Dreadbox Nymphes Late Night Sessions Analog Synthesizer

video upload by Rik Marston Official

"'Dreadbox Nymphes - Late Night Sessions'
Synthesizer demo by Rik Marston
*Watch in HD!* * NO Talking!* *Turn it up!*
The Dreadbox Nymphes analog synthesizer showing off some
analog Pads, Arpeggios & FX patches! Such a fun synthesizer to play!
It really can get the vintage vibe & sound modern at the same time!
I am using the Roland Fantom 6 a MIDI keyboard controller.
Still can't figure how to use the MIDI / CC functions on the Nymphes!
Any idea what button combos to hit after I select "7" in the menu,
let me know in the comments! I need to know! LOLOLOL!
Thank you for watching!"

'FAT BASS' - Bigger Sound for Synth Bass Lines using the Wave Swarm & Ring SM Eurorack modules

video upload by AJH Synth Official

"Some fat synth bass line sounds using a variation of 2 VCO, Ladder Filter, Wave Swarm for a thick sawtooth pad, and Ring SM for sub basses. Either or both of these 2 modules add a lot of scope to the sound of even a single VCO, even more so with two. Patch notes at the bottom.
The Wave Swarm uses it's 12 waveform animators to create thick, buzzing supersaw style sounds, from either a single saw wave, or from two independent saws, even as part of two completely separate monophonic synth voices, even a two-voice polyphonic patch. Check the links below for User Guide and some patches.
The Ring SM has both a vintage-voiced, fully analogue ring modulator, modelled on the ring mod from the EMS Synthi and VCS3, but it is also a 5-channel Moog CP3 style mixer, capable of soft clipping overdrive/distortion, and most importantly for bass patches - a sub bass/sub-octave generator, needing only a single VCO to generate both -1 and -2 sub octaves simultaneously. All functions can be used together, or on their own. The sub basses are shaped sine waves, which sound thicker and deeper than plain square waves, which are most commonly used by synths as sub basses.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Meet us and the modules in person this year at Superbooth 23, Berlin, on May 11th to 13th.

Video by @DreamsOfWires"

Roland JX-3P 61-Key Programmable Preset Polyphonic Synthesizer + DT200 + Series Circuits Midi Upgrade

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via this auction

"The JX-3P MIDI Upgrade Kit adds the following new features to your Roland JX-3P:
• Simultaneous use of the PG-200 or DT-200 and MIDI input
• Real-time control over all JX-3P parameters with standard MIDI CC messages
• Loading new patches into the JX-3P via MIDI (CC)
• Selectable MIDI receive channel (1-3)
• Velocity sensitivity (via MIDI-input, not the keyboard)

Additional features for owners of a PG-200 (or DT-200) programmer:
• Transmission of MIDI CC messages from programmer, for recording in sequencer or DAW for automation, and/or controlling other MIDI devices"

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Yamaha AN1x Analog Modeling Synthesizer

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Ensoniq SQ80 Crosswave Synthesizer + Voice Crystal Cartridge + 20 Floppys SN SQ-14229-E

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via this auction

"Here’s what’s included:
Ensoniq SQ80
Power Cable
User’s Manual
Footswitch
Voice Crystal 1 cartridge
3x Floppy Disks with patches
20x Verbatim Floppy Disks (unused)"

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Steiner-Crumar Masters Touch Analog Synthesizer Breath Controller/Filter Module 00209

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find a demo of one here.

"This is an early breath controller/filter module originally made for the Crumar Stratus. It can be connected to almost any vintage analog synthesizer. It has two trigger outs, three transducer voltages out, touch modular pad, bite and breath attenuators, and sensitivity adjustments. It can make almost any analog synth breath controllable.

This filter module was originally sold from 1978 - 1980. This particular module shows signs of mild rust and paint blemishes. The breath tubes are yellowed and old. It has not been tested, however, since this is an old analog synthesizer module, the components can be easily replaced if necessary. Possibly only the capacitors would need to be replaced.

The last photo of the serial number plate still has the remnants of the plastic cover on it."

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Dancing Waves - PPG Waveterm A (1982) #shorts #synth #synthesizer #retrosound #synths #music

video upload by RetroSound

What a Synthesizer Designer learned from a Neuroscientist?

video upload by Meng Qi

"I made a calculator based on the concept of Critical Bandwidth. It returns the percentage of tonal pitch intervals given base pitch and ranges of numerator and denominator. It's to aid the decision-making for the ranges of controls on a musical instrument. As musicality lies in a range, experimentation lies on its edges, and controllability is better when the range is smaller. We do want a healthy balance of all three elements.

get it: https://github.com/mengqimusic/tools"

Sunday Jam with Oscillot and SyntieCat

video upload by max forcats

"https://www.ableton.com/en/packs/osci... currently on sale!
https://sonicbloom.net/products/synth...

Max for Cats crafts Software Instruments, Effects, MIDI devices, Sound Design and Samples for Ableton Live."

SundÆycre jam with Oscillot and Synthiecat

ENSONIQ ESQ-1 - Synth Demo | Sounds, Patches & Presets

video upload by synth4ever

"Ensoniq ESQ-1 synth demo featuring sounds, patches and presets. The ESQ-1 is a vintage digital / analog hybrid synth released by Ensoniq in 1985. This Ensoniq ESQ-1 synthesizer demo showcases various sounds including pads, basses, fx, bells, strings, drums and more.

Released in 1985, the Ensoniq ESQ-1 has 61 velocity-sensitive keys, 8 voices of polyphony, 9-part multi-timbrality, 24,000 note & 8-track sequencer, 3 oscillators, 3 LFOs, 4 envelope generators, low-pass resonant filter, MIDI and storage for 40 internal patches (expandable via cartridge).

The ESQ-1's 3x oscillators are digital and use a custom Ensoniq chip to generate 32 different waveforms. The low-pass filter uses a CEM 3379 chip however does not fully self-oscillate and is only 32-steps of resolution. The VCA is also fully analog. In addition, the Ensoniq ESQ-1 can respond to polyphonic aftertouch via MIDI.

The Ensoniq ESQ-1 also features amplitude modulation, oscillator sync, monohponic mode and portamento. Programming is done via the buttons and data slider on the front panel, however changes do not take effect until the subsequent key press. Sequences of up to 999 bars can be chained to songs for massive performances.

The Ensoniq ESQ-1 has a classic digital / analog hybrid sound from the mid 80s and is a workhorse synth that continues to be loved and appreciated to this day. It is very fully featured and despite the lack of knobs and sliders, is fairly quick to edit. If you are interested in early hybrid synth sounds from the 1980s, the Ensoniq ESQ-1 is a great choice."