Saturday, April 29, 2017
Superbooth 2017 - Rossum Electro-Music Morpheus Control Forge & Satellite
Published on Apr 29, 2017 DivKidVideo
"Check out the fully featured Morpheus video here - [posted here]. This is the first video of two with Rossum Electro-Music from Superbooth 2017. Marco takes us through the Morpheus, Control Forge and Satellite modules with a patch. Assimil8or to come in the next video."
New DSP Synthesizers Micro-TS Pics
Check out the handle!
"The Micro-TS is the smallest playable and programmable synthesizer in the world.The micro-TS is a key fob sized DIY synthesizer (61x41mm) with actually useable knobs like an analog synthesizer.
It has a one octave touch keyboard, 6 knobs and a stereo headphone output.
Running on a CR2032 button cell battery it is the smallest playable and programmable synthesizer in the world.
And the best of all is that it is open source software and hardware.
Check it out."
SUPERBOOTH17 – Close to 5000 visitors at FEZ Berlin
The following is the final press release on this year's SUPERBOOTH. For some perspective, we had 227 Superbooth17 posts here on MATRIXSYNTH so far, more are sure to trickle in. NAMM2017 came in at 209 posts, and Musikmesse2017 had only 19 posts. Note the number of posts that come in are just a reflection of what attendees capture at each event.
"Berlin, April 29th 2017
The 2nd edition of SUPERBOOTH left the organizers jaded but fulfilled. Summing up, SUPERBOOTH17 beats last year's edition by far with 70 new exhibitors, more concerts and more visitors to the FEZ Berlin. The new venue, though not built for this purpose, shows how well a fair for electronic musical instruments fits into the ex - GDR "Pionier-Palast". The stage, the foyer and the outdoor area with the Seaside-Stage offered a framework that was very well received by exhibitors and visitors alike.
Many exhibitors took new product developments unseen by the public eye to SUPERBOOTH. This is something which can be perceived as acknowledgement of the fair's meaning. The manufacturer's trust in the work of Andreas Schneider and his team paid off well. Visitor numbers have considerably increased also as a consequence of the cultural events and again offering top notch, iconic and unusual content from all stems of electronic music.
A new feature this year was the screening of the cinema films, i.e. fans and other interested visitors were given the chance to view the Berlinale film "Denk ich an Deutschland in der Nacht" before official theatre release. Another new element that entered the mix were workshops for school children (ages 7-15) in which a performance was developed and put onstage in conjunction with (among others) the Teichmann Bros from Regensburg and Berlin. From this type of workshop, a new way of teaching shall guide a new generation into music making, far away from old methods like learning to play recorder or triangles.
The SUPERBOOTH concept bears fruit - In front of the four main stages and through the hallways, one could hear voices saying: "next year we'll be back”. Interest in SUPERBOOTH is as big because it is like a fresh breeze for conventional trade fair patterns or platforms. The fair is closer to what electronic musical instruments should be about - the music - and not profit margins and sales figures. The most frequently posed question arising over the weekend was about the prospect for the next coming SUPERBOOTH. Which direction is it headed?
Andreas Schneider and his team would like to express their explicit thanks to all exhibitors, artists, media representatives, trade visitors and last but not least the numerous public visitors for their continued and new support over three marvelous days!
Please find more information and impressions of the fair on the SUPERBOOTH website:
www.superbooth.com"
"Berlin, April 29th 2017
The 2nd edition of SUPERBOOTH left the organizers jaded but fulfilled. Summing up, SUPERBOOTH17 beats last year's edition by far with 70 new exhibitors, more concerts and more visitors to the FEZ Berlin. The new venue, though not built for this purpose, shows how well a fair for electronic musical instruments fits into the ex - GDR "Pionier-Palast". The stage, the foyer and the outdoor area with the Seaside-Stage offered a framework that was very well received by exhibitors and visitors alike.
Many exhibitors took new product developments unseen by the public eye to SUPERBOOTH. This is something which can be perceived as acknowledgement of the fair's meaning. The manufacturer's trust in the work of Andreas Schneider and his team paid off well. Visitor numbers have considerably increased also as a consequence of the cultural events and again offering top notch, iconic and unusual content from all stems of electronic music.
A new feature this year was the screening of the cinema films, i.e. fans and other interested visitors were given the chance to view the Berlinale film "Denk ich an Deutschland in der Nacht" before official theatre release. Another new element that entered the mix were workshops for school children (ages 7-15) in which a performance was developed and put onstage in conjunction with (among others) the Teichmann Bros from Regensburg and Berlin. From this type of workshop, a new way of teaching shall guide a new generation into music making, far away from old methods like learning to play recorder or triangles.
The SUPERBOOTH concept bears fruit - In front of the four main stages and through the hallways, one could hear voices saying: "next year we'll be back”. Interest in SUPERBOOTH is as big because it is like a fresh breeze for conventional trade fair patterns or platforms. The fair is closer to what electronic musical instruments should be about - the music - and not profit margins and sales figures. The most frequently posed question arising over the weekend was about the prospect for the next coming SUPERBOOTH. Which direction is it headed?
Andreas Schneider and his team would like to express their explicit thanks to all exhibitors, artists, media representatives, trade visitors and last but not least the numerous public visitors for their continued and new support over three marvelous days!
Please find more information and impressions of the fair on the SUPERBOOTH website:
www.superbooth.com"
ZV_K LIVE Set at OHM Berlin Official Superbooth17 "25 years of Doepfer" After Party
"Recorded live at OHM club Berlin on 22nd of April 2017, during the Official Superbooth17 "25 years of Doepfer" afterparty. Fully improvised modular techno."
Modules used:
miniAtmegatron Tutorial - Uploading Software
Published on Apr 29, 2017 Soulsby Synthesizers
"This tutorial shows the simple process for uploading software onto the miniAtmegatron.
All files and information can be found here: http://soulsbysynths.com/miniatmegatr..."
Kawai SX240
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Reflective tape on the case above the keys.
"The Kawai SX-240 is an eight voice, fully programmable polyphonic analog synthesizer released in 1984 as a follow up to the Kawai SX-210. It was manufactured by Kawai but originally released under the Teisco brand-name in Japan when Kawai bought out Teisco. The Kawai SX-240 and the Kawai SX-210 never got much attention due to entering the market during the time of the digital revolution and poor marketing. Its main analog competitors of the time were the Korg Polysix and the Roland Juno 6/60."
via this auction
Reflective tape on the case above the keys.
"The Kawai SX-240 is an eight voice, fully programmable polyphonic analog synthesizer released in 1984 as a follow up to the Kawai SX-210. It was manufactured by Kawai but originally released under the Teisco brand-name in Japan when Kawai bought out Teisco. The Kawai SX-240 and the Kawai SX-210 never got much attention due to entering the market during the time of the digital revolution and poor marketing. Its main analog competitors of the time were the Korg Polysix and the Roland Juno 6/60."
Korg Mono/Poly
Custom Black ROLAND SH-201 SYNTHESIZER
KORG Micro Preset Vintage Synthesizer SN 771779
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Manufactured in 1977, in very good condition with just a few scrapes and bumps here and there. All electronics have been serviced and work 100%. Capable of some great warm analogue synth sounds. Minimalist controls, surprisingly versatile. All analogue circuitry, Contains the same VCF hybrid chips as found in the MS10 and MS20 known as the 'KORG35'. Not surprising then that it's sound is similar to the MS10 and the 20. Becoming a collectable vintage synthesizer. Item does not come with music rest. All of the original knobs and slider controls are intact. Synth works on 220/240 VAC, has a 3-pin UK plug fitted. As used by orchestral manoeuvres in the dark (OMD) On 'ENOLA GAY', 'MESSAGES' and also 'ELECTRICITY' music tracks. Although the synth has no CV or GATE control, there are a few websites that show how easy it can be added. As it stands, the synth is completely un-modified."
via this auction
"Manufactured in 1977, in very good condition with just a few scrapes and bumps here and there. All electronics have been serviced and work 100%. Capable of some great warm analogue synth sounds. Minimalist controls, surprisingly versatile. All analogue circuitry, Contains the same VCF hybrid chips as found in the MS10 and MS20 known as the 'KORG35'. Not surprising then that it's sound is similar to the MS10 and the 20. Becoming a collectable vintage synthesizer. Item does not come with music rest. All of the original knobs and slider controls are intact. Synth works on 220/240 VAC, has a 3-pin UK plug fitted. As used by orchestral manoeuvres in the dark (OMD) On 'ENOLA GAY', 'MESSAGES' and also 'ELECTRICITY' music tracks. Although the synth has no CV or GATE control, there are a few websites that show how easy it can be added. As it stands, the synth is completely un-modified."
Juno60 & Strymon Big Sky
Published on Feb 15, 2017 Simon Chauvin
"The Juno60 arp sent into the Big Sky reverb, using the Shimmer machine setting. A little closer to heaven :)"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
