ESK - Analog Flanger Roland + Dynacord

video upload by Metunar

"Testing out two analog stereo flanger effects, the Roland SBF-325 and the Dynacord TAM 19.
To catch the peaks of high flanger feedback and some high boost level i used an ART PWM Limiter.
The Sequence is from an Elektron A4K.

http://www.metunar.ch"

Italo Disco Groove

video upload by Aleksei Laman

"Here I installed two Tube VCAs at master. For warm tube sound, like italian summer night."

Random Source Serge Dual GTO with Lyra-8 FX

video upload by Dimitrios Sismanis

"Testing out the new Dual GTO with a freshly modded Lyra-8 FX."

Mellow Minimal Techno - Afterparty Jam!

video upload by Electronisounds Audio

"Recording Date: 08/06/2023
Tempo: 123bpm
Key: D sharp minor

This piece came about from the Hardware Jams Facebook Group's weekly challenge - which was to make a jam in the style of an Afterparty from last week's jam!

The vocals are sampled from Rick Rubin interview, and then I got 2 of my homies to duplicate the main vocal sample, 'You can feel this energy'. THANKS Gaz and Tony! Big Ups!

Great challenge, and it gave me the inspiration to MAKE SOMETHING!! Woot!"

---

Electronisounds:
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters

Therevox with Blooper Looping Part deux

video upload by Rudetee

"All sound coming from the Therevox in the loopin Blooper from Chase Bliss"

How To Use Texture Lab Granular Synth For Experimental Noise

video upload by ChrisLody

"Full Disclosure: I occasionally take on freelance work at Sonicware on an hourly rate producing synth & sample sound design, beta testing, checking English text, video manuals etc. This video wasn't paid for directly but as a result of my work with Sonicware it is marked as Paid Promotion

For more information about the Texture Lab see this video: [posted here]

Here's how to use the Liven Texture Lab for extreme experimental noise. This is very similar to a 'no input mixer technique' feedback technique but in this case the feedback loop is affected by granular synthesis so the results are extremely wild! Like all feedback techniques the results can be extreme and incredibly difficult to control, great fun :)"

Product Specialist Kevin Maloney - Full Interview

video upload by Anthony Marinelli Music

"In this video, I visit and talk with former New England Digital Synclavier Product Specialist Kevin Maloney while surrounded by his two Synclavier Digital Music Systems.

Together, we present a complete history of the Synclavier with a stories and examples of how we used it on some massive hit records and films.
First, we listen to a track on the the original blue vinyl record titled 'The Incredible Sounds of the Synclavier II Demonstration Record'
that was the original source sound for the intro to Michael Jackson's 'Beat It'.Kevin's talks about sitting next to Michael while working on the Bad" album.He'll show us a complete breakdown of the components that make up the "Smooth Criminal" bass sound and a recreation of the sampled drum part.Then you'll see, in real time, how Synclavier's unique sequencer can drastically and quickly manipulate (or even transform) the recreated "Smooth Criminal" track.Kevin tells us how he worked closely with producer Quincy Jones to create the intro to "We Are the World". Quincy wasn't satisfied with silver bells, so Kevin turned silver bells into gold bells. Quincy said, he wanted to “send out bells to call all the people of the world to come and hear this song”. We delve into the Synclavier's one-of-a-kind ability to analyze samples (recordings of instruments or sounds) in order to create a series of short frames that each consist of a static wavetable. By cross fading the frames the user is able to recreate the complexity of a sample with a synthesizer sound. This process is called Resynthesis. The user is now able to manipulate the synthesizer sound in many more ways than can ever be done with a sample. We then heavily distort some vocal sounds that were generated using Resynthesis to show the level of control that is possible. We take a look at some preset sampled sounds from the original Synclavier Orchestral library including the string sounds used by Mark Knopfler in Rob Reiner's "The Princess Bride". Anthony talks about how he created a flute sound generated from Resynthesis and later used it to perform practically every cue in the film "Stand by Me" which is another Rob Reiner hit. We take you through the evolution of the Synclavier that includes: The Synclavier I, the Synclavier II with it's original keyboard, the addition of the velocity and polyphonic keyboard, The expanded track sequencer, the addition of more buttons and secondary functions accessed by double clicking the buttons to send them into "blinking mode". BTW - These buttons were originally designed for the B-52 bomber.

We cover MIDI, SMPTE, polyphonic sampling voices and more memory (at a cost of $4500 per megabyte) that were available to add to your system.

We highlight the reason why the Synclavier cost so much and how New England Digital managed to integrate cutting edge 3rd party technology that all worked perfectly together in one unified music system. Finally we review the far more accessible versions of the Synclavier like the Synclavier V by Arturia, Synclavier Go! and Synclavier Pocket! and the most recent addition to the family - Synclavier Regen which actually has unlimited FM synthesis and sampler voices along with the long awaited... resonant Multimode FILTERS!!! The evolution of Synclavier is filled with a plethora of breath-taking features that were nowhere to be found on any other single instrument and it includes a discography of legendary proportion. It's also a history that's deeply personal to me because it ran parallel with my evolution as a composer, songwriter, arranger and programmer. The Synclavier is alive and well in 2023!

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

Website: www.anthonymarinelli.com"

201 Pacifica by twang69

video upload by Critter & Guitari

"Download this mode here: https://patchstorage.com/pacifica-2/
Pocket Piano vibes? Yes! This very cool vibraphone mode comes to us from user twang69, who made a similar patch for Organelle. Play these smooth bell samples with some amplitude modulation. Record an arpeggiated sequence and play notes on top that also feed into the arpeggiator. This is just one styling of 201! Explore more modes and patterns on 201's Patch Storage, or make your own!
If you're an Organelle user, grab the original version here:
https://patchstorage.com/pacifica/"

Roland JX-3P sequencer | tips and tricks

video upload by Espen Kraft

"The JX-3P sequencer is a great little thing and it's fast and easy to get going. What I don't show in this video is it's also syncable through its 'Sequencer Trigger' input jack and you can feed it whatever pattern you want, from a drum machine or whatever and it will play along in time."

Blukač Instruments - Endless Processor - Sound Examples Ep. 4

video upload by Blukač Instruments

"Here we demonstrate new performance possibilities added in the new firmware (version 1.2).
By activating separate layer mode, you can move between sustained layers instead of stacking them.

Here electro-piano chords are sustained having a chord in each layer (in both channels). When moving in the separate layer mode both channels will switch to the layer, which creates a pseudo-stereo effect. Additionally, both channels are processed by a stereo delay with a touch of reverb to mix everything nicely.

Also as shown, when inserting a CV to the Layer input and setting fade in/out times to the minimum, you can achieve near audio-rate modulation or granular-like processing effects."