MATRIXSYNTH

Nosiebug - Synths by the Hour

video upload by NOISEBUG

"Nosiebug’s Modular Museum is a fully hands on interactive rental space. Equipped with the finest modular synthesizers around. Rent by the hour or contact us for special bulk hour pricing packages. Whether you’re a beginner wanting to learn the basics, or a seasoned modular master looking to catch up with your favorite circuits, there’s something here to excite everyone.

Noisebug.net"

Sequential Prophet 10 detuned patch

video upload by AdamSchneiderMusic

New MOOG MUSE - 1st Video & Audio Demo by Mike Dean

View this post on Instagram

A post shared by MIKE DEAN (@therealmikedean)

Update: screen grab in case the video disappears.

Rumored specs:

Moog MUSE poly synth with 8 Matriarch voices, effects and presets.
MOOG MUSE
8 VOICE
Bi Timbral
2 VCOs
Ladder filte
r PATCH BANK W/T PRESETS
BBD bucket brigade delay
61 keys fatar
RING MOD
OVERLOAD

Some backgound on Mike Dean:

via Discogs

"Pioneer hip-hop producer from Houston, Texas. Mike has his own labels called Dean's List and M.W.A. Engineer at Dean's List House Of Hits."

via Wikipedia:

"Michael George Dean (born March 1, 1965) is an American record producer, audio engineer, songwriter, and multi-instrumentalist. He is best known for his synthesizer-heavy instrumentation and audio mixing for high-profile music industry artists. He began his career in 1992, producing albums for rappers such as Scarface, Willie D, and Geto Boys, but has since worked on records for artists including the Weeknd, Beyoncé, Kanye West, Kid Cudi, Travis Scott, Jay-Z, Drake, Madonna, Selena Gomez, and Lana Del Rey, among others. As a non-vocal lead artist, Dean has released four solo studio albums: 4:20 (2020), 4:22 (2021), Smoke State 42222 (2022), and 4:23 (2023)."

Honeysmack LIVE Acid Techno at Music Room on 3.03 Day with TR-09, TB-03 and Volca Beats

video upload by Honeysmack

"This was a small intimate gig I did on 3.03 day at Music Room in Melbourne. Amazing beautiful small venue that is a bar with a record room and huge sound. DJs are at home here although live acts definitely not the norm here, but I am always up for bucking the trend. Being the holy day of 3.03, I wanted to do a live set that was totally ACID focused with a 303.

The additional technical challenge was to do this show with ultra minimal gear, no mixer, no power, no effects just the Roland TR-09 and TB-03 with the Korg Volca Beats, all daisy-chained together. The TR-09 was the master clock and audio passed from the Volca into the TB-03 then into the TR-09. All effects are on board, no additional processing or mixing or anything else! Just one small audio cable running into the PA. All boxes were running on battery power for even less cabling and ease of set-up. The entire space was less half a square metre!

The performance is totally improvised, unrehearsed without any additional processing or editing. No DJs or computers were harmed during this performance.

Big thanks to the Acid Safari, Bo, DJ Jnett and everyone at Music Room.

📡 This channel is supported by my Patreon supporters who get a first look, join here."

Dual Octatrack Madness: Granular Sampling Is Wild

video upload by EZBOT

"What's better than one Octatrack? Two, of course. In today's live stream we use my battery powered Octatrack run the Octacosm project which will be processing the OP-1 Field. The Octacosm is an Octatrack Template that turns the Octatrack into a granular effects processor which is great for processing synthesizers. We will be sampling into the Digitakt and making some music from scratch.

Download the Octatrack Performance Mixer 3.0 Template and the Octacosm here: https://ko-fi.com/s/c71520e99c and here patreon.com/ezbot

Get 10% Modbang cables with code: EZBOT23
SHOP HERE: https://www.modbang.com/modbang-shop

I love to teach! Step up your game with 1 on 1 lessons: https://www.ezbot.live/"

Dynacord CLS 222 ~ Expressive Osmose ~ Strymon Cloudburst

video upload by Ebotronix

"Dynacord CLS 222 ~ Rotor Effect ~ Super Stereo Leslie
Expressive Osmose
Haken Audio ContinuuMini
2x Strymon Cloudburst ~ Midi CC by
AtoVproject Faderbank!
Line 6 DL 4 MK2
MACKIE the Mixer
The 'CLS 22' model was built from 1982 to 1988 and uses an exclusively analog signal. According to the manufacturer's official product brochure, Dynacord began developing the effect in the 1970s with the aim of imitating the sound of the mechanical rotor cabinet fully electronically and without wear. To do this, the manufacturer splits the input signal into a high-frequency and a low-frequency signal using an electronic crossover. Since the start-up and stop times of the two channels varied in a targeted manner, the rotor sound could be copied electronically. You could choose between fast speed (“Fast”), slow rotor sound (“Slow”) and untouched signal (“Stop”). In addition, the input level of the preamplifier, rotor balance, and output level of the signals could be adjusted between monophonic or stereophonic. On the back there is a power plug, jack sockets, XLR outputs, fine adjustments for the rotor speed and a footswitch input.

In 1989, a revised version of the device was released under the name “CLS 222”. This effect device supposedly now also uses a digital signal for signal processing, in contrast to the pioneer. However, according to the circuit diagrams in the service manuals, both the CLS 22 and the CLS 222 use purely analog circuits, including BBD chips (so-called “bucket chain memory”) for the signal delay. According to the manufacturer, the CLS 222 model could still be used for electric guitars, microphones and PA systems without any problems, although the previous model was designed more for keyboards
British rock musician Eric Clapton used a white “Dynacord CLS 222” from 1989 to 1996 as part of his Soldano/Cornish guitar routing system. The effects device came into the system for the B part of the Cream song Badge. On the original recording, Clapton recorded the part with an original Leslie speaker, but used the Dynacord as a replacement for the performances during the Journeyman World Tour and world tour in 1992.

The guitarist David Gilmour of the rock band Pink Floyd also used a “Dynacord CLS 222” in his guitar and effects device system, which, like Clapton, was also developed by the British electrical engineer Pete Cornish.

The guitarist The Edge of the Irish band U2 also used the “CLS 22” effects device. The French music producer and disc jockey Joakim Bouaziz uses a “Dynacord Leslie simulator CLS 222” in his New York Crowdspacer Studio.

16.04.2024
video # 2364"

video upload by Perfect Circuit

"SON WU's beatmaking & music production tips and tricks with teenage engineering gear are well-known. In this video, he shares his five favorite things about the new teenage engineering EP-133 K.O. II 64MB Sampler Composer — one of the most popular and fun samplers on the market.

Read our interview with TE Founder / Designer David Eriksson here

Order your EP-133 here"

Error Instruments Restock at Noisebug

video upload by NOISEBUG

"We just got a bunch of exciting modules and gadgets in from Error Instruments, our friends in the Netherlands.

Be amazed here https://www.noisebug.net/collections/..."