MATRIXSYNTH


Thursday, April 22, 2010

Memorymoog with Kenton MIDI

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"Details on the the Kenton MIDI kit are available at www.kentonuk.com

MemoryMoog Specs:
This MEMORYMOOG is a six-voice, programmable, polyphonic synthesizer designed to give the performer as much versatility as possible in an instrument of its type. The Memorymoog has the classic Moog sound associated with the Minimoog and other Moog products. Housed in an anodized aluminum cabinet trimmed with select walnut, the Memorymoog is as beautiful to see as it is to hear. All Memorymoog functions are under the control of a Z-80 micro computer which continually monitors the soundpath, responding to all per former input through the keyboard, panel controls, foot pedals and system controller. The front-panel settings are stored as a "program". The Memorymoog will remember 75 programs. These are stored and recalled through the system controller, which is used to access all special functions of the Memorymoog.

In addition, 10 program chains-sets of 10 programs can be stored and stepped through forward or back with foot switches for fast onstage voice changes. Two programmable foot pedal inputs provide control of volume, pitch, filter cutoff frequency, modulation amount, and sync sweep allowing the performer to keep both hands on the keyboard. The routing and settings of these pedals are programmable. Different keyboard modes may be selected through the system controller.

The modes are:
1. Cyclic - the first key played is sounded by voice # l, the second key, voice #2, etc.
2. Cyclic with memory: similar to # l except that a repeated key will not be reassigned.
3. Reset: any single key will be assigned to voice # l
(this mode will behave like a monophonic keyboard on in dividual lines).
4. Reset with memory similar to #3, but with memory function described in #2.

In monophonic performance, the number of active voices (one to six) may be selected to be played in unison. The keyboard priority (low-note, high-note, or last-note played) may also be selected. Glide may be activated in either the monophonic or polyphonic modes of operation. The Memorymoog operates in a continuous edit state; setting of any control may be instantly changed by moving that control. When editing, the alphanumeric display shows both the memorized value of the control and the edited value. All information stored in the Memorymoog may be saved on a standard cassette for later re-use. The Memorymoog is designed to be as musical and versatile as possible; it can be the base of any keyboard player's set-up."

Roland D-70 Super LA Synthesizer

via this auction

Akai AX-60

via this auction









Dotcom q119 first sequence


YouTube via tridentmk2 — September 16, 2009 — Dotcom q119 sequencer

althem dotcom / synthesizers.com sequence

tridentmk2 — September 22, 2009 — petit trip perso avec un system 44 dotcom et un yamaha cs-5

dotcom

tridentmk2 — February 14, 2010 — dotcom q119 sequencer synthesizers.com

Orgue et synthé dotcom


tridentmk2 — March 13, 2010 — Synthesizers.com sequence et orgue

modular sequence

tridentmk2 — March 04, 2010 — dotcom q119 + q960 sequencer synthesizers.com

dotcom synthesizers.com

tridentmk2 — September 23, 2009 — no description available
You can find more videos on tridentmk2's YouTube Channel here

Althem 19 Korg lambda vintage string synth demo electro


YouTube via tridentmk2 — April 14, 2009 — Korg lambda vintage string synth demo electro

via this auction

RMI Keyboard Computer vintage analog synth


via this auction

Propellerhead Record + Reason: How to Make Talk Box and Auto-Wah Effects


YouTube via line6movies — April 22, 2010 — "From Matt's blog at http://line6.com/blog

Line 6's Propellerhead Product Specialist Matt Piper demonstrates how to simulate a Talk Box effect for guitar using the formant filter in Reason's Thor synthesizer, and also creates a classic auto-wah effect for guitar using Reason's Envelope Controlled Filter."

Metasonix R-54

flickr by mabel.sound

"The new "supermodule," featuring a totally out-of-control VCO and the filthiest filter I've ever heard. I will have to write some songs to put it in."

http://metasonix.com/

via inverseroom

Modular: Blacet Seq Switch / Window Comparator Test



Modular: Blacet Seq Switch / Window Comparator Test by lesser

"modular, blacet, wiard, stackcables
Routing is something like this: Binary Zone (BZ) Gate out to Window Comparator (WC) Gate In. BZ Pitch out to Osc 1. BZ Inverse out to Borg Filter and VCO 2 in. ENV out to Borg Filter andWC Level in. Env inverse out to VSO 2, Wave Multiplier(WM) folds in. VCO 1 Tri out to WM In 1, Saw out to Mixer A. Osc 2 Pulse out to Seq Switch (SS) A, Saw out to Mixer B. WC out to VCO 2, ENV attack CV, SS B. WC inverse out to VCO 1 octave. WC Trig out to ENV Gate, VCO 1. MIxer out to Borg. SS out to BZ clock in. WM Folds out to Mixer C. Thanks Stackcables (Tip Top Audio)!."

via J Lesser

Synth Samples via konkret

konkret

"It's mostly Musique Concrete-esque sounds, but there are (and are going to be even more, soon) alot of synth sounds as well.

I started it today, and so far there's a samplepack with 40 one-shots from a Korg Ms-10, some Ms-10 drones and white noise (+ pink) from a Minimoog + Ms-10."

The following are just a few samples. Be sure to check out konkret for more.

Synth Oddity 01bykonkret

Minimoog White Noisebykonkret

Korg Ms-10 White Noisebykonkret

Korg Ms-10 Pink Noisebykonkret
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