Japan - Ghosts Live (1982). Synths used for texture.

And of course.... Van Halen's JUMP. Synths used for dust.

Look at how dusty that OB-Xa is!!! Eddie is just smiling away. No respect I tell yah. No respect...
EVERYTHING SYNTH


Title link takes you to shots pulled from this auction. More info on the Wavedrum on SOS and SonicState.

Title link takes you to Seth Elgart's website. I recently posted Jim Aikin's thoughts on Melody Over Texture. This came from a thread on SynthSights on the topic of the musician and the synthesist and the topic of sound and texture driving a piece of music vs. the musician driving the melody and composition. Seth put up a couple of examples of Music vs. Sound. In one track, Fifty Five, he gets lost in textures from the Waldorf Q, he states that Q drives the composition itself (BTW, this is a good demo of the Waldorf Q 's swirly textures). He states, "It more or less wrote itself. I didn't have much to do with it really. I just played it." In another track, Celebrate Life, Seth critically composes and drives the music. It's interesting when you think about how you create music. I lean more towards the sound leading me - it seems more like an interaction between me and the synth. Two things immidiately come to mind when I think about this, one, Bob Moog's magical description of how you feel sound and the instrument - how you connect to it in an almost metaphysical way; and two, this video of Jean Michel Jarre where he talks about leaving room for the music to drive itself. How do you play?
Title link takes you to Tim Wade's blog on the ORT Synthesizer. Thanks Tim!