MFB Dominion 1 paraphonic analog synth

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Yamaha SY-2 Synthesizer

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Roland SH-2000 Vintage Analogue Synthesiser SN 342234

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"Roland’s second ever synth

Early version with Moog ladder filter

In amazing condition for its age near mint

Working perfectly

Very rare in this condition looks almost like new."

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Oberheim OB-Xa - ANALOG POLY SYNTH

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Taking a classic TR-808 drum pattern and giving it the Mutant treatment

Published on Dec 4, 2017 Hexinverter Électronique

"We take an old school electro beat in an 808 style and use the modulation and distortion capabilities of the Mutant Drums to...well, mutate it!"

TIPTOE - Make Noise modular research

Published on Dec 4, 2017 ikkini

"Recherches musicales pour le spectacle sur lequel je bosse actuellement, Paul - Voir les arbres plutôt que la forêt."

Googlish:
"Musical research for the show I'm currently working on, Paul - See the trees rather than the forest."

1985 Moog Song Producer Ad

via Retro Synth Ads, where you'll find the full write-up and more vintage synth ads.

"Moog Song Producer 1/6-page black and white advertisement from page 108 in the November 1985 issue of Keyboard Magazine."

Rheyne - Sequenced Jam #63 (Spock in the Morphagene)

Published on Dec 3, 2017 Rheyne

"A sample of Spock from 'Space Seed' in the Morphagene. Kick is from a Moog DFAM, snare is from a Make Noise 0-Coast, arpeggio is from a Noise Engineering LIP, and bass is from a Make Noise DPO. 8 additional LFOs from Silent Way are sent through an Expert Sleepers ES-8. Sequenced with the Winter Modular Eloquencer.
Reverb is from a Strymon BigSky. Audio was recorded straight from the mixer.

'Spock' and 'Space Seed' are trademarks of CBS."

Update:

Rheyne - Sequenced Jam #63, part 2

Published on Dec 7, 2017 Rheyne

"An alternate version of the patch from Sequenced Jam #63, recorded in case of any legal issues with the Leonard Nimoy sample from the original recording."

3xMOTHER32, let's get low (use headphones)

Published on Dec 4, 2017 peter synthbrothers

"Beschrijving"

Sonicsmith Introduces the Modulor A1 Synth

Modulor A1 synth intoduction Published on Dec 4, 2017 Sonicsmith

"We introduce the Modulor A1 synth.

It's a semi-modular, analog music synthesizer that can create traditional sounds but extreme modulations as well.
It runs on standard 9V pedal PSU and has 1V/octave pitch input."

"MODULOR A1

SEMI-MODULAR ANALOG SYNTHESIZER.

Our newest synth is not audio controlled but can come as a perfect accompaniment to them.

In fact The Modulor A1 will enhance any existing analog synth rig, allowing them to enrich their sound beyond belief. The Modulor A1 contains a VCO, LFO (each sync-able), two VCAs (one dedicated to the VCO and the other to the LFO), and numerous patching options. Both VCO and LFO can be square or triangle waves and a switch sends LFO to modulate VCO frequency for some vibrato (at lower LFO rates) or FM (at LFO rates up to 200Hz) effects.

The Modulor A1 is here to dive deep into modular synthesis in the 9V pedal environment. This Voltage Controlled Synthesizer has two audio outputs. One at regular line level (+4dBu) via big jack, and the other is a mini jack on the top panel (9V). This can be fed into a modular synthesizer environments if one wants to use the VCO voice through his Eurorack inputs for example. Another use for this mini jack oscillator is a ring modulation source on the Squaver P1 or any other CV input for that matter. You will get surprised of the results every time you patch it to a different CV destination. As a stand-alone synth the Modulor A1 has quite a bit of power as well. Allowing you to make all kinds of effects and melodies without even a single patch cable. Of course when you consider a few mini-jack to mini-jacks cables the possibilities are more exiting and you'r doomed to fall into an endless pool of tweaking. Either as a companion to our Audio Controlled Synths or along with your own modular synths, this handy 9 X 10 cm synth is a tiny version of a modular synth. The VCO pitch input is 1V/octave and has a 9V minijack output on the front. The other VCO output is a big jack on the back at line level unbalanced+4 dBu. VCO sync input will reset the wave's position to zero every time a threshold of 0V is crossed. The LFO sync input threshold is 3.0v for compatibility with most gate signals. Two knobs for pitch offset 20Hz-20kHz and the other knob is -4-+4 semitones.
Features:

VCO, LFO and two VCAs

9V standard pedal PSU

VCO with two outputs: a big jack +4 dBu post VCA and a minijack 9V out without VCA to control as clock or mix into Eurorack system.

Sync input on both the LFO and the VCO

LFO from 0.2 Hz up to 200Hz for FM synthesis

“LFO to VCO pitch in” switch for instant satisfaction"