MATRIXSYNTH: RCA


Showing posts with label RCA. Show all posts
Showing posts with label RCA. Show all posts

Thursday, January 17, 2008

The Sounds and Music of the RCA Electronic Music Synthesizer


via Orpheus Music where you will find more.

"Mark from The Reverse Time Page, your trusted source for "early radios, vacuum tubes, electric clocks, and unusual technological debris of the past" (www.uv201.com) posted all eight sides of this obscure record. Many many thanks Mark!

* Side 1: The Synthesis of Music-The Physical Characteristics of Musical Sounds (7:13, 3.3 mb)
* Side 2: The Synthesis of Music-Synthesis by Parts (Part 1) (5:55, 2.7 mb)
* Side 3: The Synthesis of Music-Synthesis by Parts (Part 2) (4:37, 2.1 mb)
* Side 4: Excerpts from Musical Selections (Part 1) (6:05, 2.8 mb)
* Side 5: Excerpts from Musical Selections (Part 2) (3:28, 1.6 mb)
* Side 6: Complete Selections-Bach Fugue No. 2, Brahms Hungarian Dance No. 1 (4:47, 2.2 mb)
* Side 7: Complete Selections-Oh Holy Night (Adam), Home Sweet Home (Bishop) (6:42, 3.1 mb)
* Side 8: Complete Selections-Stephen Foster Medley, Nola (Arndt), Blue Skies (Berlin) (7:49, 3.6 mb)"

Friday, January 11, 2008

Mort Garson Has Passed Away


Mort Garson born July 20, 1924 passed away on January 4, 2008. He was an electronic musician that worked primarily with the MOOG (modular) Synthesizer. One of his most recognizable albums is pictured below.

Mort Garson on Wikipedia
Mort Garson on Space Age Pop Music

Recordings via Space Age Pop Music:
* Bossa Nova for All Ages (by the Continentals), Canadian-American SCALP-1009
* Symphony for Soul (by the Total Eclipse), Imperial LP-12353
* Sea Drift (by the Dusk 'Til Dawn Orchestra), Elektra EK 4008/EKS 74008
* Zodiac Cosmic Sounds, Elektra EK 4009/EKS 74009
* Electronic Hair Pieces, A&M SP 4209
* Signs of the Zodiac: Aires, A&M 4211
* Signs of the Zodiac: Virgo, A&M SP 4212
* Signs of the Zodiac: Gemini, A&M SP 4213
* Signs of the Zodiac: Leo, A&M SP 4215
* Signs of the Zodiac: Scorpio, A&M SP 4218
* Signs of the Zodiac: Sagittarius, A&M SP 4219
* Signs of the Zodiac: Aquarius, A&M SP 4221
* Signs of the Zodiac: Pisces, A&M SP 4222
* Wozard of Id, A&M SP 4156
* Do Not Disturb (soundtrack), Columbia 4-43459
* Lucifer : Black Mass, United Artists UAS 73111
* Music for Sensuous Lovers by "Z," Sensuous Anthem-5800
* Ataraxia: The unexplained, electronic musical impressions of the occult, RCA Victor APL1-1217

Tuesday, January 08, 2008

Commodore 64 with built in Cynthcart!


YouTube via human202. via C64Music!

"Modified Commodore 64 with Cynthcart built in"

"Here is a list of all the mods:
- Custom black paint
- New decals
- Filter knob (changes values on the SID audio chip filter)
- RCA audio/video jacks on the back for easy connectivity
- Audio out (dual mono)
- Audio in (process external sources)
- Video out (easily connects to any modern T.V.)
- 14 segment LED screen ( displays greeting message and filter values)
- Relocated and replaced power light with blue l.e.d.
- Built in Cynthcart(internal mod)
- Choose between Cynthcart or normal boot up with a toggle switch
- Cynthcart,Basic prompt indicators"

Saturday, December 01, 2007

All Tube Synth


"2 VCO’s, 1 VCF, 1 VCA and a 2 channel mixer (from the old RCA tube book)"

More on Deviant Synth.

Update via Zerosum in the comments: "He posted some cool clips here"

Friday, November 24, 2006

Turnkey Vintage Synthesizer Sale


Moog System 1 custom 55/35 modular 3C - £25,000

The ultimate modular synthesizer. Originally conceived by Dr Robert A. Moog in the mid sixties as a less bulky, more affordable alternative to the famous experimental RCA Mark 2 (which filled several rooms), it became the instrument that made synthesized music popular, especially thanks to Walter Carlos' album "Switched On Bach", a massive hit in 1968. Other artists, like Tangerine Dream, Klaus Schulze and Emerson, Lake & Palmer also explored the possibilities of the Moog in mainstream music and even used it for live performances. But the modular systems were generally too complex and expensive for most musicians, designed as they were for studio composition of electronic music, and Moog went on to produce more performance oriented instruments such as the brilliant Minimoog.


System 1 consists of 2 cabinets.

Cabinet 1
# 2 x 921A Oscillator Driver
# 4 x 921B Oscillator
# 923 Filter/Noise Module - Low Pass, High Pass and White/Pink Noise Source
# 2 x CP3A Mixer Module - 4 inputs with volume pots, 2 Multiples, 2 outputs with master gain pot, 2 Trunks and 2 Multiples, 992 Controls to Oscillators
# 907A Fixed Filter Bank
# 904B Voltage Controlled High Pass Filter
# 904A Voltage Controlled Low Pass Filter
# 3 x 902 Voltage Controlled Amplifier
# 3 x 911 Envelope Generator

Cabinet 2
# 914 Fixed Filter Bank
# 904B Voltage Controlled High Pass Filter
# 904A Voltage Controlled Low Pass Filter
# 992 Control Voltages Module
# 5 x 902 Voltage Controlled Amplifier
# 5 x 911 Envelope Generator
# 911A Dual Trigger Delay
# 993 Trigger and Envelope Voltages Module
# Measurements: 1230 (L) x 240 (D) x 250 (H) mm

Wednesday, July 26, 2006

RCA MKII


via sequencer.de. More on the RCA Mark II.

Tuesday, February 28, 2006

RCA Synthesizer MK II


via Analog Industries where you'll find a sample link.

Via 120 Years: "The RCA Synthesiser was invented by the electronic engineers Harry Olsen and Hebert Belar, employed at RCA's Princeton Laboratories, as a way of electronically generating popular music. Although it never fulfilled its inventors expectations it's novel features were an inspiration for a number of electronic composers during the 1950's."

Monday, August 22, 2005

Wikipedia on Bob Moog


Wikipedia has already been updated. Wikipedia on Synthesizers has the following on the history of the synthesizer. This is who we lost today:

"The first playable modern configurable music synthesizer was created by Robert Moog, who had been a student of Peter Mauzey, one of the engineers of the RCA Mark II. Moog designed the circuits used in his synthesizer while he was at Columbia-Princeton. The Moog synthesizer was first displayed at the Audio Engineering Society convention in 1964. Like the RCA Mark II, it required hours to set up the machine for a new sound, but it was smaller and more flexible. The Moog synthesizer was at first a curiosity, but by 1968 it had caused a sensation."
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