"If you've been following our recent videos (vimeo.com/27918905) you know that pretty soon a lot of your music apps are going to start working together. We got our hands on a beta copy of Sunrizer, which will add support for virtual MIDI. In this video, we improvise a little song with polychord, using both apps at the same time."
"A recent unrestored Moog Modular System went for $33,000
Here is your chance to get a restored, fully functional system at a great price.
This Moog modular is all original, and was made in 1969!
All modules have close serial numbers, with matching stamped manufacture date from March 6th, 1969.
It has been well preserved over the years and is in excellent shape for a 40+ year old instrument.
This synth is fully functional and has recently been restored and fully serviced, including a recap, touching up the keyboard for perfect triggering, with replaced bushing for smoother action, and a cleaning of all pots and jacks.
Cosmetically it is in great shape too, the only major issue is the rear a small piece of wood was cut away to tuck the keyboard cables under.
You aren't likely to find another one from this year in such all original and nice condition.
Here is your once in a life time chance to own a vintage Moog Modular!
Some of the modules included, all dated from March 6th, 1969, are:
901 Voltage Controlled Oscillator
901-A x2 Oscillator Controller
901-B x5 Oscillator
902 x2 Voltage Controlled Amplifier
903 White Sound Source
904-A Voltage Controlled Low Pass Filter
904-B Voltage Controlled High Pass Filter
904-C Filter Coupler
905 Reverberation Unit
910 Power Supply
911 Envelope Generator
907 Fixed Filter Bank
984 Four Channel Mixer
950 Keyboard [SN 1063]"
YouTube Uploaded by JCRUDESS on Aug 30, 2011
"My technical guru- Richard Lainhart shows us how you can play SampleWiz from the Haken Continuum. This MIDI feature will be in our soon to be released update!"
Uploaded by twistedtools on Aug 29, 2011
"Twisted Tools is proud to announce a new effects package for NI's Reaktor 5, composed of two effects.
The two effects are:
Rolodecks - Realtime dynamic multi-effect by Twisted Tools.
RoloEXT - A version of Rolodecks which allows you to insert your own effects.
Pre-order now at http://twistedtools.com
Rolodecks Pro $69
(Rolodecks+RoloEXT)
Rolodecks $49
Save more with new bundle pricing when you buy 3 or more products!
Both versions include over 300MB of samples by artists such as:
*Derek Mahone
Gil Sharone
Glitchmachines
Jedsound
Lawgiverz
Mike Huckaby
Michael Ndah
*Reuel Walker
Si Begg
Vocals for video by Michael Ndah (aka Tembu).
All samples in video are part of Rolodecks sample content.
http://twitter.com/#!/Tembu
*Derek Mahone (11yrs old) and Reuel Walker (14 years old) are students of Mike Huckaby at his Youthville music course. Youthville's mission is to make a positive difference in the lives of kids in Detroit.
"The unit includes the following bends:
* 2 green LED's on the side
* 2 glitch switches on the upper left
* 2 loop switches on the upper right
* A tone switch
* Rest button
* Contact pitch change knob
* Pitch change ball
* Both low and high pitch range switches in the mid section of the unit
* 1/4" mono audio output"
via this auction
"This guitar synth from Korg – circa 1981 – is just that and more besides as it is also blessed with comprehensive analogue CV (control voltage) and Trig (trigger) interface inputs and outputs via standard ¼ inch jack sockets. The three CV inputs cover control of the X-911’s VCO pitch, filter cut off and the FM In socket allows a synth’s LFO or envelope output (for example) for control of vibrato and other pitching effects on the X-911 VCO.
In effect, these interfacing sockets make the X-911 a very useful and comprehensive synth expander for the Korg MS series of synths and sequencers... the MS20, MS10, MS50 synths and SQ10 analogue sequencer. Other Korg synths (the Sigma?) from that era are also compatible if they use the Hz/Volt CV and Ground trig conventions. Interfacing with an MS series synth in this way could involve, say, the X-911 output being fed back into an external signal input of the controlling synth so that it behaves as if it’s part of its internal architecture! Beyond these synths the unit could be made to interface with any other analogue synths/sequencers using the more standard Octave/Volt and positive triggering conventions via a suitable converter.
As a straight guitar synth this unit tracks surprisingly well and has comprehensive input sensitivity switching to deal with a wide range of synth, guitar, microphone (for voice, wind instruments etc) and other signal control levels. It’s also a great effects box for processing other external instruments like drum machines or vocals. The filter design is derived from the Korg MS series of synths.
Broadly speaking the X-911’s instrument and synth outputs can be rapidly combined, muted, mixed (with each other or the input signal), octave split etc using the illuminated switches and balance fader with the right hand ‘synthe’ selection offering additional filter enveloping curves with variation control. Interestingly, the first two synth waveforms (16’ footage) are square/pulse types that are pulse width modulated by their simple but variable envelope knobs which also modulate the main LP filter cut-off.
To my ears it sounds like a darker, heavier and denser (in a good way) version of say, an MS10, veering more, perhaps, toward the characteristic of the earlier Korg 700 and 700S. It can certainly do very weighty bass."
YouTube Uploaded by arthurpainter on Aug 30, 2011
"http://thissecondsleep.blogspot.com/
We have no electricity in the wake of Irene, but I do have a few batteries. Please listen with headphones."