MATRIXSYNTH


Tuesday, October 30, 2007

Yamaha AN200


images via
this auction.

MP3 demo here.

"This is a 5-voice AN1X with an additional 3 track groovebox style sequencer with built-in AWM2 waveforms for rhythm, bass and fx samples. Entire compositions can be easily made on this box or use it's innovative realtime performance features to create beats to songs on the fly. It has a 4 track free-style parameter sequencer/complex envelope looping generator. This allow you to create high-speed, complex modulatation waveforms to use in any 4 parameters at once. This feature allows you to introduce an endless variety of natural variation into the timbral elements that make up the sound. It gives the sound of the AN200 a kind of animation within the sound, the same way a filter sweep or PWM does, or even oscillator sync. It indeed makes the sound come alive. Because these tracks work at high speeds it gives the AN200 a unique feature not found in other analog modeled synths. Yamaha also includes extra features and routing not found in your typical modeled synths. There's different kinds of sync, FM configurations, new oscillator types, etc. All these features allow this to produce a wide range of all the classic analog synths as well as many hybrid sounds never heard before. It basic design is based on a morphing architecture. That means each preset is made up of two sounds. There is one morphing knob that lets you choose to hear either sound by itself(at the extreme ends), or a true morphed variable combination of the two. Note that this feature doesn't simply crossfade the amplitudes of the sounds the way a mixer would across two tracks. The knob actually adjust each parameter of the first sound towards the values of the other parameters that define the 2nd sound. It's a true morphing function and sounds radically different than simple crossfading. With this revolutionary architecture, almost any animated electronic sound can be realized on this synthesizer.

Here's another description that you may find helpful:

This uses the identical digital circuitry and chips as in the classic AN1X synthesizer, and Yamaha PLG150-AN Plug-in Board for the Motif, CS6X, MU90, MU100, MU128, MU2000, S80, S90, etc, as well as the Keyton plugin box. What makes this technology stand apart from the other virtuals is that Yamaha modelled AN after a SCI Prophet 5, Oberheim, and a MiniMoog Model D. You can get all these types sound character, plus much more you never heard before. This synth has broken new ground in synthesis and sound development by taking the critical elements from these vintage models and fusing them together in an incredibly flexible way. Some highlights are, two main Oscillators, one sub. Oscillators can be patched in series for one to modulate the other in the audio spectrum well above what an LFO can achieve as well as filter/OSC modulation. PWM, different kinds of sync, ring, multimode filter, matrix modulation, etc. However Yamaha didn't stop there, they included a 4 track high resolution free-form envelope generator where each of the 4 tracks are recorded in realtime using any controller knob, then can be assigned/re-assigned to any parameter for automatically generating the ultimate timbral ANIMATION in sync with each key trigger, or even in a random, free-running mode. That alone makes it sound bright and alive. The second revolutionary feature when this came out, was realtime morphing between two scenes, which are really the same as saying two different patches. So for example you can truly morph a Taurus bass into a dark and clangorous series of Cathedral Bells. This is a real morph between two distinct sounds, not simply an amplitude crossfade. This transitional effect sounds radically different and punches thru any mix. This effect really starts getting the AN sound outstandingly close to the kind of animation the Minimoog invoke."

Atari 2600 Synthcart

via
this auction.

screenshot
controllers
cartridge

"The Synthcart is a unique Atari 2600 cartridge that turns your 2600 into a pop music sensation, letting you play music using a pair of Atari's keyboard controllers and can also be controlled with an optional 2600 MIDI kit.

AtariAge sponsored a Synthcart Beat Programming Contest in early 2002 to allow people to create and contribute beats to be included with the Synthcart.

This listing includes:
1- New NTSC format 32K Sythcart cartridge and full-color manual by Paul Slocum.
1- Clean Pair of Video Touch Pad Controllers
1- New pair of Synthcart keypad overlays.
1- Atari 2600 Darth Vader refurbished and customized with 1/4" jack output and composite video output.
1- Highly Liquid internal MIDI 2600
1- Atari AC adapter.
1- Original Star Raiders Video Game Cartridge.
- Play using an assortment of familiar Atari sounds
- Use two different sound types at a time, one assigned to each controller
- Intelligent voice management constantly re-assigns the two oscillators for maximum perceived polyphony
- User interface designed so that you can program and play the synth without a TV. This Atari has been modified with an audio out, you just need your Atari and an amp.
- Easter egg: secret light show mode that displays color patterns based on sound output. To activate, put the scale on "major" and put the left keypad on "pitfall" or "saw" and play the notes: 4 7 8 9 8 9.

MIDI Capability:
- 8th, 16th, and 32nd note arpeggiator
- Can arpeggiate both oscillators simultaneously
- Beat Box with many pre-programmed beats and fills
- Play two beats simultaneously to create custom beats
- Two tremelo settings
- Four attack/release settings

MIDI Features:
* Translates incoming MIDI notes to keypad control signals
* Powered by game console—separate power supply not required
* User-selected MIDI input channel
* Power and activity LEDs"

See the tag below for previous posts including samples.

Crumar BIT One 1 Synthesizer Schematic

via this auction. Note the seller has a ton of other synth scans up as well. I put this one up as I haven't seen it before. The designs synth manufactures come up with for their documentation (colors, fonts graphics) always fascinate me.

MOOG Taurus - 1977

images via this auction

Model 1, serial #2392.

Star Instruments Synare PS-1 Drum Synth

images via this auction

CTO XYEB - New Harvestman Mystery Module

flickr by nakedintruder.

"harvestman mystery module - ships in 2 weeks"

click here for the full size shot.

Monday, October 29, 2007

Patrick Moraz on Oberheim Matrix-12, SCI Prophet-10 and Prophet-5


YouTube via Analogger. In case you missed it in this post, the synth jam starts after the Minimoog signing.
"This segment opens backstage at a benefit concert in Orlando for "Give Kids The World." Rick Wakeman and Patrick are autographing my Minimoog. That's where I first met Moraz.

Patrick and I became friends and spent some time during the five days he was in town. One night my wife and I took him to Amigos restaurant in Altamonte Springs. A group of people recognized Patrick and came over to the table. He was gracious and charming as he answered questions, told stories, and had everybody in stitches with his infectious "Amadeus" laugh. I took him aside and said, "Look...we're about two minutes from my house. How about we invite these people back and you could perform?" Even though it was around midnight he shouted, "That would be fantastic!" He improvised for almost an hour...much of it on my Oberheim Matrix-12. The people loved it!

Patrick spent the night and about seven in the morning my wife and I are jolted out of bed by the sound of Patrick wailing on my Prophet-5. I called a friend of mine, Mark Glinsky, who was a big Moraz fan and told him to come over right away. He asked why? I held the phone towards a monitor and said, "You hear that? Its Patrick Moraz and he's in my studio!" Patrick continued to discuss musical ideas he was working on and play bits and pieces. That afternoon we attended the Van Halen soundcheck since my station was broadcasting live from a skybox in the Orlando Arena. The Van Halen adventure is documented in Part-3."

The Con Brio Rises!

via Brian Kehew of The MOOG Cookbook. Only two Conbrio ADS 200s were ever made. See the links in Brian's message below for more info on this rare digital synth from the past.

"Hi guys - this is a quickie announcement - we're rushing to prepare an exhibit for this year's annual (and final) "VINTAGE COMPUTER FAIR"!

Why? This Con Brio synthesizer I've had for a decade is finally going to make noise in public again. Just this week we heard it for the first time - maybe the first one of these has been used in 20+ years...

http://www.synthmuseum.com/conbrio/conads20001.html

http://matrixsynth.blogspot.com/2005/10/my-favorite-retro-synth-conbrio-ads.html

It's been a legendary beast - mostly because of how it looks (of course). But until this week, we didn't know it was really GOOD. As a slightly outside observer, it was truly amazing - the design and interface are superb - you can fly on this thing and work very quickly. They implemented the synthesis with some REALLY tricky methods, as well as writing their own disc drive code, things like that. It sounds like other digital synths of the era - but with much better fidelity, its basic tone is pretty great. I am now gonna try and reunite the designers (one of them is coming along for the show and may give a talk). I will probably soon do a detailed web page showing some of the clever ideas and history. ANd my goal is to lend it out to some people, who can take it for a month and do ONE piece on it - so I can make some kind of "ALL Con Brio" CD so people can finally hear it. I don't think it's ever been on a commercial record release...

The FAIR and the MUSEUM: Sat/Sun 10-6 pm!! Exhibits from 2-6pm!

http://www.vintage.org/2007/main/

So - if you're interested in coming by (Mountain View, CA) I'll be there with it. PLEASE pass on the info to your techie-geek friends who may also appreciate this or a roomfull (museum nearby) of vintage computers; Altair, Digital Equipment Corp., Timex, Commodore, early Apple, etc."

Update via Brian in the comments:
"Well, I would think so too, but that's not true exactly. The three guys who did the Con Brio are serious computer experts; the one seen at the show makes his living manufacturing THE fastest RAM you can buy today. He says the way the Con Brio works (which is not a microprocessor counting to create "oscillators") would still be hard on a typical modern computer. If it were done by a microprocessor running numbers, yes, a modern computer would have it beat, but the speed of the Com Brio lies in the "dumb logic" way the waveforms are done, which allows it to be driven a light-speed type rates - "doing the math" with a microprocessor is harder and takes more power. They were far ahead of their time and finding unique solutions to the problems they had.

You mention the comparison between the 16 oscillators and Bill's 136 - actually the Con Brio does run 16 oscillators on each voice/key; TIMES its sixteen voices, so this is actually 256 simultaneous "oscillators" running.

On the 6 different configurations on a DX7 being adequate for what sounds are needed; to do the simple Hammond organ patch with "all drawbars out" is impossible with that limited set - and that's just 8 sine waves, no overtones per harmonic: the 6-operator setup won't do it. There is capability there with so many configurations - and how it's used is up to the user. Same for the Minimoog - Moog engineers felt that more than 3 oscillators made very little difference in the sound. Serious modular synthesists would disagree.

Not to mention - analog hardware. ALL digi synths have it for output - and the choices made there by designers can drastically affect the tone of the output - otherwise all CD players would sound the same playing the same Pink Floyd record, and we know they don't! Yet another reason a Nord Modular doesn't sound like a Doepfer or Buchla... You "can do it" in software, but it will not sound the same."

Polyfusion Sound-A-Round

image via the VEMIA Auction now running.

Polyfusion Sound-A-Round Quad Panner DP-1.

The Welsh Minimoog Model E

image via the VEMIA Auction now running.

You can read a little more on the Welsh Model E here. It was produced by Alex Winter in the UK after he obtained the rights to the MOOG name.
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