MATRIXSYNTH

PDSINTE067 - my house noises processed by Pure Data

Published on Feb 5, 2017 Ariel Raguet

"The audio taken by a mic is processed by Pure Data with two pitch delays and reverb."

Test Reflex LiveLoop

Published on Feb 5, 2017 RELOAD

"testing this great module for sampling my modular system......."

SDS Digital Reflex LiveLoop & ModEM-1 LFO & ADSR Eurorack Modules

Doepfer Dark Energy 2 & Strymon Big Sky

Published on Feb 5, 2017 3rdStoreyChemist

"Dark Energy 2 synthesiser through the Big Sky reverb. The Big Sky has been placed on an aux send.

No further processing except normalisation."

Fields of Density with the upcoming Cosmosƒ v4

Published on Feb 5, 2017 Sinan Bokesoy

"performance test with Cosmosƒ v4, only %44 CPU. 9 meso events, 81 micro events, 100's of modulation sources for pitch, filter cutoff and panning."

Published on Feb 5, 2017 Little Bitchard

"A quick eurorack modular synth jam with Melu Instruments' module 'Freak', which is a digital dual VCO with phase-synced modulation.

Here it's pretty much the vanilla unit, I applied only small amounts of spring reverb from my TTSH and light limiting. The module is driven by external sequencer and ADSR envelope generator, with output of oscillator 2 routed through a VCA for some (blunt) on/off gating."

Tangerine Dream - tangram (extract 3)

Published on Feb 5, 2017 graal7

inspired by tangram
juno6
moog sub37
minilogue korg
electribe 2

Ganymede Terminal

Published on Feb 5, 2017 davidryle

"Space Music, YES. An imagined moon base on Ganymede off Jupiter.

Modular synth for the bass line, percussion and a 16th note octave sequence.

The Oberheim/Dave Smith OB6 for a starting arpeggio, the Roland System 8 for some bridge chords and the Behringer DeepMind 12 for reverb-drenched chorus chords.

The main bass line sequence and percussion were generated by STG Soundlabs Time Modules. The bass sounds realized on the Moslab 901 VCO's and 904-A LPF.

The sixteenth note line introduced halfway in is the synthesizers.com Q119 sequencer to an Ian Fritz/Doug Slocum Double Dekka Ultrasonic VCO fed to two EG's and a Yusynth Minimoog filter.

Delays included Modcan dual delay, Lexicon MX200 (x2) and Behringer DD400.

The snare is a TipTop Audio SD808.

Played live in the studio and recorded to a single stereo track in Cubase. Video recorded with an iPhone7 and edited in Final Cut Pro."

monologue tribeSound0205

Published on Feb 4, 2017 ryouichi harada

0-Coast Shared System one take

Published on Feb 4, 2017 Glow Worm Cables

"A one take of a patch I am working on using the 0-Coast, Shared System and Volca Beats."

Maxim MDS 1000 - Simmons SDS V clone from the 1987

Published on Feb 4, 2017 100 Things I Do

"The Maxim MDS 1000 is a 1:1 design clone of the classic Simmons SDS 5. How close a clone you may ask? Well, I was able to use SDS V schematics to repair the MSD1000!

The majority of the board is consumed with logic chips for the preset bank selection. Other than that its very basic where you have tone , noise and bend as you main generators, followed with a Decay envelope. As you can see I picked up this unit in very sorry but complete state (with some original Maxim SDS Copy drum pads).

Due to cheap production of the PCB it suffered from a lot of broken solder joints, and some horrible layout. Traces will break and lift almost no matter what you do when working on the PCB. The Main connector between the front panel and the PCB is a major point of pain and I ended up running point to point wires to stop this failing in future. I still have not fixed the logic on the Low tom and the Bass Tom needs a new SSM 2044 and Sensitivity potentiometer.

All in all if you can find one at a good price (and you have the ability to do some tweaking of the Filter and noise inside the unit) you have a source of true analog SDS V sounds at what should be much less cost than an original."

There have only been a handful of Maxim MDS 1000 posts on the site.