ROLAND V-SYNTH - Ambient chillout music soundscape 【SYNTH DEMO】

Published on Jan 6, 2018 synth4ever

"Roland V-Synth synthesizer demo -- playing an ambient chillout electronica music soundscape on Roland V Synth digital synthesizer from Roland.

This Roland V-Synth ambient chill-out / new age synthesizer music created via V-Synth's arpeggiator, delay/reverb, filter and time stretching modulations to reveal new "hidden" sounds within a slowed-down sample."

Volca jam for Jamuary 2018, day 6

Published on Jan 6, 2018 Slenterende Beer

"'Jamuary' is a yearly event where people upload short music jams every day throughout the month of January. This submission is for January 6th.

This jam I tried something new: play 3 Volcas at the same time! I control the Bass, FM and Keys with the Keystep. The Bass is tuned an octave higher than the Keys.

Also, in this jam I used the Specular Reverb's 'infinite' mode for the low background drone. This was played on the Volca Keys.

Korg Volca Bass
Korg Volca FM + Zoom MS-70CDR
Korg Volca Keys + GFI System Specular Reverb V2
Arturia Keystep
Retrokits RK-004
Behringer XENYX QX1002USB

Recorded with iPhone 7."

Cyclogenesis

Published on Jan 6, 2018 stretta

"Snowed-in in New England."

Variations on Roland Integra 7

Published on Jan 6, 2018 Woody Piano Shack

"Variations by Andrew Lloyd Webber played on the Roland Integra 7 synthesizer module. Featuring several of the more unusual SuperNATURAL acoustic tones.

MIDI recorded in Cockos Reaper, played multi-timbrally in the Integra-7 and then bounced as a stereo mix into the DAW.

Variations (1978) is a classical and rock fusion album. The music was composed by Andrew Lloyd Webber and performed by his younger brother, the cellist Julian Lloyd Webber."

KORG Electribe emx2 & Volca Keys Deep Techno Session 1

Published on Jan 6, 2018 014london70

"Old school Acidey Techno using the E2 & Volca Keys.
Recorded in AudioShare via a Behringer uca222 and mastered in Final Touch."

CIRCUIT JAMMING // NOVATION CIRCUIT

Published on Jan 6, 2018 Miles Cosmo

"I had a huge play around with the Circuit exploring it's sound design possibilities, and then I jammed this out. Stay tuned for the full length sound design video :)"

Kicking into 2018 - Moog System 55, Ben Crook, Novation Peak, Elektron Digitakt and Toys Toys Toys

Published on Jan 6, 2018 Ehsan Gelsi

Frequency Fodder - Live From The Lab Vol 002

Published on Jan 6, 2018

"Frequency Fodder jamming live in the studio.

Twenty plus minute performance of completely improvised modular synthesizer music using nothing but electricity and control voltage.

Recorded LIVE via UAD 4-710d light pipe through UAD Apollo Twin to Ableton Live on OS-X. "

Eurorack system and ARP2600.

Synth Jam SH-01A, Microbrute, Odyssey, Volca Sample

Published on Jan 6, 2018 Ian R

"A little jam with these friends; Roland SH-01A on bass, KArp Odyssey, Microbrute, Volca Sample on drums. Enjoy!"

DW-6000, Flashback Triple Delay, Trinity2

Published on Jan 6, 2018 The Outsider

"Often overlooked, if not dismissed outright, the DW-6000 is the underdog from KORG's pair of DWGS synths made in the mid 80s. On paper, the feature list of the 6000 does pale in comparison with that of its big brother the DW-8000, but it is hardly a synth without merit. The filter is very warm, with resonance that can bite, and the chorus (at least on this particular unit) is nice and surprisingly far less noisy than that of Roland's Juno series. It's an interesting synth, capable of standard analog polysynth sounds, but also able to venture into PPG territory thanks to digital waveforms.

This is a live noodling session, no overdubs, no sequencing. I switched patches on the fly, going back and forth between different sounds. I have the first delay's time in the Flashback set close to max, which provided an almost looper-like result, you can hear the sounds layering on each other but surprisingly it never got out of hand. Absolutely amazing what a difference pedals can make, and I still can't get over just how good pedals sound these days.

The Flashback is set to serial mode, with the delays as follows: Tape - Space - Reverse. The Trinity2 is set as follows: Decay at 3 o'clock, Tone and Mix at 12 o'clock, using the IV preset. The signal goes into a Mackie MS 1402-VLZ mixer, then through a Focusrite Compounder. Recorded into a Zoom R8, then slightly tinkered with in Logic Pro X (very slight EQ and level adjustment)."