2.3
Bass : RSF kobol KB
Lead :Synton Syrinx

Sebastian Moumon is the man behind MOS-LAB.

This one in via Soviet Space Child.

quick test of the Synton syrinx

First VCO
00:30:01 : + second VCO
00:44:17 : + sub oscillator
01:00:00 : + ring modulator
after, I play with VCF, bandpass filters, etc..

Sebastian Moumon is the man behind MOS-LAB.

This one in via Soviet Space Child.

Zaquencer 1.04 Update Adds MIDI Delay & Ratcheting & 2 Note Chords

Zaquencer 1.04 In depth look Published on Oct 22, 2015

"In depth explanation and tutorial of the new features of the Zaquencer update 1.04: Delays & Ratcheting.
Please also refer to the Zaquencer manual to reference the list of modes explained in this video."

"This update adds the following features:
- regular & inverse midi delay
- ratcheting with submodes glide up & glide down, mini arpeggiator
- 2-note-interval chords

If you already own the Zaquencer, you´ll find the download of the 1.04 full version in your account for free."

1980s Yamaha DX-9 Synthesizer Brochure

via this auction

"Travel back in time with this vintage synth brochure. From the 1980s, it's for the Yamaha DX-9. Full color. Six fold-out pages. 8-1/2" by 11". It's in good condition, but does have some minor wear on the corners and whatnot."

Sequential Circuits Pro One SN 8912

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Nonlinear Labs Emphase & Native Instruments Kontour

via NONLINEAR LABS:

"You might have noticed the release of Kontour as one of the new instruments included in Native Instruments' Komplete 10 bundle. Kontour is the result of the first collaboration between Native Instruments and Nonlinear Labs. (Full disclosure: I am still a shareholder at NI.) Kontour's synthesis engine was developed by Nonlinear Labs. It is based on Phase 22, a synthesizer I have been working on for several years. Kontour is its adaptation as a highly refined software instrument.

The user interface was co-developed with NI (great work, André, Fabian, and Clément!). Experts at NI also managed the user documentation as well as the creation of the preset content, which involved excellent sound designers.

Kontour's concept consists of the following characteristics:
- an expressive, musical, and playable instrument
- a responsive sound engine with wide-ranging dynamics
- simple, puristic components combined with flexible signal routing to form complex and organic sounds
- a strong and unique character, not emulating existing instruments
- easy sound modification via macro controls
- user-recordable motions for the macro controls

Similarities and Differences
Kontour can be considered a sort of 'preview' to the first synthesis engine of our hardware synthesizer (working name "Emphase"). The audio processing structure of Emphase will be similar, but not identical (and therefore not preset-compatible) to that of Kontour.

So the question arises: just what are these differences? First of all, we are creating a hardware synthesizer. As we have the performing musician in mind, Emphase will be totally dedicated to human real-time control. Automatic control sources like Kontour’s motion recorders are replaced by the live input from the musician.

We have very high aims in terms of expressiveness and therefore we use our high-resolution TCD protocol. TCD gives us complete control over how the voices are assigned, how they are influenced by the pitch bender, ribbons, and pedals, as well as what is going on inside of each voice. In addition, morphing will play an important role for finding and modifying sounds.

You see the different intentions: Kontour integrates perfectly with the environment of software-based music production, while Emphase is optimized as a stand-alone hardware instrument." See the full post at Nonlinear Labs.