Tuesday, May 02, 2006
Jen and microKorg - New Flickr Shot
Roland CMU810 on YouTube
Uploaded on Apr 30, 2006 f mass
"Roland CMU810 hooked up with a triplet of Roland System sequencers. The CMU810 is part of a wider Apple IIe/Roland Compu-Music (CMU800+CMU810) system that I finally finished to collect!"

This one in via fmasseti. "I have managed to hook up the roland cmu810 (part of a wider apple IIe/CMU800 set up) with my roland system 100m sequencing section." The Roland CMU810 is basically a Roland SH-101 minus sequencer and arpeggiator, but adds CV in. You can find more on the CMU810 on Sequencer.de and SOS. Note the image on Sequencer.de appears to be the CMU800.
Update: I sent this into AH. Brandon Daniel noted it also had some features of the MC-202. "But it also appears to have the LFO delay of the 202... with the noise
from the 101, but the 202's single waveform LFO. So somewhere between a
101 and 202, I guess."
Rhodes Chroma Poly-aftertouch

"The Pressure Sensor is a fully programmable, polyphonic, after-touch, pressure sensor. With it, the performer can effect one or more notes, independently of each other, in a number of programmable ways. The degree of the effect is controlled by the amount of finger pressure applied to one or more keys after they have been struck. The Pressure Sensor can be used to bend the pitch, add vibrato, control sweep speeds, accelerate attack times, accelerate decay times, modulate wave shape width, add or subtract brilliance, and/or control loudness. Any one effect or a combination of several effects may be used in a program. The Pressure Sensor is truly polyphonic; only the note sounding from each pressed key will be affected. Also, the effect can be latched if the key or keys are released rapidly. For example, if a note is bent sharp and the sustain pedal is depressed and the key is quickly release; the sustaining note will stay at the bent pitch."
Unfortunately most Chromas do not have polyphonic aftertouch. Even without, it is one of the most expressive synthesisers ever made.
SCI Remote Prophet


Electro-Music 2006 - June 2-4, 2006 Philidelphia

"The scope of this festival is very broad, covering all aspects of electro-music, experimental electronic music, including circuit bending, computer music, electro-jazz, modular synthesis, musique concrete, improvisation, noodles (generated or automatic music and algorithmic composition), multi-media, visual art and much more. The focus will be on participant involvement, sharing, community development, audience education, and great music."
ASM-1 at AHNE 2006

Apparrently this beauty was at AHNE 2006. It's an ASM-1. Title link takes you to the ASM-1 homepage.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH