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Tuesday, June 11, 2019

Rob Papen Introduces B.I.T. Analogue-Modelled Soft Synth


Live Stream 11 June 2019 B.I.T. -Virtual Analog Synthesizer -


"Rob Papen progresses back in time to bring B.I.T. into being as analogue-modelled soft synth fit for today

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of B.I.T. — bringing namesake company founder and acclaimed sound designer Rob Papen’s persistent passion for subtractive synthesis into being as an aptly-named, analogue-modelled software synthesizer fit for today’s DAW (Digital Audio Workstation) workflow — as of June 11…

B.I.T. stands for Back In Time — an apt acronym for Rob Papen, collectively or otherwise. On the face of it, namesake company founder and acclaimed sound designer Rob Papen’s passion for subtractive synthesis remains as strong as when he first started working with synthesizers way back when, purchasing an analogue Korg MS-20 semi-modular monosynth and accompanying analogue SQ-10 sequencer at the tender age of 15 — more recently reaffirmed by self-publishing the publicly praised The Secrets Of Subtractive Synthesis combined book and DVD package based on his The 4-Element Synth© teaching method. Moving back to task — to the wondrous world of B.I.T. specifically and Rob Papen collectively, the virtual instrument and effect plug-in developer’s newest software synthesizer sets its inspirational sights solely on analogue-modelled synthesis, rather than combining the best of analogue modelling with hybrid synthesis techniques that have hitherto formed the much-admired musical backbone of the company’s classy creations.

What’s with the apparent change of musical direction, then? The concept behind B.I.T. comes down to this: classic analogue synthesizers still show an appeal that the renowned Rob Papen brand is perfectly positioned to tap in to. This is not surprising since Rob Papen himself still has a pristine example of Roland’s (former flagship) Jupiter-8 analogue programmable polysynth — purchased brand new back in the ‘dying days’ of analogue in 1983 (albeit now seriously sought after and astronomically priced) — taking pride of place in his studio setup; several other analogue classics comfortably reside there alongside it, including that ‘teenage’ Korg combo. Clearly inspired by backward progression, pure analogue-modelled synthesis is the order of the day when it comes to B.I.T. — no spectrum waveforms or samples required!

Really, making the most of Korg’s classic MS-20 requires patch cables, but B.I.T. does not need any as an analogue-modelled software synthesizer plug-in par excellence — despite demonstrating masterful modular-like attributes. An advanced MOD MATRIX makes for painless patching while a smart ADV (advanced) panel positioned below the oscillators offers a helping hand. Activating ADV allows users to quickly make useful connections, such as the LFO and ENV (envelope) to the oscillator parameters. Pushing further forward, B.I.T. also allows OSC 1 to modulate OSC 2 in several ways, which increases its sound palette to take in phase modulation, frequency modulation, and ring modulation.

Musically, of course, any Rob Papen software synthesizer would likely be viewed as being incomplete without an arpeggiator — as, arguably, would Rob Papen’s prized Roland Jupiter-8, and B.I.T. is no exception to this unwritten rule. Indeed, its fully-featured ARP can also work in sequencer mode and has an additional FREE row that can be used to modulate other elements of B.I.T. by using the MOD MATRIX.

Making it to the finish line, B.I.T. brings with it some superb-sounding effects, comprising CHORUS, DELAY, FLANGER, and PHASER, plus Rob Papen’s proprietary REVERB, so no need (necessarily) to turn to an external reverb of any kind to bring some space to the virtual instrument and effect plug-in developer’s newest software synthesizer.

So while B.I.T. stands for Back In Time it could conceivably stand for Be Inspired Today! After all, Rob Papen has added a 16-voice, authentic-sounding, analogue-modelled software synthesizer fit for today’s DAW workflow to its lengthening line-up of virtual instruments, intermixing innovative design, uncompromising sound quality, and musical, production-grade presets — over 950 this time — to make tracks truly shine. Still better, B.I.T. brings with it the secrets of subtractive synthesis, thanks to namesake company founder and acclaimed sound designer Rob Papen!


B.I.T. can be purchased from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for an introductory promo price of €79.00 EUR (including VAT)/$79.00 USD until the end of June 2019 — rising thereafter to €99.00 EUR (including VAT)/$99.00 USD — from here: https://www.robpapen.com/buybit.html

Note that B.I.T. is included in the latest version of the eXplorer 5 bundle (https://www.robpapen.com/eXplorer-5.html), so existing owners only have to download the latest installer and run it to add B.I.T. to their Rob Papen virtual instrument and effect plug-in collection.

B.I.T. is available as a 64-bit AAX-, AU-, and VST-compatible software synthesizer plug-in for Mac (OS X 10.8 - MacOS 10.14) and as a 32- and 64- bit AAX- and VST-compatible software synthesizer plug-in for PC (Windows 7/Windows 8/Windows 10) — AAX for PT 12 or higher (PC).

B.I.T. uses a serial/license system with activation when registering. (A second serial for a secondary computer is available after registering the original.)

For more in-depth information, please visit the dedicated B.I.T. webpage here: https://www.robpapen.com/bit.html"

Introducing Monoment by Softube


Published on Jun 11, 2019 SoftubeStudios

"✮ In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and a rich, living bass sound.

So an instrument dedicated to just that – tailored to producing huge, solid bass tones with complex, organic overtones and focused effects for a mix-ready low end – is more than just useful. It's foundational. Monoment Bass lays the groundwork for top-quality tracks every time. ✮"




"Monoment Bass includes a two-layer source section, with all-stereo sources offering rich and evolving sounds. Nothing is static, and all the sources were recorded in triplicate, so there are three different samples per key for additional naturalism and life. The resulting sounds leap out of the speakers and grab hold of your track. Right out of the box and with minimal tweaking, this instrument has authority, weight, heft, power, character. The filter, LFO, and amp are all geared to musicians – you don’t need a degree in synth-geekery to use Monoment Bass – and the effects are designed step-by-step for just this crucial task.

Noise, dirt, magic

Using the aging knob, you can introduce a host of analog-ish imperfections to your bass sound. And a third noise source is available at all times, with multiple organic noise options, to add crunch to the attack or grit to the body of your sound. Add analog distortion, ambience, and tone-shaping in the effects section, and you’ll be surprised by the range of colorful living sounds your track can hold. Monoment, by virtue of its high input quality and carefully selected sculpting options, becomes more than a part of your mix. It’s the very core and heart of your mix."

Moog Modular at PS Audio: Do high resolution systems have to go to 40kHz?


Published on Jun 11, 2019 PS Audio

More synth spotting in a non synth oriented video. This time a Moog 5U modular owned by Gus at PS Audio. Last Friday's video featured the ARP 2600 in a wall and a Roland Juno-106 with custom wood sides.

"The highest resolution systems capable of discerning the most minute of details buried deep in the music are often wonders of reproduction most people have never experienced. Do they have to have ultra bandwidth to work? Have a question you want to ask Paul? http://www.psaudio.com/ask-paul/

I have finished my memoir! You can go read it now: https://www.amazon.com/gp/product/173... It's called 99% True and it is chock full of adventures, debauchery, struggles, heartwarming stories, triumphs and failures, great belly laughs, and a peek inside the high-end audio industry you've never known before.

I plan a few surprises for early adopters, so go to https://www.paulmcgowan.com and add your name to the list of interested readers. There's an entire gallery of never before seen photos too."

Monday, June 10, 2019

Roland JX-3P , Vintage Analog Synthesizer , Custom Sounds


Published on Jun 10, 2019 CLASSIC VINTAGE

"Roland JX-3P is a synthesizer produced by Roland Corporation of Japan in 1983. The '3P' in its name refers to 'Programmable Preset Polyphonic'. It is notable as one of the company's first synthesizers to incorporate a MIDI interface ... Custom Sounds By Everton ..."

Moog Sub 37: Rhythm modulations


Published on Jun 10, 2019 Marcus Padrini

"Teste rápido de modulações sincronizadas no Moog Sub 37. LFO 2 com sample & hold modulando cutoff e ressonância do filtro. LFO 1 com pulse modulando ganho do noise."

Deejayiwan - Technology Rise


Published on Aug 16, 2018 Omni Art

"Drums from FL, bass from SH101, ambients sounds from EMU XL.. Also a liltlle KP3 sweep FX and Roland DEP5 reverb... Recorded on Roland VCD1824..."

Metasonix D-1000 Vacuum-Tube Drum Machine | Drum Synth

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EMS SynthiA Clone Sounds by verstaerker


Published on Jun 10, 2019 verstaerker

"some random sounds with the EMS SynthiA Clone"

Happy Knobbing 2019 and the Resonant Garden


Published on Jun 10, 2019 Wein Glas

"The annual modular synth meeting 'Happy Knobbing' in Fischbach/Germany! I had a wonderful time with wonderful people!

And I got a Folktek Resonant Garden that is responsible for the soundtrack of this short tour!"

Black Corporation Kijimi

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