"Give your Slim Phatty a classic look with this high-quality Wood Kit.
The front and dual end-pieces are easy to install and make your Slim Phatty feel right at home next to your Voyager, Taurus 3, Moogerfoogers and more."
"This auction includes the A6 synth, the power cord, A6 foot pedal, 2MB SRAM card (for storing extra patches, these are hard to find and cost $60-$70) manual and original cardboard box + shipping box from factory."
"Just a quick video with my SH-101 and just a tad of efx from the DEP-5. Programed the Pink Floyd On The Run sequence and tweaked away. Sorry about the sound quality I think it clips at some points.
"Many pre-Midi Drum Machines and Step Sequencers use DC Voltage Pulses for external syncronisation. There was no 24 PPQ (Pulses Per Quarter Note) standard in those days so manufacturers used whatever they felt suited their design and most of them were very particular about what pulses they would (or wouldn't!) lock to.
We've had many requests in recent times about the best way to sync these vintage gems to modern computer DAW applications. This basic video shows how easy and tight it is when you use the Sync-Gen II system. To start with you see the Sync-Gen IILE. The Din Sync output is connected to a simple breakout adapter box (email us for details on how to make your own) -- this lets us get access to the raw analogue DC sync pulses being generated by Sync-Gen II. From here I feed the analogue sync pulses via a single cable to the LinnDrum Sync-In socket. Next you see the Sync-Gen II screen where I have set the Global Rate to 48 PPQ which is what the LinnDrum likes to see. I then press play on Ableton Live and you hear the LinnDrum pattern play perfectly locked with an audio click as reference. I then open up two more audio tracks just so you get a feel for the overall pattern. The same principle applies to any vintage hardware sequencer or drum machine -- just change the PPQ Rate in Sync-Gen II to suit. You get zero-latency precision sync plus you can swing, program and stutter the playback too."
"Hello my name is Solvent and I like to process to machines through other machines. Here I am processing a Korg Monotribe through a couple of Eurorack modules: the WMD Geiger Counter, and the Pittsburg Modular Analog Delay. The Monotribe is also clocking a Make Noise Brains + 2x Pressure Points sequencer setup - this is triggering a Make Noise MATHS AD envelope, which is modulating the PMAD's delay time via the Rate CV In. Occasionally I press a Pressure Point, which freezes the sequence, allowing the delay time to run freely. At one point, I plug one of the PP's sequencer rows into the WMD-GC's Wave Table CV In."
"A jam with the Octatrack, Machinedrum, DSI Tetra, Moog Voyager. Tetra is the lead line and the arpeggio in the bridge, Moog is the bridge spurting synth bass thingy. The main bass lines are sample from the ARP Odyssey and reconstructed. Mostly using scenes here to build an on the fly arrangement. All instruments sequenced by the Octatrack, straight into stereo Logic. Mastering software on the main mix buss."