Thursday, November 27, 2008
Omnisphere browsing 1
YouTube via mikamulperi. via fischek
"Just browsing thru presets and showing the interface a bit.
Ask any questions and tell me if you want to see something specific."
Buchla is Love

flickr by guiltysin
full size
"Quick sketch as this image was in my head for WEEKS and I needed to put this down.
Comic rendition of Alessandro Cortini and his Buchla.
Better one is in the works, as this was first drawn without a clear idea what the hell a Buchla looked like exactly ;)
Also pretty sure hugging a Buchla is not as cuddly as this :P ow."
Train of thought
Train of thought from Hans-Jörg Scheffler on Vimeo.
"Footage was taken looking outside the window from the Shinkanze on the way from Hamamatsu to Tokyo by my good friend Tommy Snyder.
I manipulated the raw footage in V-Track and composed the soundtrack with the new Omnisphere Softsynth from Spectrasonics for all instruments including the drums and vocals.
The vocals are a sample of a british boys choir singing the words Agnus Dei.
I totally deconstructed the syllables in Omnisphere to create a new texture."
Make Noise Quad Multi-Mode Gates

see this post for a video
"A huge riff on the original Buchla 292 Quad Lo Pass Gate, including a Mix Out and containing no fewer than 8 vactrols! The QMMG offers the additional features of High Pass Gate mode, Voltage Controlled Feedback, Direct Coupling (for processing of Control Voltages) and Normalizations so that multiple channels may easily be used together to create Bandpass Gates, steeper HP or LP Gates or even something like a traditional Synthesizer Voice Architecture.
The voltage controlled feedback is routed differently in each mode.
In VCA mode it is routed to provide slightly non-linear GAIN. Daisy chain multiple channels for voltage controlled clipping. In BOTH Mode the feedback is routed to provide DAMPING of the ringing vactrols. The effect of adding feedback in BOTH mode is not unlike placing your hand upon the head of a drum, while striking, thus allowing the user to control how much the Vactrols ring. In the LP and HP modes, the feedback is routed to provide a highly unstable, non-linear resonance, which at higher settings, will clip asymmetrically. The filter is slippery and smooth at low resonance settings, but it cuts like a choir of daggers at high resonance settings.
The benefit of Direct Coupling is that a channel of the QMMG could be used to attenuate or amplify an incoming CV before applying to another channel. The mixing section is set-up so that inserting a plug at the output socket of any given channel removes that channel from the mix, therefore you could use one half of the QMMG for voltage controlled mixing of CVs to apply to the other half being utilized for signal processing.
This module is 24HP and consumes 60mA worth of current. The price is TBD.
Available soon from Analogue Haven."
ANALOG SYNTH MIDI CONVERTER

"Here is a cheap solution if you want to add midi to your Analog Synth. It is in 1volt/octave format which makes this compatible with alot of stuff out there. By default it is set on Midi Channel 1, but there is a dip switch to activate a different midi channel if you wanted to. The actual PCB was CNC professionally manufactured, so it is highly reliable. The panel is Lexan and the box is wood. A 12v AC wallwart adapter is included with this auction.
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THE UNIT IS SIMPLE IT ONLY UNDERSTANDS: NOTE OFF/ON, and VELOCITY.
THESE ARE THE OUTPUTS
(1) PITCH 1v/oct OUT
(1) GATE rated at 5v OUTPUT
(1) VELOCITY ACCENT rated at 5v OUTPUT (HINT**) you can run this to a filter CV pot and dial in the amount of "bright" you want when you slam those Keys!
This is the way I calibrated the unit: Note -C3 puts out 0v, -C2=1v,-C1=2v,C0=3v,etc
THERE IS A VERY BIG RANGE, SO YOU CAN PLAY OFF AN 88-key controller.
There is a RED Led that lights up when ever you play a midi note.
There is a Yellow Led to let you know the power is on.
It runs off 12v AC, the wall adapter is included."
Z3000 / Z5000 Split signal patch
Z3000 / Z5000 Split signal patch from GM on Vimeo.
"Nothing fancy, just a voice made of three Z3000 is spilt into 2 and sent into 2 VCAs controlled by 2 EG's. From there the signals goes for processing by two Z5000 and into the computer.
Drums and the midi sequence are coming from Live. The analog Hi-Hats are made with filtered white noise."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH