MATRIXSYNTH


Sunday, March 21, 2010

Stuck in 1996 house beat


YouTube via vinyljunkie07
"Dub edits and whisky coke"

Sequential Circuits Pro One Mushrooms

flickr by white.label.syndicate
(click for more)

POKEY sound chip experiments


YouTube via hotchk155. Anyone else remember that tune?
"The Atari POKEY was the classic soundchip in the Atari 8-bit home computers and many 1980's arcade games. This clip shows some of my experiments in driving a POKEY from MIDI. A PIC receives MIDI data and two 74HC595 shift registers are used to assemble the 12 lines of bus data for the POKEY so it can be driven from a humble 14 pin PIC16F688. A 6N139 isolator is placed between MIDI in from PC and the PIC's serial input. The POKEY is clocked at 2MHz from the PIC's internal clock output.

I am using REAPER to sequence some MIDI files I found on the internet. Credit goes out to the authors of these MIDI files.. also to YouTube member little-scale, whose clips inspired me to poke about with the POKEY in the first place, and Bryan Edewaard, whose crib sheet I could not have done this without."

New MFB Samples via Zero Divide

See the update to this post.

WS-101 Online Virtual Synth

via Angry Octopus. You can find it here, and more online synths by the same developer here.


Be sure to see the Online label below for more.

CoolColJ Alesis Andromeda A6 Roland Samples

I was recently chatting with Mr. Array of Ocean Orbit about the Andromeda A6. I remembered some samples by Co0lColJ that did an amazing job at emulating classic Roland sounds. The A6 has two filters, one modeled on the classic Moog and one modeled on the Oberheim SEM. You might not expect the A6 to be capable of Roland timbres. You can the find samples here. Note all drum sounds are the Andromeda as well.

EMS Synthi Pics and Videos

Note this unit is for sale. You can find more pics and details on noise design. Videos below.



EMS Synthi AKS - 3 osc. and noise source test
YouTube via ofiroman123

EMS Synthi AKS - filter and trapezoid action


EMS Synthi AKS - noise through filter


EMS Synthi AKS ring modulator and reverb test


Update:

EMS Synthi AKS - testing the mods...wmv

YouTube via ofiroman123

EMS Synthi AKS - trapezoid and shape mods.wmv


EMS Synthi AKS envelope generator and trapezoid

Moog Modular V2.5 Filter examples


via UniQue Werkx in the comments of this post.

Update via UniQue Werkx in the comments: "the first sound is based on Radiostern by Kraftwerk, the second is RUSH's famous Tom Sawyer OB-X filter FX. The third is similar to Van Halen's "1984" type filter sweeps. Fourth is similar to Gary Numan's Car's Poly Moog lead (Vox Humana). The fifth is a based on the classic Moog bass sound in a random sequence. The sixth is a high res sequence and the seventh is a high reso bass sequence with lots of filter modulation."

Update via UniQue Werkx in the comments: "I just did another example of RUSH's Tom Sawyer sweep on the Moog Modular V2.5. Of course, it's originally done on an Oberheim OB-X. I actually think this is better and closer to the sound then the OP-X does! The OP-X is a VST plug-in that's modeled after the Oberheim OB-X. However, I think the new Moog Modular filters are actually able to get a closer to the Oberheim OB-X filter! Just listen....

http://www.synthmusician.com/index.php?t=player_audio&s=Cobalt3&mode=song_hifi&band_id=138&song_id=455
"

tintinnabulome "STEPS"

tintinnabulome "STEPS" from Gattobus on Vimeo.


"In this video I'm using tintinnabulome software with novation launchpad.
All the sounds are from Waldorf Blofeld in multi mode.

Enjoy! :-)"

Korg Monofive


YouTube via Newueel
"- 1 analogue sequencer (SQ-10)
- 3 analogue synthesizers (MS-50 + 2x MS-20)
- 5 different sound circuits

That's why I called this one: Korg Monofive

This vid is recorded in one take, no cuts and no edited sounds (although the video is edited :-) . All sounds are coming (live!) from the gear as shown in the vid and described below.

Most of my actions are explained in the vid, but in case you are interested, below you'll find a more detailed analysis of the 5 different sounds/circuits/outputs:

1:) MS-20 (right) white noise filtered by the MS-20 ESP bandpass filter, triggered every 17th step (out of 64 steps). This sound uses just a little bit of a phaser effect from the mixer.

2:) MS-20 (left) white noise also filtered by the ESP bandpass filter and the MS-20 HP + LP filters. The sound is triggered only every first step (out of 64 steps). The HP + LP filters use high peak values. They are modulated by the MS-50 modulation generator (LFO) which speed/frequency is changing continuously, controlled by random values coming from pink noise + sample & hold + integrator (for smooth transitions). This provides a unique sound every 64 steps. Each sound is repeated a number of times every 16 steps by the BPM delay (Kaoss Pad). This way each 'random' sound is hearable 4 times, before it changes to the next 'random' sound.

3:) MS-50 white noise basically for hi hat purposes, but also used for subtle ambient noise adds. The sound uses two envelopes for different purposes. The MS-50 EG2 envelope is (also used for the MS-50 drum sound) is reused. This envelope is triggered each step and is used as volume envelope. Because we don't want a hi hat sound each step, this envelope is controlled by another envelope using a VCA. By default the second envelope is MS-20 EG1, which is triggered each first step (out of 64 steps). The envelope has a long delay time, so it is hearable around the 15th step only for a short time. By changing the patch, the secondary envelope is switched to MS-50 EG1, which is triggered every 3th and 7th step (out of 8 steps) so it functions like a hi hat. This envelope offers a nice extra feature, because by increasing the MS-50 EG1 release time, it 'passes through' more hi hat steps, which is very useful for creating fills.

4:) The MS-50 plays a 16-step drum groove. The pitch of the drum sound can be tuned for each step indepently using SQ-10 channel A+B steps 1-8. A step can also be 'disabled' by tuning it out of range. This makes it possible to create more complex drum grooves and it allows you to create fills on the fly.

5:) The MS-20 (right) plays an 8-step bass line, triggered each step, pitch controlled by SQ-10 channel C. This sound is also uses the Kaoss Pad BPM delay.

Enjoy!!"
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