MATRIXSYNTH

Roland ProMars MRS2 Vintage Analogue Synthesizer

via this auction

"Sound wise, the synth is very much like a monophonic Jupiter 4 or one of the earlier SH models (very similar to an SH2 in layout and sound) In addition to a large selection of classic Roland presets, the synth has 8 locations to save your own patches (a feature uncommon in other early monophonic synthesizers) The ProMars is controllable over CV/Gate, which is functioning perfectly."

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Doepfer Dark Energy with Custom Wood Sides

via this auction

Encore electronics universal event generator eurorack

via this auction
"The Encore Universal Event Generator is a 30HP Euro Rack compatible module designed to be a versatile and useful addition to an already great modular system. The UEG can be used as an envelope generator, a complex LFO, or as a step sequencer.

Eight stages are provided with adjustable time and level for each stage, and they each have an LED which indicates the relative voltage output for that stage.

The left switch controls the major modes of the UEG. LOOPONLY mode will force the UEG to cycle between the loop points. This is essentially an LFO.

ONESHOT mode will cycle through all eight stages once, regardless of the duration of the gate input.

GATED allows a new set of options controlled by the second switch. In this mode, the module will start the envelope when it receives a gate, but it will also loop as long as the gate is held. Once the gate is released, there are two ways for the envelope to end. In RELEASE mode, the UEG will complete the current stage, then jump immediately to stage 8.

In FINISH LOOP mode, it will simply complete all the stages before stopping.

The left position of the second switch is the STEP mode. In this mode, the UEG takes on a whole different personality: it becomes a step sequencer! It will advance through the 8 stages for each positive pulse on the GATE input.

The START and END loop switches allow the UEG to start a "loop" anywhere from stages 2 through 4, and end the loop between stages 5 and 7. These are used in LOOPONLY mode and in GATED mode.

The output waveform can have one of three slopes: linear, log, and step. These are shown graphically on the front panel.

The UEG also has a MANUAL GATE button, useful to trigger the UEG while setting it up."

Kawai xd-5 second demo

YouTube Uploaded by ikworgek on Jan 15, 2012
First demo here.
"Second demo of the Kawai XD-5 percussion synthesizer
all sounds from the Kawai

some delay and reverb"

Beyond imagination

YouTube Uploaded by skoulaman on Jan 15, 2012

"Old Berlin skool..yes, I think...you love it or not (sometimes I get a reaction that you don't need to create old skool music with old skool gear, oke, but people are still listening to classic music with classical instruments, so why not). It start with a DS8 analog synthpad emulation, then the Moog sequence come in followed by the choir sound of the Korg Lambda, second sequence from the Waldorf micro Q. Sequences generated with the Doepfer Dark Time. Between are accords from the Roland Juno 106, stringsounds from the Lambda and E-piano from the Yamaha DX27.

The vid is made with a Olympus D720 with wide angle view, so now you can see my total home studio at once. See www.skoulaman.nl for details of the studio.

Thanks for watching end listening...greetings Hans 'Skoulaman'"

SEM Pro + MS-20 + VM Superdelay = MS-EM

YouTube Uploaded by n3bsvid on Jan 15, 2012

"Saturday morning analog synth jam. The SEM Pro is being controlled by little phatty's arpeggiator (off screen). The MS-20 is run through the the superdelay on tape setting.

Hardware:
Tom Oberheim SEM Pro
Korg MS-20
Empress Effects Vintage Modified Superdelay
Moog Little Phatty Stage 2 (used as a controller only)"

Future Sound Systems Convulsion Generator FIL1 Eurorack Demo

YouTube Uploaded by futureimage on Jan 15, 2012

"www.futuresoundsystems.co.uk

The Convulsion Generator is based around a bridged-T resonator circuit, as found at the heart of the infamous TR808 kick drum. The circuit will produce decaying sinusoids when pulses are sent to the input. This can be likened to "pinging" a resonant filter. However, in the case of the Convulsion Generator, the resonator has been tuned so that these sinusoids are produced at frequencies below the audible range. This means that the Convulsion Generator can output sinusoidal CV sources, as well as covering the lower end of the audible spectrum, allowing for boomy, bass-heavy kick drums."