"The Pro-One is of the greatest mono synths of all time . This example is n very good condition and recently serviced by Kent Spong . The keyboard has also just had all the bushings replaced and plays beautifully. Cosmetically no big marks or scratches and the lettering around the dials is still clean and bold . There’s some wear to the lettering around where the output jacks are on the back panel but this is fairly typical for a model of this age."
"Putting together a few patch examples for the EYEtenuator that didn't make it into the main infomercial video. This video should give a more comprehensive look at how the EYEtenuator works and why it is useful in a patch."
"Just a quick demo using the Erica Synths Black Dual VCF. This is such a versatile filter, it's got a very very permanent place in my rack, it's got multimode filters and parallel and series mode! I'll be doing a full overview/review of this in the coming weeks, look forward to it!"
"The Roland D-05 offers two sound modes, Original and Clear. Many of my viewers are curious about these two modes so we will do a sound demo of the internal factory sequencer running in both modes. Is there a difference in the sound? Let your ears be the judge!"
"Hellooo,
Here's a (far too long) video of sampling with the new Analog Rytm MKII. Also some what I was thinking polyrhyhtmic sequencing, but as commenter Mattias (who is also an analog engineer at Elektron) pointed out is polymeter rhythms, and an attempt at explaining how to set up the performances.
(Sorry for the length… Focusing and staying efficient when on holidays is really difficult! Longing back to the studio!)"
"Do you guys like tuba ambient? It's seriously the best. This patch was inspired by the works of tuba ambient man Tom Heasley. Go check out his music!
Really nothing too fancy going on in this patch. This one's just about turning the right knobs at the right time.
Patch notes:
I'm using Ripples to produce sound by turning the resonance up to self-oscillation level, and I have the BP output patched back into the FM input for some richer tuba-like timbres.
The audio is fed into Clouds, where I'm using the Density parameter to control when the sound is passed through. I'm also using Clouds' pitch shifting to control the pitch of the notes - had to practice a little to find just the knob positions I wanted here. Clouds also adds a bunch of reverb, of course, and then passes the audio on to the Dual Looping Delay.
I've set each channel on the DLD to very slightly different delay times (using the "unquantized time control" by holding down ∞Hold while turning the Time knobs). This creates a little stereo movement in the loops when each channel is sent left and right respectively."
"A dark, atonal, semi-self-generating modular patch using a small Eurorack setup sent through an Eventide Space hall reverb, using Ableton Live as a tempo source. No other processing has been applied.
I stupidly forgot to document the patch over on Modular Grid before I unpatched it, but here's the setup I used:
https://www.modulargrid.net/e/racks/view/561390
Good luck recreating it!
It's essentially FM on each Mother 32 oscillator by their respective LFOs, with Maths providing some slow modulation. One VCF output from a Mother 32 is patched into the external audio input of the other via Veils. The rest of that cable kraken is just adding subtleties and interest to the patch! The Mother 32s are panned apart into the stereo inputs of the Eventide Space.
Many people love the Blackhole algorithm on the Space, but I actually prefer Hall for huge, evil ambiences. It's a very dark reverb that works perfectly for patches like this one."
