MATRIXSYNTH

Minimoog Cake by Kandy Cakes

flickr By Leeroy Rokkenröhl
(click for more including a cool Kodak Polaroid camera cake)

see the synth cakes label below for more.

YouTube via 4mspedals | October 19, 2010

"Alpha version of a Tracking Gate Sequencer from 4ms. One of 8 outputs goes high, in order from 1 to 8, each time a clock pulse is received. A reset jack lets you start over at 1. (so far it's just like the A-161, except with on-board clock and reset jacks).

The "Track" CV jack allows you to move between outputs using a CV value. So if you feed it a triangle wave, it will count up from jack 1 to 8 and then back from 8 counting down to 1. A falling sawtooth will count backwards. A square wave will bounce between two values... etc. The tracking feature only happens when the CV value on the jack *changes*. So if you hold a steady CV (or a sufficiently slow CV), you can still clock it. This is pretty useful for a "one step forward, two steps back" type sequence.

So far only one jumper is assigned, and it's Gate/Trigger mode. In the former each output will stay high until the next output goes high. In the latter, each output only goes high for as long as the input clock is high."

"Kort kort sommer" - on Roland SH-2000

YouTube via organfairy | October 19, 2010

"'Short, short summer' was written in 1979 where Denmark had had a summer dominated by heavy rain. It was performed by Torben Lendager and was a hit in 1980.

I took a little walk near one of the Danish fiords on one the last summer days this year and I think this melody fits the situation quite well - even though the summer this was OK.

The instruments used are Roland SH-2000 synthesizer, Yamaha HE-8 organ, Roland CR-1000 drum machine, and Kawai MS-20 keyboard. I recorded it back in 1999 using two Beocord 2000 tape recorders."

ALISA 1377 Soviet analogue synth

via this auction

"This is Soviet analog synth Alisa 1377. Made in 1985 at Lyubertsy factory."

CLICK FOR MORE »

Roland SH-101 with Original Power Supply

via this auction

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Coppersynth patched

flickr By parasitk
(click for more)

"I just had to see it patched up, even though I'm still waiting for the final bits of parts. I should have this thing bleeping in a week or two."

follow-up to this post.

Basic Modular Patch

YouTube via humankoala | October 19, 2010

"AntiOsc in QMMG (band pass filter) in stg wavfolder for the bassline
Hz donut in QMMG for BD
the effect is done with the negative enveloppe of the bass drum feeding the amount input of the wavfolder"

AdrenaLinn Sync v2 Tutorial: LFO Modulation

YouTube via rogerlinndesign | October 19, 2010

"This tutorial describes how to use the LFO (Low Frequency Oscillator) to modulate the filter frequency, volume or pan."

Update:

AdrenaLinn Sync v2 Tutorial: Sequencer modulation

rogerlinndesign | October 19, 2010

"This tutorial describes how to use AdrenaLinn Sync v2's Sequencer to create looped rhythmic filter patterns."

ProModular End Cheeks for any Euro Rail

via ProModular

"Site is updated with the order page having the end cheek option... spec'd out per rail type.

all end cheeks are 1/4" thick, with a 1/8" thick board holder.

$30 for a non-etched set of cheeks and busboard holder

$40 for an etched set of cheeks and busboard holder

fluorescent colors available!

all busboard holders will be clear by default, anything else will have to be a custom order. this is to keep cost down, otherwise each set will be $5-$10 more per set."

Also see Muff's

SEQUENCING FUN with a Moog & Moon Modular

YouTube via projektmelodik | September 26, 2010

"Playing around with a four part sequence on the modular."

Update: Pic of the modular and a note on what's in it.

"There is a EMU voice card ( ssm chips ) being fixed . Everything else is moog and moon." Update via ed buller in the comments: "opps I forgot i have 2 921's from club of the knobs in there. Very nice modules"

node in the studio video added below.

projektmelodik | April 12, 2009

"Node recording "olivine" at Masterock studios in the summer of 94. The video was shot buy Simon Gilbert of Suede whom Ed Buller was working with at the time. The track was recorded straight to stereo. Edited from three separate performances."