"Original Fairlight Newsletter October 85, No. 5. It contains 6 pages in English and gives some information about the CMI Series III. Cool item for collectors or owners of this mighty system.
A previous owner made two holes in the side to store it in a folder."
"Discover the raw power of Serge Modular with this exclusive sample pack. Featuring organic noise textures, complex rhythms, analog drones, and punchy one-shots, each sound embodies the unpredictable, evolving nature of modular synthesis. Currently in beta, this pack offers a limited selection of sounds at an early price, with free lifetime updates as new material is added."
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One of my favorite tracks from the early 80s.
Wouldn’t It Be Good by Nik Kershaw from the album Human racing (1984)
Written by Nik Kershaw, produced by Peter Collins
Featured the Roland Juno-60, the Yamaha DX7 and the E-MU Emulator II
This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."
"This pack makes use of the various native sound engines of the Iridium/Quantum, which are blended with high-quality recordings of some of the biggest pad monsters in synth history, including the legendary MKS-80, Prophet-10, JX-8P and Matrix-1000. The result is a highly usable pack of presets with some of the widest and warmest pads available on the Iridium & Quantum, immediately usable for many different music genres or a great starting point for further tweaking.
Harry van Mierloo is an emerging international sound- and creative designer from the Netherlands. He blends the sound of classic analog synthesizers with the power of modern machines – perfect for artists seeking highly usable patches or fresh inspiration as a starting point for everyday day studio work. For many years, Harry has been fascinated by the wonderfully rich and emotional touch that pad sounds can add to music. He has now crafted and released his first official soundset called ‘Perfect Pads’ for the Iridium & Quantum.
Perfect Pads: A collection of 33 meticulously crafted pad patches for the wonderful Waldorf Iridium & Quantum synthesizer."
"This patch is a particularly satisfying way to push the boundaries of delay feedback loops without destroying your ears or overwhelming the input. In this case we are using ANA's XOR output as a hard clipper to limit the overall voltage level of a delay feedback loop while also adding in an input signal using the SUM input. This technique allows us to simultaneously amplify a signal while also setting a hard boundary on how loud the signal can get. By using ANA to tame our feedback we are able to get the characteristic "bloom" effect of a high-feedback delay while making sure that we can always hear our input signal and also constantly add new material into the looping delay line. Here we explore this patch with the amazing Make Noise Multimod, also using our 3DVCA module to mix multiple taps together."
"On our From Reset To Preset series, we noodle sounds from scratch, and showcase our new Redshift 6 synthesizer in use.
This time we created a heavily distorted lead sound, using Redshift 6’s unison mode and the Sour character from the Variable Character filter. The Sour character is a 3-pole, 18dB/Oct filter character that delivers squelchy, acid-like tones."
