Firstman SQ-01 - New Flickr Set

Remember the Firstman SQ-01?

Title link takes you to a Flickr set by hinotori mortal.

Synton Syrnix - New Flickr Shot

flickr by unrest.

Note: Typo in the title of the Flickr shot. It should be Syrinx.

What's cool about this shot is you can actually see the slight detuning of the two Oscillators.

Note the switch in the middle. It's a switch that let's you select LFO1 or LFO2 to modulate the firtst BPF. Title link takes you to the shot with a mouse over the mod.

Thebridechamber

"We build synthesizer modules and provide various things you'll need to build your own. So far, 4 of our modules are based on the circuit boards of Ken Stone and one module of our own design. Ken Stone is an Australian circuit designer with a versatile and playful frame of mind which is greatly to be praised. We are Bridechamber - what more can we say?"

Title link takes you to what more they can say.

via sequencer.de

JoMoX Sunsyn OS Update

"I have fixed the SunSyn Voice Release cuts of envelope 1 (Filter). On long filter release sounds the voices have been cut prior than 8 voices because the filter envelopes for all other voices were discharged erratically…took me 2 days to find this little but f**ing bug."

Title link takes you to the details on Sequencer.de.
It's good to see the synth still being supported.

Jörg Schaaf's Studio

Jörg Schaaf is the maker of the Spectralis. Sequencer.de has some shots of his studio up. Title link takes you there.

Analog Days

Analog Days seems to be getting a few nods in the comments of this post. I have the book myself but haven't had a chance to get around to it. The general consensus is that it is a great book but there are a few inaccuracies. I've been hoping the authors would come out with an addendum that clarifies them, but I haven't heard of anything to date. I checked the Analog Days website for this but couldn't find anything. If anyone knows where we can find such a list, please post in the comments.

Also, someone posted a link to an interview with Trevor Pinch, one of the authors of the book, on ABC Radio National. It's worth a read when you have the time. In the interview they state the theremin was used in the Beach Boys Good Vibrations. It was actually an electro-theremin.

BTW, if you are thinking of picking up a copy of Analog Days, here's a link: Analog Days on Amazon : )

Update: I remember putting up a post on Analog Days before. I checked my archives and found the post on August 23, 2005, exactly one day short of an entire year from this post. Funny. Anyway, there was mention of the inaccuracies in that post (this is a quote from AH, not me in the post): "It's also said to contain a lot of B.S. with attributions to people who simply didn't do certain things the author says they did. For one, Dan Wyman who ran SoundArts in L.A. in the 70s, and who WROTE the Moog modular manual, was quite ticked-off when he read the book and saw so many historical inaccuracies."

We need this list...

Updates via the comments:
via Peter Kirn:
"It's difficult to get interviews with Wendy Carlos, I know that, but I agree. I mean, in general, the writing isn't great by any stretch, and it doesn't feel comprehensive -- I would have liked to see more discussion beyond Moog, for one -- and there are inaccuracies.

But having said all that, you'll still want to read it, and you'll still have a great time with it. I think we need a new book now, mainly! And there's a lot of the roots of electronic music that just don't get told at all; the whole history of the 40s and 50s gets pretty much lost."

via anonymous:
"You can toss pretty much the entire section on Wendy Carlos. The amount of editorializing was nauseating and brings the credibility of the entire book into question. Yet, this wingnut is making money talking to radio progams around the world, telling her story for her. Jackass."

Via Anon:
"Beyond inaccuracies (of which I noted a few), the authors of Analog Days sometimes sound like grad students in psychology. Even so, the book is worth the read for the story - the general arc of the story is true and I haven't seen so much of the story presented in one place anywhere else.

For example, who would have thought that the success of the Moog synthesizer was tied in any way to Taco Bell?"

Aries Modular Track

Title link takes you to the track by kkissinger on electro-music.com. If you like Switched On Bach by Wendy Carlos, you should like this. BTW, if the post on electro-music dissapears over time, post a comment and I post a back-up. Not sure how long they keep their posts.

Moog Tribute by Simon James aka Corky Burger on CDM

Title link takes you to the post and mp3 on CDM. Track list: Walter Carlos, Spring, Columbia Records Richard Hayman, The Windmills of Your Mind, Command records Walter Carlos, Sinfonia to Cantata no 29, CBS Tomita, The Earth – A Hollow Vessel, RCA Gershon Kingsley, Did You Ever Take a Journey, Audio Fideltiy Records Chris Swanson, Snow, n/a Dick Hyman, The Minotaur, Command Circulus, My Body is Made of Sunlight, Rise Above Records C&K Vocal, Generace, Supraphon Emerson Lake and Palmer, Lucky Man, Island The Moog Machine, Aquarius/Let the Sunshine in, CBS Marty Gold, Day Tripper, AVCO Embassy Hugo Montenegro, You Got it Bad Girl, BMG Clara Rockmore, Swan, n/a Walter Carlos, Winter, Columbia Records Dick Hyman, The Moog and Me, Command records Devo, Mongoloid, Warner Herbie Hancock, Earth Beat, CBS Klaus Schulze, Mind Phaser, Bomb Records

Weltklang Electronic Music

Title link takes you there. Scroll down the left column when you get there for more shots. Nice PPG in this shot.


via sequencer.de

The $500 Buchla

Title link takes you to a bit of Buchla history.
Excerpt:
"In contrast to Moog's industrial stance, the rather counter-cultural design philosophy of DONALD BUCHLA and his voltage-controlled synthesizers can partially be attributed to the geographic locale and cultural circumstances of their genesis. In 1961 San Francisco was beginning to emerge as a major cultural center with several vanguard composers organizing concerts and other performance events. MORTON SUBOTNICK was starting his career in electronic music experimentation, as were PAULINE OLIVEROS, RAMON SENDER and TERRY RILEY. A primitive studio had been started at the San Francisco Conservatory of Music by Sender where he and Oliveros had begun a series of experimental music concerts. In 1962 this equipment and other resources from electronic surplus sources were pooled together by Sender and Subotnick to form the San Francisco Tape Music Center which was later moved to Mills College in 1966.

Because of the severe limitations of the equipment, Subotnick and Sender sought out the help of a competent engineer in 1962 to realize a design they had concocted for an optically based sound generating instrument. After a few failures at hiring an engineer they met DONALD BUCHLA who realized their design but subsequently convinced them that this was the wrong approach for solving their equipment needs. Their subsequent discussions resulted in the concept of a modular system. Subotnick describes their idea in the following terms:

'Our idea was to build the black box that would be a palette for composers in their homes. It would be their studio. The idea was to design it so that it was like an analog computer. It was not a musical instrument but it was modular...It was a collection of modules of voltage-controlled envelope generators and it had sequencers in it right off the bat...It was a collection of modules that you would put together. There were no two systems the same until CBS bought it...Our goal was that it should be under $400 for the entire instrument and we came every close. That's why the original instrument I fundraised for was under $500.'

Buchla's design approach differed markedly from Moog. Right from the start Buchla rejected the idea of a "synthesizer" and has resisted the word ever since. He never wanted to "synthesize" familiar sounds but rather emphasized new timbral possibilities. He stressed the complexity that could arise out of randomness and was intrigued with the design of new control devices other than the standard keyboard. pp39-40"

Anyone else thinking Starkey? Coincidentally the recent Starkey went for $541 on the bay. Yeah, I know I'm stretching it...

via Peter Grenader on AH.