111118 (the minirig version of 111108)

111118 (the minirig version of 111108) from CatManDeux on Vimeo.

"Riffing off of Cortini’s masterful 111108, which was a huge source of inspiration to create music. PO33 is looping Cortini’s Buchla rhythm track."

https://www.matrixsynth.com/search?q=111108

ARTURIA MICROBRUTE + MAKE NOISE O-COAST // synths playing Bach Prelude D major // 2

Published on Jun 9, 2018 LESINDES

2nd ODD COUPLE:
ARTURIA MICROBRUTE // MAKE NOISE O-COAST
My challenge here was to tweak a proper sound for the BACH Prelude D major, BWV 850.
So different machines lead to different ideas -- so please don't look
for too much similarities!
Since (nearly) all of them are pure mono synths
all recordings are done in 2 takes. I filmed
the melody part.

Happy Nerding 3x Stereo Mixer

Published on Jun 9, 2018 Happy Nerding

"One channel of 3x Stereo Mixer is used to add ping pong delay."

UNIVOX MINIKORG SYNTH REDUX

Published on Jun 9, 2018 gstormelectro

"Audio & Video by G-Storm Electro c.2018

Today a follow-up demo of my Uniox Minikorg w/ a Pitch CV + Gate mod controlled

by the Arturia Beatstep, this time sans the annoying percussion. This synth is

one big continuous sweet spot! Some delay by Timefactor, a touch of Big Sky

reverb, recorded directly via Mackie mixer to a Tascam DR-05. Press play, kick"

S-CAT in the Studio with Liam Howlett of The Prodigy, D.A.V.E. The Drummer, & Daniel Boyle

Published on Jun 9, 2018 Space Cat Audio Technologies

"We were invited along to Liam's studio to deliver his new S-CAT Circuit Bent Casio MT-41, You can see me here running through some of the new controls."

CLICK FOR MORE »

Robaux SWT16 Demo - Blame it on the Bossa Nova.

Published on Jun 9, 2018 robaux

027//Quest of Bones - a self generating track by a Moog DFAM and 2x Mother 32

Published on Jun 9, 2018 Alastair Wilson

"A semi-self-generating patch using 2 Mother 32s sent through an Eventide Space hall reverb, and a DFAM sent through an Eventide Timefactor on moddelay setting.

This patch came about when I was playing with the idea of using Karplus-Strong synthesis (using short delays which 'ring out' when noise triggers them) with the DFAM to give it more texture. At the same time, I was thinking about making a patch where the pulse width of a square wave on the M32 was modulated with a square LFO to give a rhythmic tremolo. This patch was the result of mixing those ideas!

PATCH NOTES:
The lower M32 is the bass, with a square LFO clocking it and the DFAM (on drums), while the same LFO modulates the pulse width of the VCO's square wave through 0 width (silencing it when the LFO is low). The higher M32, which plays the high notes, is randomly triggered by the lower M32. The lower M32 has its sequencer glitched to run at 1/12 the speed of the DFAM, and is turning off and on by another square LFO. This gives the overall rhythm of the patch. For a bit of interest, the saw wave output of the lower M32 is sent to the external audio input of the DFAM, and the DFAM's VCO 2 is occasionally mixed with the lower M32 to give it reverb. Everything is controlled by the random stepped voltages from the Assign outputs of the M32s.

If you want to recreate this patch, you can find it here:
https://www.modulargrid.net/e/patches/view/40057"

apeMatrix AU/IAA Audio Routing Tool for iOS

Published on Jun 9, 2018 Alessandro Petrolati

"apeMatrix is a unique AU/IAA routing tool that gives you total control over what you want to do and how you want to do it."

iTunes: apeMatrix - apeSoft

"apeMatrix is a unique AU/IAA routing tool that gives you total control over what you want to do and how you want to do it.

Holding true to the standard of apeSoft, apeMatrix continues to push the limits of possibilities in music creation. Automating almost every aspect of linked control, apeMatrix brings all your creation tools together and links them both in MIDI and audio. Letting you inject all your favorite FX both AU and IAA in a very easy and intuitive way. apeMatrix can also assign its Control Manager MIDI, Accelerometer, Scrub and LFO’s to modulate every built-in parameter and any parameter available inside the AUv3 (Audio Unit Plugins).

apeMatrix offers 10 slots on each of the three Matrix grids with 2 bus slots on each grid that make it possible to interconnect all 3 Matrix. The MIDI Patchbay also offers endless possibilities for MIDI routing and control in a similar grid design for both internal and external MIDI control. So you can send and receive MIDI and have ultimate control over where its routed.

Each Audio Connection on the grid has its own gain control. Just tap on the node and drag will give you the full range of volume control. Or use Mixer to controls the RAU output and automate them using apeSoft’s unique Control Manager MIDI, Accelerometer, Scrub and LFO’s to modulate every built-in parameter and any parameter available inside the AUv3 (Audio Unit Plugins).

Turn each slot on or off by a control switch on the Matrix or MIDI control. Control output, pan, mute and solo of each slot and Master output of each Matrix with the built in mixer control or MIDI control.

Route your sounds through all a series of FX or route multiple sounds through the very some FX. The possibilities are as endless as your creativity.

CLICK FOR MORE »

Kick.S / X1320 (320)

Published on Jun 9, 2018 Kick.S

Max reverb

/// Equipment ////
TR-Rack
Virus TI2
MIDIMINI
Mixwizard
EHX Cathedral
Eventide space
Strymon BigSky
Lexicon PCM 80
FMR Audio RNC1773 (E)
Digitakt (custom painted)

Pocket Operators play Aquatic Ambience (Donkey Kong Country)

Published on Jun 9, 2018 0F.digital

"I made a cover of Aquatic Ambience from Donkey Kong Country using the PO-33 and PO-35. It took me a while to learn how to play the melodies live, and I still didn't get it quite right! Hope it isn't too jarring.

All sounds are from Nord Lead, compressed and edited quite heavily in order to fit them on the PO-33 and still sound good. The PO-35 is only being used for lead (sounds also from the Nord!) in this video.

If you like, you can purchase the pattern and sound data for the PO-33 part of this track at the following link:
https://gum.co/EuYEw

PO-33 is running through a Behringer RV600, and PO-35 is running through a Behringer EM600. Both treated with some EQ and compression in Reaper. The raw audio was nice, but I think the effects really made the sounds come alive. I highly recommend using the Pocket Operators with pedals!

Special thanks to 8-bit Music Theory for the very helpful video featuring this track. Without it I wouldn't have been able to get the chords just right! Check it out:
https://www.youtube.com/watch?v=MycI9..."