Doepfer: Dark Energy (supplying the arp) Moogerfooger: CP-251 (LFO controlling the DE-VCO PW and Voyager Wave via Mod2) Moog Voyager (audio in of DE via the Moogerfoogers) Moogerfooger: MF-101-Lowpass Filter (effecting the DE only) Moogerfooger: MF-102-Ring Modulator (effecting the DE only) TC Electronic: Hall of Fame
Melodies: Pink Floyd: On The Run arp's first 5 note. (The DE arp is tough to program using more than 5 notes) Roxy Music: My butchered Ladytron intro Peter Gabriel: Of These, Hope (Reprise)...kind of...ish"
"No muscial statement, just tweaking and fooling around with the 8-Voice Programmer in the Arturia Oberheim SEM V.
Based on a single note, one octave arpeggio, everything else is done with the different settings in the 8-Voice Programmer and by switching on and off the eight individual voice boards.
Please vist our website at: http://www.tomeso.de http://www.facebook.com/tomeso"
"Note: Although I am associated with Folktek as a visual artist/sound designer, this work is unaffiliated with Folktek.
This is the ultimate live glitch visual production tool. Every professional VJ should have one of these in their arsenal. It has an amazing way of fragmenting, fractalizing and freaking whatever video you process through it.
This WJ has TWO modes of operation:
SOUND VISUALIZATION MODE:
By plugging a well-amplified audio signal in to the modified AVE-3 you can profoundly glitch the visuals in a variety of unique ways.. all in real-time. Just take a look at the videos below. This mode is good for veejays, performance artists or art installations.
VIDEO SYNTH MODE:
Without sound you can use the control box to hone in on a variety of glitch effects and looks, some not possible in sound visualization mode. This mode is good for post production, experimental film & masking/overlays.
Of course both modes can be combined. In fact it is encouraged.
All original functions of this mixer work except the mic input, headphones input and the titler input (all which were safely removed to make room for controls).
The original physical condition of this unit is a 9.5/10. About as clean as they get.
This device is perfect for:
Adding a unique look to your indie tv/film/event production.
Providing you with a variety of effects you can't get with After Effects.
Live professional VJ work .
Making dubstep music videos.
Lo-fi enthusiasts.
Inducing epilepsy.
This device is not perfect for:
HD football games and your 20.2 megapixels HDR HDMI gizmos."
"This year I build a Wilba SammichFM DIY synthesizer kit. It is bases on the famous Yamaha OPL3 sound chip that was also used on the famous Sound Blaster Pro 2.0 and SoundBlaster 16 ASP sound cards. It is a 4 voice FM synthesizer that sounds a lot like the famous Yamaha DX series. During the construction of the synthesizer I filmed the whole process. This movie is an excerpt of the 4 hours total build time. I made the 3D animations myself in Cinema 4D. The music you hear in the background in a track called 'thermosphere' from my 'AtmoSphere' album that I released in 2008. More information on the album on http://www.synth.nl/AtmoSphere. If you are interested in the whole build process of the SammichFM you can read that back on my blog on this URL: http://synthnl.blogspot.com/search/label/sammichfm"
YouTube Uploaded by raulsworldofsynths on Dec 1, 2011
"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Pulse Width Modulation accompanying waveform view. Sound and Video by Raul Pena"