"Add MIDI to Note-CV/Gate to any synth/rack from any computer/phone/tablet.
The USB-MIDI2CV adds MIDI to your analog synth or eurorack from a USB-MIDI interface.
Features:
USB-HID compliant, no drivers required
1 volt/octave 5 octaves 11-bit DAC output for notes & pitchbend
5 volt gate output for key on/off
3.5mm jacks for CV/Gate
Micro-USB jack for computer/phone/tablet
Includes 0,5m USB-A to Micro-USB cable."
Two videos recommended and sent my way via John L Rice. The second is further below.
"A simple ambient jam for the summer.
Some quick patch notes:
First (plucked string) voice:
Rings and STO sequenced by Copper Traces Seek
Bassline and "lead":
Pittsburgh Modular Synth Box (bassline) and Industrial Music Electronics Piston Honda MkII (slow lead) both sequenced by Stillson Hammer Mk II
Background melodies:
Synthesis Tehcnology E330 - sequenced by Stillson Hammer Mk II
Intellijel Dixie II (and multed copy of Dixie II melody recorded into Morphagene) sequenced by Make Noise Rene (Rene X input from Zularic Repetitor)
Fiters:
Three Sisters - plucked string voice and background melodies
AJH MiniMod VCF - bassline
AJH Sonic XV - lead
Effects:
Mutable Instruments Clouds x2 (looping delay mode on both)
Make Noise Erbe Verb (plucked strings sound, and background melodies)
Make Noise Echophon - background melodies
Dual Looping Delay (plucked strings)
Zvex Instant Lo-fi Junky (lead)"
Colloidal Flow
Published on Sep 3, 2017
"A reworking of the last patch I posted. This is a significantly different take, focusing on the ambient and drone with the sequenced parts blended in more.
PADS:
VCOs: E330 Multimode VCO (in Wavetable mode) into Clouds looping delay
PADS 2:
Direct outs from STO (sine) and Dixie II into clouds reverb
PLUCKY SYNTHS:
VCOs: STO and Dixie II
Sequencer: Turing Machine into uScale II, uScale A and B outs going to each VCO
Envelopes: Quadra
Envelope Triggers: Zularic Repetitor
Delay: Dual Looping Delay
16th NOTE SEQ:
VCO: Piston Honda MkII
Sequencer: Stillson Hammer Mk II
Filter: MiniMod VCF
Envelope (VCA and filter): Quadra
Variations in the bassline are from the Assignable A and B inputs on the SHMkII, they are being fed random S&H from the Ultra Random Analog, a multed copy of the S&H feeds into the shift input on the uScale, so both sets of sequences change at the same time.
KICK:
VCO: the sub bass out from STO into Pittsburgh Synth Box LPG in, triggered by output 4 from Zularic Repetitor"
"I had a cool idea to use an old iPhone G3 case I had lying around for my Pocket Operator. Turns out they are almost the same size as the old iPhone. It worked so well I bought new ones to use. All you need to do is put the PO in the case upside down and cut some holes for your audio jacks."
Upside down for the hanger to fit through the charging gap in the case as you can see in the pics. Simple, affordable, and smart solution. Think of of the case styles out there to customize it as well.
"in the center are 3 random granular sequences (internal random lfo controls starting points) of the orthogonal devices er-301 (starting material: 30 seconds loop, mutable instruments rings randomly sequenced by the disting mk4).
at the beginning, a ring modulation (intellijel dixie 2 / make noise sto) is alternately heard with a sound sequence of the make noise morphagene. both go through the zvex instant lo-fi junky in the tape delay of the disting mk4.
the noisy sounds comes from the dreadbox gamma and go into the 4ms dld. volume is controlled by batumi.
from 05:43
mutable instruments rings randomly sequenced from the malice voltage block and then goes into mutable instruments clouds. the bass comes from the dreadbox omikron. the drums-like sound is produced by dreadbox lamda in self-oscillation.
recorded live with tascam dr 100. no audio processing.
for the best listening experience listen to the video with headphones or good speakers."
"In 1987 Oberheim released the DPX1, a 2-unit rackmount 'Sample Player' during the era of the classic samplers. Its function is to load 3.5" and 5" diskettes containing samples. These samples are loaded into its 1 MB of RAM from which you can play the samples using any MIDI keyboard, controller or sequencer. It was compatible with the E-mu Emulator II , Sequential Prophet 2000, 2002, 2002+ , Ensoniq Mirage DSK8/DMS8 and the Akai S900 formats. You can't edit any of the samples, the DPX1 is simply a load-n-play machine. Its universality among these early samplers makes it great for anyone who may still have old disks of samples but not the samplers that created them. With the DPX1 you can resurrect those samples and use them again, or resample them into a modern sampler. Sounds can also be re-stored in an Oberheim DPX format on to 3.5" disks. The DPX1 has a very impressionable architecture. That is, it recalls the nuances of you're samples including any processing, looping, filtering and modulations resulting in very accurate reproductions of the samples as they would have sounded through their original Sampler synths. However you can't edit, alter, re-program or create new samples. Ensoniq and E-mu samples come through sounding just like they're being played out of the original synths, if not better. However, the Sequential sounds are not quite as nice when played from the DPX1 and cannot be stacked as they may be in the Prophet. The DPX1 has limited potential, but if you have the samples (and not the Samplers) this is an economic way to recover and hear those classic samples again."
"In 1987 Oberheim released the DPX1, a 2-unit rackmount 'Sample Player' during the era of the classic samplers. Its function is to load 3.5" and 5" diskettes containing samples. 
These samples are loaded into its 1 MB of RAM from which you can play the samples using any MIDI keyboard, controller or sequencer. It was compatible with the E-mu Emulator II , Sequential Prophet 2000, 2002, 2002+ , Ensoniq Mirage DSK8/DMS8 and the Akai S900 formats. You can't edit any of the samples, the DPX1 is simply a load-n-play machine. Its universality among these early samplers makes it great for anyone who may still have old disks of samples but not the samplers that created them. With the DPX1 you can resurrect those samples and use them again, or resample them into a modern sampler. Sounds can also be re-stored in an Oberheim DPX format on to 3.5" disks. The DPX1 has a very impressionable architecture. That is, it recalls the nuances of you're samples including any processing, looping, filtering and modulations resulting in very accurate reproductions of the samples as they would have sounded through their original Sampler synths. However you can't edit, alter, re-program or create new samples. Ensoniq and E-mu samples come through sounding just like they're being played out of the original synths, if not better. However, the Sequential sounds are not quite as nice when played from the DPX1 and cannot be stacked as they may be in the Prophet. The DPX1 has limited potential, but if you have the samples (and not the Samplers) this is an economic way to recover and hear those classic samples again."
