tetris oscilloscope synthesizer

Published on Jan 13, 2015 hansiraber

"blender oscilloscope synth test #1234567890"

blender oscilloscope test

Published on Sep 24, 2014 hansiraber

"more testing with my blender audio renderer"

Blender 3D Midi Balls

YouTube via zamisers7k
"Sorry if the vid was chopy, still figuring things out, it High Def shinola(?) too many verii scanners maybe clogin my puter butts, but anyway here is what is going on in this vid:

There is no sensor in Blender's Game Engine to recieve midi messages, so I used Bomes Midi Translator to map midi notes to qwerty keyboard key presses. The trick was in Bomes Translator I had to translate the hex message for both key down and key up events, so there were actually 4 messages being remapped in this demo for only two midi notes on and off. If you don't do that than the key gets stuck and the balls will either not move or just go flying off the screen. I may do more complex stuff with it eventually and t I'll probably be limited to a certain amount of keys, but for the first night of testing the results seemed pretty cool and I don't know all the possibilites yet.

P.S. Blender is free wares/open source bless them, and Bomes Clasic is nag ware, so you can do the same just as cheap as me! Small print': RS7000, computer and midi hardware not included."

Blender vs Acces Virus

YouTube via Analogger
"I found this ancient blender in my mother-in-law's garage. She never throws anything away - only because the Salvation Army refuses to take it. I decided to use it for an audio "experiment." Enjoy. Here is my Myspace site: http://www.myspace.com/mrdithersnoisebox"

Blender 3D Model - The Korg Electribe MX

YouTube via wax78. No audio.
"This is an attempt to model the Korg Electribe MX with Blender."

Blender 3D Model - The Korg Electribe MX Version 2


Electribe MX Blender 3D Model

長身系ＡＶメーカーのためのシンセサイザー組曲

YouTube via medapai. "KORG DS-10" May not be the safest thing for work.
"KORG DS-10 一台で完結している楽曲です。普段、仕事ではacid music studioというソフトをサンプラー的に使ったり、同ソフトでmidiデータを作成したりするのですが、今回はそうしたソフトで作りこみは行わず、一発録りしてゆきました。但し、録音時にARIONのSAD-3というパチもんディレイをミキサーに咬ませ、センド・アンド・リターンさせています。結果、チープな音に近付いていると思います 。
さて、final heightとは私が個人で運営している長身系の女子を取り扱うインディ系アダルト・ メーカーになります。
http://www.medapai.com/
18歳以下は入っちゃダメよ"
"KORG DS-10-shot one of the songs. Usually work in the software sampler acid music studio to use them and the software to create and midi data, but this is such a dent in the software without making the first attempt to録りYUKIMASHITA . However, when the recording ARION SAD-3 of the delay in a blender and spit-bite from them anymore, and send them to return. The sound of approaching the cheap.
Now, final height and I was running the self-tall adult female system to deal with Indiana manufacturers.
http://www.medapai.com/
Do not enter the age of 18 years."

Formant 2000 Modular Synthesizer

images via this auction
Description in Googlish:
"Formant modular synthesizer 2000 as ARP / Moog, like new Hello, dear button Dreher, here is the unique opportunity to build a truly professional structure formant system generations. It is in 5 months of work by the developer built Helmstedt for me. The housing birch multiplex together Beizung and painting comes from Studio 38 from Kiel. The pots are made of American manufacturing (alpha), only the Sequenzerpotis had reasons of space German. The buttons are of Cosmo made especially for me. The sequencer buttons are of Tyco. The screenplay feeling "is astrein - really better than the mini-Moog and not with the normal button boxes to compare. The 3.5 mm jacks are of Miranda, they are the only ones who really tired and not flutschen crochet. The front panels are, of course, from etched aluminum. The fittings are Artware status of Thomann. The power supply has a toroidal transformer. During the manufacturing work we are from analogue keyboard on a midi keyboard with digital / analog - umgeschwenkt converter, so had the keyboard housing subsequently modified, which is consistent with cosmetic Macken was to acknowledge - there are some scars left behind is still decent work and painted. The Synth housing at the top and bottom are flawless, the pictures are from this afternoon. The device is also compatible with normal midi keyboards play!
All modules are made from Helmstedt. Only the analog instrumentation to control the tensions tax, I have built and deployed. Everything works fine. The sound possibilities with this system are virtually unlimited, I have three quarters after a year's work so much not even try, because I lacked the time. The sequencer itself is incredibly refined constructed and extremely powerful. Off the schnöden VCO> VCF> VCA paths is a synthesizer a smooth divorce reason. I have him to dubbing of animation films used some artists have their own animations so entertained and lots of fun with that. Now I agree with a studio community, where the device is misplaced.
This device is very vintage, very sexy and very professionally. It is an excellent studio unit, because of the selection of its components still experience the next century, if it is treated decently. The performance with the modulation wheel is first class, the keyboard of Fatar plays very pleasant and fast. The sound is ..... all-encompassing. The device can be easily butterweich on everything from schmatzend to hammerhart krachend, it may take a backward beaten Gong crackling in slivers "morph" it is really incomprehensible universal. It has everything a very own character, I would rather the overall sound direction ARP lane as the direction Moog ....
The system consists of: 5 VCO, VCF 24db to 12db VCF, 2 x 12db DoppelVCF, 5 ADSR, 1 Divider, 1 x 3 blender, 1 x 6 mixer, 4 LFO, ring modulator, Noise, Waveform Processor, modulation sequencers, the Envelope Follower Triggers external devices (guitar etc), multinationals, CV-source, BUS for CV / Gate, Midi Interface (twice), dual-CV-inverter, 4 VCA lin, 2 VCA exp, sequencer with 3 x 16 steps, all three rows with its own Trig-out. And a Hall Module (VERY analog) with Hall spiral. Probably I nochwas forgotten. I still do about this: A VCA exp, an ADSR and a double-LFO the same series (same front, the same buttons), an acquaintance of mine built. They also work properly. There is only enough space for 2 modules - then it's brim. ;-) 60 (!) Patch cables (mainly from Doepfer) are also included in the offer (various lengths).
Of course, is that this book Synthy, as well as the current documentation with the main changes from Helmstedt.
I think the pictures speak for themselves.
This system is expected to be unique in the world, I am aware of no other formant, with these high-quality components is built.
Since the device is quite large, I will not send - this collection is called for. It fits in any standard combinations. Anyway is a small introduction to the technique is useful - only the output is, for example, mixers so tricky, "the people are hardly set.

The device must be within a week after the auction ends to be paid. The collection does not necessarily during this period.
The device can be tested any time with me and look to be taken."
via swissdoc

Hartmann VS

images via this auction.
"Neuron VS is a PC and MAC compatible application. The package includes Nuke - an ergonomic hardware controller, built of steady aluminum and attachable to the computer via the USB connector.

Neuron VS is basically built on the same sound engine like the Neuron Hardware Synthesizer. It is coming with a highly sophisticated graphical user interface that perfectly interacts with the hardware controller box. Neuron VS includes 2 Resynators, the Blender module, the Mod- and Slicer Module, a Silver Unit (Multimode Filter plus Time and Frequency Effect unit) and 7 ADSR Shapers (for more details see feature list). Compared to the Hardware Synthesizer, Model maker, Surround capabilities, 4 levels / 4 times Shapers, high-end Delay and Reverb (and - obviously - the beautiful, luxurious user interface of the Keyboard version) are not included.

Neuron VS ships with 300 sounds and 200 Models. Its sound and sound shaping capabilities are amazingly close to those of the Neuron Keyboard synthesizer. This instrument will meet the expectations of many musicians out there, that do not have the money to spend on a Keyboard version - or who simply want total integration of the Neuron into their virtual studio setup.

The Nuke Controller box
With the button you select, which of the Neuron VS Modules is being controlled by the stick:

* Resynator 1
* Resynator 2
* Silver

It is not possible to work on the settings of those Parameter groups without Nuke.

Nuke offers 4 freely definable endless knobs (encoders), that are being set on a third page of the Neuron VS software.

Nuke is a valuable piece of hardware, that was designed to perfectly fit in your hand. It is made of aluminum and offers exactly the same kind of stick controller and encoders you find on the Neuron keyboard. The hand rest is made of special soft synthetic material.


Nuke is included in the Neuron VS software package.

The Resynator Page
The Resynator page allows for the real time setting of all Resynators’ parameters. The Resynators give access to the very heart of a sound. Neuron VS features 2 Resynators - each capable of driving one Model.

Neuron VS comes with a huge variety of Models (ca. 300). The Resynators (and Silver) need , the hardware controller to drive the parameter sets represented by the two bubbles on this page (and the bubble on the silver page). All movements of Nuke’s stick can be recorded in real time and stored as part of a sound.

Additionally, Neuron VS includes 7 ADSR shapers, that are switched by simply clicking on one of the smaller icons.

The Blender offer 10 different settings to merge and mix Models or parts of Models together.

The Silver Page
Silver includes a very powerful multimode filter ( 24dB low pass, 12dB low pass, 6dB low pass, 6dB high pass and band pass) plus two multi effect units. Cutoff and Frequency are being controlled crosswise by the stick or one can use the scrollers to set the parameters separately.

The Frequency FX Module includes a high end EQ / Compressor, Distortion, Ring Modulator, Decimator and SP Warp Effects. The Time FX Module includes Stereo Spread, Left/Right Delay, Flanger, Phaser and Chorus Effects.

Silver includes a dedicated ADSR Shaper for the Filter. All Shapers can be set to Repeat Mode - adding one more very flexible cyclic effect.

Besides that, the silver page is the home of the Mod and the Slicer. Mod represents an LFO. Slicer is a Neuron exclusive Module that allows for cyclic “3 dimensional” modulations.

The Nuke Page
On this page of the software the setting of the freely definable endless knobs (encoders) is being managed. Select the parameter you want to control for each knob and store the setting together with the sound.

Features
* Innovative and award winning neural synthesis engine (template driven Multi-Component Particle Transform Synthesis with real time controllable synthesis model parameters, Artificial Neural Network controlled adaptive sound analysis for the parametric transformation of musical monophonic and polyphonic sounds)
* 2 Resynators, each with 3 Scape and 3 Sphere Levels, Stick recording and Playback function per parameter level
* 1 ADSR envelope per Resynator with definable depth per parameter level
* 1 amplifier envelope per Resynator (ADSR)
* 2 definable free envelopes (ADSR)
* Blender module for manipulating one timbre (from resynator 1) with the properties of another (resynator 2)
* 8 different blender types
* Modulation module Low frequency oscillator with 12 waveforms
* Slicer module for the generation of multidimensional, cyclic modulation with 12 waveforms
* Silver module with multimode filter (24dB lowpass, 12dB lowpass, 6dB lowpass, 6dB highpass, bandpass)
* 1 Silver (ADSR) Envelope
* Frequency FX Module with EQ / Compressor, Distortion, Ring Modulator, Decimator and SP Warp Effects
* Time FX Module with Stereo Spread, Left/Right Delay, Flanger, Phaser and Chorus Effects
* Over 250 Models included (Strings / Percussion / Pianos / Pads / Reed / Plugged / Basses / Drums / Solo Instruments / Bells / Brass / Voices EFX / Loops / Organs, etc.)
* Each Model can be manipulated with 12 Parameters (6 x Scape / 6 x Sphere Parameters) that have been detected when analyzing the original sound.
* 10 different Parameter sets - depending on the specific Model characteristics
* Over 300 Sounds included
* hardware controller with 4 freely definable encoder knobs, 1 stick controller, 1 select button / 3 LEDs (connects via the USB port of your computer)

System Requirements
PC
* Windows Version: XP
* Processor: Intel Pentium III, IV and compatible processors
* Minimum Processor Speed: 850 MHz
* Recommended Processor Speed: > 2 GHz
* RAM minimum: 256 MB
* RAM recommended: 512 MB
* Harddisk space: 2 GB
* VST 2.0 compatible host application
* Soundcard: 44.1 kHz, 16 bit stereo

Mac
* MAC OS Version: OS X 10.2
* Processor: G4, G5
* Minimum Processor Speed: 800 MHz
* Recommended Processor Speed: > 1 GHz
* RAM minimum: 256 MB
* RAM recommended: 512 MB
* Harddisk space: 2 GB
* VST 2.0 compatible host application
* Soundcard: 44.1 kHz, 16 bit stereo (all MACs)"

Hartmann Neuron

Title link takes you to shots via this auction.

Details:
" This RARE 21st-Century keyboard represents a unique approach to sound modeling and reproduction! Like a sentient being, Neuron recognizes a sound. But more than that, its intelligence is such that it puts at your disposal parameters whose structures are adapted DYNAMICALLY to suit this sound. Ant that makes Neuron the first synthesizer with a brain full of responsive synapses, that is, variable rather than fixed parameter assingments. In simpler terms, the keyboard applies pattern recognition based on neural networks to digital sound samples and extracts parameters which can be controlled by the numerous knobs, wheels, and x-y joysticks (whose movements can actually be recorded, similar to the motorized sliders of high-end digital mixers) populating the front panel. The parameters being controlled vary from sound to sound and represent sonic aspects that no other keyboard - or human beings, for that matter - could ever possibly recognize. The Hartmann website permits downloading of ModelMaker software which permits you to create your own samples and import them via USB to the Neuron for subsequent processing. Unlike conventional synths, with their VCOs, VCFs, VCAs, EGs, LFOs, and the like, the Neuron consists of custom exotic modules such as Resynators, a Blender, Shapers, a Programmer, a Mod, a Slicer, a Silver (incuding Surround Sound controls), and Master Effects. Accessories include a fabric dust cover, a damper pedal, a footswitch, an expression pedal, a bag of spare parts, a power cord, a user manual, a Model & Parameterset Info guide, a digital coax output cable, and an SKB hardcase."

Hartmann Neuron

Click here for images via this auction.

Details (apparently pulled from the Hartmann site which is still up, btw):
"Neuron's synthesis engine is powered by the technology found in neural networks (for more on this, see the section "Neural Networks"). It uses models as the basis for sound generation. In conceptual terms, these models are comparable to samples, and they are derived by analyzing audio samples. This means that in principle, any auditory event can provide the raw material for creating and processing sound in Neuron. It ships with some 100 of these models on its internal hard disk. Though this is a huge store of sound design resources, you are free to analyze audio resources (samples) of your own, using our proprietary ModelMaker software, and archive them in the form of user models. These models contain the actual sound as well as the parameter sets that were captured during neural analysis. Parameter sets are subdivided in up to three levels, and they may be manipulated via the resynators' sticks. That makes Neuron the first synthesizer offering dynamic parameter assignment tailored specifically to the sound that you select for processing. "

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