MATRIXSYNTH


Wednesday, March 10, 2010

Analog pulses & glitchy patterns (test) by Franck Smith


YouTube via znshn
"Zn'shñ member Franck Smith testing analog pulses & glitchy patterns w/ Sleepdrone 5 as sound source + Moog Bass Murf and 2x Sherman Filterbank 2 (filterbank n°1 direct to filterbank n°2).

Contents: electronic pulses, glitchy patterns, analog electronics, bird chirping, bass w/ arco, signal trajectory, glitch, clicks, analog oscillators, alternative beat making, noise manufacturing...

IF POSSIBLE USE HEADPHONES OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND-SYSTEM.

Material in this video:
- Sleepdrone 5 (by King Capitol Punishment)
- Moog Bass Murf (MF-105b)
- 2x Sherman Filterbank 2 (tabletop versions)
N.B.— separate direct outputs 2 & 3 of Sleepdrone and main output are routed to Filterbank 2 via Nobels mix-41-C active mixer 4 in 1 (not shown on screen).

‪http://www.odiolorgnette.com‬
‪http://francksmith.blogspot.com‬
‪http://znshn.blogspot.com‬
‪http://twitter.com/franck_smith‬

Complete video selection on ‪http://www.youtube.com/znshn‬

Recent discographic works:
* Franck Smith, "Théorème de point fixe" http://francksmith.blogspot.com/2009/...
* Zn'shñ, "II" http://znshn.blogspot.com/2009/09/sec..."

Gary Wright - Love Is Alive (Midnight Special, 1976)



YouTube via rg2027x.

Custom white Moogs.

Via twitter.com/sofarider

"Keyboardist/Songwriter Gary Wright performing "Love Is Alive" on the Midnight Special TV show, 1976. Featuring a young Steve Porcaro {keyboards for TOTO, Michael Jackson, Herb Alpert, Pablo Cruise, Brothers Johnson, etc.} on synthesizers along with rockin' ladies on cowbell + tambourine ;-) Awesome Minimoog bass. Enjoy this great song from the 70's decade of musical innovation & legendary songwriting."

Update via Brandon: "Looks like a [Oberheim] TVS-1 in Pocaro's rig, too. And a white painted ARP SE-IV in the other guy's rig."

Minikorg 700s with CV / Gate imputs added


YouTube via cosmohelectrastudio
"Sequenced with the Korg poly 800 via Philip Rees midi to CV converter.
These added CV/Gate (+ filter control) imputs are a great mod."

playing arround with the glitch lab


YouTube via astkidontheblock
"the sound quality is terrible, sorry! The glitch lab isn't finished yet (battery holder is missing). check diysynth.blogsport.de for better sound samples."



alien space war


YouTube via DrOctave1 "talking in robot voices with aliens in micro chips"

MOOG Liberation SYNTH

via this auction

Just a cool pic with the American flag.



Quick Casio CZ3000 Demo



via this auction

Note the CZ-3000 in the auction is not the one in the video. Note the LCD mod with blue backlight.

Casio VL-10 the smallest synthesizer in the world!!!


YouTube via happyprometheus. via this auction
"A smaller version of the famous Casio Tone VL-1 sythesizer. Produced in 1980s"

via this auction






Paia 9700 with Digital Delay.m4v


YouTube via shaolinskater
"Just a simple sequence again. I was playing around with a Digital Delay pedal and found some neat sounds. With this particular configuration I found that the pedal created some really thick undertones to the sequence. The SH 101 is running the Paia 9700 which is then sent through the Digital Delay. The delay is set at the 80mS range and has it's feedback and Dry/Wet set to 100%. The feedback gives a sort of swelling or floaty type of sound. Because it is set to 100% wet, turning on the pedal also changes up the sound of the beat structure giving that Philip Glass-ey sort of arpeggio change. Pretty cool stuff. Hopefully you can hear what I am talking about, though the sound quality always seems to get a little compressed after uploading. Thanks for watching!"

Launchpad controlling a MAQ16/3 using Live


YouTube via attorks
"Thanks to YouTube user audibleobsession I managed to program Ableton Live to be able to control the Doepfer MAQ16/3 sequencer with the Novation Launchpad. There are still 2 problems with that:
1- When I push the buttons in user1 mode I can hear the MAQ16/3 going a little out of sync with the Live tempo. I managed to work around this by disabling the MIDI output to the Launchpad in Live. Disadvantage is that all the LEDs are disabled in the user1 and user2 modes so there is no visual feedback.
2- When I push a button (e.g. first step = 2) for sequencer row 1 and then switch to sequencer row 2, when pushing the same button the MIDI message does not seem to be sent. I first have to push another button (e.g. first step = 3) which then transmit OK and then push the button I intended to push which then also transmits OK. I guess it has something to do with AutoMap.

Another limitation is the Ableton Live version that comes with the Launchpad which has a maximum of 8 MIDI and 8 audio tracks. I used 5 MIDI tracks in Live to control the MAQ16/3 in nearly the same manner I did in the last video. I am only using the top 4 rows in user1 mode. The buttons on the first row turns step 1 to 8 off and the second row turns step 1 to 8 on. The third row sets the first step of the 8 step sequence and the forth row sets the last step of the 8 step sequence. Also the top 4 arrow buttons on the right are used. The first one turns all the steps off and the second all the steps on. The third one chooses the first row on the MAQ16/3 sequencer and the forth one chooses the second row on the MAQ16/3 sequencer. You first have to choose the row on the sequencer whereafter the buttons apply for that row.

The first row on the MAQ16/3 sequencer drives the Synthesizers.com Modular and the second row the self-built Modular. The MAQ16/3 is also synchronized with the tempo from Live. Vertical row 7 controls the Creamware MiniMax ASB which does the bass notes. The other rows contain samples from Live and some of my own.

I intended to also capture the Ableton Live screen to give you a view whats going in Ableton Live but that AVI file turned out to be corrupt after the recording was finished. The full video is about 13 minutes which I will upload soon to my website."
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