Saturday, March 30, 2013
No Input - T-Resonator MkII
Published on Mar 30, 2013 Danimalsfarm·19 videos
"If someone is planning a 70s SciFi-Film, I´ll do the weird Space Sounds :)
No input except background emission from Geigercounter..."
highsage live acid techno pa at the acid bunker in So Cal 2013 - Infinity Set
Published on Mar 30, 2013 shagghie·55 videos
"40 minutes of raw live acid techno...deep and bangin', steady energy builds covered in mackie 1202 saturation and fx sends. One for the heads. Full 40 min set HQ audio available on my bandcamp site: http://highsage.bandcamp.com/track/hi..."
"40 minutes of raw live acid techno...deep and bangin', steady energy builds covered in mackie 1202 saturation and fx sends. One for the heads. Full 40 min set HQ audio available on my bandcamp site: http://highsage.bandcamp.com/track/hi..."
Module#2 Mechanical Percussion
Published on Mar 30, 2013 tovett·27 videos
"Module#2 by Tom Verbruggen (toktek)
Presented at MU in Eindhoven, the Netherlands
Module#2 is a 4 step steam driven sequencer hand cutted out of wood.
www.toktek.org"
4ms Sweptoner Pitchshifter LFO Tone Generator Pedal
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
Easter Spring green.
"The Sweptoner is a Standard Atoner plus a tone generator and LFO, which sweeps the tone generator's pitch.
Features
Position: Controls jumppoint manually
LFO Speed: Rate of change of LFO, which shifts jumppoint rhythmically
LFO Depth: Amount of LFO modulation (from zero to full)
Envelope Attack: Follows attack/decay of input signal to shift jumppoints
Envelope Depth: Amount of envelope shift
Squelch: Silence when you stop playing
Tone: Treble to bass
Blend: Blend between clean (input signal) and Sweptoner
Input volume: Sensitivity
Output volume: Output level
Tone Sweep pitch: Pitch of tone generator (VCO), to blend in with input signal
Tone Sweep volume: Level of Tone Sweep VCO
TS LFO Speed: Another LFO to sweep the pitch of the Tone Sweep VCO
TS LFO Depth: Amount of LFO modulation of Tone Sweep VCO
Rickle: Racket-crackle-sputter-spikle: One knob chews it up"
via this auctionPerfect Circuit Audio (RSS)
Easter Spring green.
"The Sweptoner is a Standard Atoner plus a tone generator and LFO, which sweeps the tone generator's pitch.
Features
Position: Controls jumppoint manually
LFO Speed: Rate of change of LFO, which shifts jumppoint rhythmically
LFO Depth: Amount of LFO modulation (from zero to full)
Envelope Attack: Follows attack/decay of input signal to shift jumppoints
Envelope Depth: Amount of envelope shift
Squelch: Silence when you stop playing
Tone: Treble to bass
Blend: Blend between clean (input signal) and Sweptoner
Input volume: Sensitivity
Output volume: Output level
Tone Sweep pitch: Pitch of tone generator (VCO), to blend in with input signal
Tone Sweep volume: Level of Tone Sweep VCO
TS LFO Speed: Another LFO to sweep the pitch of the Tone Sweep VCO
TS LFO Depth: Amount of LFO modulation of Tone Sweep VCO
Rickle: Racket-crackle-sputter-spikle: One knob chews it up"
4ms CV Max Tweaker Noise Swash Peda
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
Another Easter egg died pedal. This one with Bruce Lee and a jakyl on the back.
"The CV Max Tweaker Swash is a "semi-modular" Swash. It includes the same features as the Max Tweaker but with a CV In/Out jack, and blue LED to indicate presence of CV signal.
Features
Swash: Sweetspot heart of the noise circuit
Gate: Music-noise flow control
Pregain: First stage gain
Preclip: Second stage diode clipping select
Postgain: Third stage gain
Postclip: Third stage clipping select
Treble: Sheering high-end
Bass: Rumbling low-end
Low: Simulates low battery, each setting is a whole new swash...
Self-Osc: Amount of internal feedback
Self-Osc Switch: Kicks self-oscillation in and out
Clean: Volume of clean signal
Volume: Plenty of it! Master volume control
LFO: A rhythmic wave swashes uncertain characteristics of the noise in and out. Speed knobs, flashing LED, on/off switch
LFO Switch: Switch LFO Modulaton in and out
Tame/Trouble Switch: Select between classic swash (trouble) and complete silence in bypass (tame)
NoiseVol: Gain of noise signal, effects self-oscillations (prior to master volume)
In: Audio/Instrument input (1/4 inch TS)
Out: Audio output (1/4 inch TS)
CV In/Out: Modulate the noise with a second input or use as an output to other voltage-controlled hardware
Blue LED to monitor CV In/Out"
via this auctionPerfect Circuit Audio (RSS)
Another Easter egg died pedal. This one with Bruce Lee and a jakyl on the back.
"The CV Max Tweaker Swash is a "semi-modular" Swash. It includes the same features as the Max Tweaker but with a CV In/Out jack, and blue LED to indicate presence of CV signal.
Features
Swash: Sweetspot heart of the noise circuit
Gate: Music-noise flow control
Pregain: First stage gain
Preclip: Second stage diode clipping select
Postgain: Third stage gain
Postclip: Third stage clipping select
Treble: Sheering high-end
Bass: Rumbling low-end
Low: Simulates low battery, each setting is a whole new swash...
Self-Osc: Amount of internal feedback
Self-Osc Switch: Kicks self-oscillation in and out
Clean: Volume of clean signal
Volume: Plenty of it! Master volume control
LFO: A rhythmic wave swashes uncertain characteristics of the noise in and out. Speed knobs, flashing LED, on/off switch
LFO Switch: Switch LFO Modulaton in and out
Tame/Trouble Switch: Select between classic swash (trouble) and complete silence in bypass (tame)
NoiseVol: Gain of noise signal, effects self-oscillations (prior to master volume)
In: Audio/Instrument input (1/4 inch TS)
Out: Audio output (1/4 inch TS)
CV In/Out: Modulate the noise with a second input or use as an output to other voltage-controlled hardware
Blue LED to monitor CV In/Out"
4ms Mini Swash Chaotic Effects Processing Pedal
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)
Like a dyed Easter egg.
"Mini Noise Swash is a chaotic noise maker and audio processor. It is the same as their classic noise swash, but in a much more compact housing.
Features
Swash: Sweetspot heart of the noise circuit
Gate: Music-noise flow control
Volume: Plenty of it! Master volume level
Tone: Bass/treble mix
Pregain: First stage gain
Postgain: Third stage gain
Preclip: Diode clipping select
Low: Simulates low battery, each setting is a whole new swash...
Self-Osc: amount of internal feedback, knob clicks off to disable
Postclip: Third stage clipping select
True-bypassed with LED indicator (3PDT stomp)
9VDC powersupply included (USA orders)
Perfect for table-top use"
via this auctionPerfect Circuit Audio (RSS)
Like a dyed Easter egg.
"Mini Noise Swash is a chaotic noise maker and audio processor. It is the same as their classic noise swash, but in a much more compact housing.
Features
Swash: Sweetspot heart of the noise circuit
Gate: Music-noise flow control
Volume: Plenty of it! Master volume level
Tone: Bass/treble mix
Pregain: First stage gain
Postgain: Third stage gain
Preclip: Diode clipping select
Low: Simulates low battery, each setting is a whole new swash...
Self-Osc: amount of internal feedback, knob clicks off to disable
Postclip: Third stage clipping select
True-bypassed with LED indicator (3PDT stomp)
9VDC powersupply included (USA orders)
Perfect for table-top use"
Flight of Harmony IMP Audio Generator Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Features:
• Domains (frequency range groups)
o 2 banks (high and low) of 4 switch-selected frequency ranges
• Frequency adjustment
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• Range adjustment (range of frequency variance within domain)
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• “Tone” control
o Variable between low-pass and all-pass (Adjustment also varies phase interaction)
• Control Voltage (CV) inputs
o Frequency: 0 to +5V
o Range: 0 to +5V
o Width: 0 to +5V
IMP description:
Domain, Frequency, Range and Width: Technically, all four describe the same Function: what frequency the Imp puts out. The total possible range of the Imp, however, is from sonic to ultrasonic, and accessed in different ways requiring multiple controls for fine-tuning.
High-Low Toggle switch: Selects one of two banks for the Domain switch to select from. The High bank is the same as the standard INM, while the Low bank has lower frequency ranges than possible with the INM. The descriptions below were written with only the original High bank in mind.
Domain: The first stage of frequency selection. Domain selects one of four wide bands of the overall range. Four Domain is lowest, One is highest (in frequency). Four is audio, One is nearly ultrasonic. The One Domain is where you will find the oddest/most ethereal Noises: static, wind, the impression of voices. It has a lot of what seem to be dead spots, but it is worth the time to wander the Domain and see what can be found.
Frequency: This is the main frequency control within the selected Domain - it sweeps over the entire Domain (depending on Range, see following). The Fine control sweeps up to 1/5 of the size of the band that Coarse does.
Range: This controls how wide of a sweep Frequency covers. Fine control same as with Frequency.
Width: This one is a bit more esoteric: it controls the “width” of the band of the current domain that the Fine controls cover, hence the “up to 1/5”. In Domain 1, wide open is best. In Domain 1 the bands of sound are very narrow, so it is best to set the width all the way down to find the hidden sweet spots.
In other words, a quarter of the possible frequency range is selected by Domain, and the other controls select how much of that Domain the frequency control can sweep across. The Coarse knob is for a broad sweep over the Domain, and the Fine knob is for finding the perfect “sweet spot”.
Tone: The high-frequency content from the IMP can be somewhat painful at some of the higher settings, so a variable low-pass filter is included. It can also provide some interesting timbre variations."
via this auction
"Features:
• Domains (frequency range groups)
o 2 banks (high and low) of 4 switch-selected frequency ranges
• Frequency adjustment
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• Range adjustment (range of frequency variance within domain)
o Coarse and Fine
• Fine scaling adjustment (relative to Coarse)
o 5:1 to 25:1
• “Tone” control
o Variable between low-pass and all-pass (Adjustment also varies phase interaction)
• Control Voltage (CV) inputs
o Frequency: 0 to +5V
o Range: 0 to +5V
o Width: 0 to +5V
IMP description:
Domain, Frequency, Range and Width: Technically, all four describe the same Function: what frequency the Imp puts out. The total possible range of the Imp, however, is from sonic to ultrasonic, and accessed in different ways requiring multiple controls for fine-tuning.
High-Low Toggle switch: Selects one of two banks for the Domain switch to select from. The High bank is the same as the standard INM, while the Low bank has lower frequency ranges than possible with the INM. The descriptions below were written with only the original High bank in mind.
Domain: The first stage of frequency selection. Domain selects one of four wide bands of the overall range. Four Domain is lowest, One is highest (in frequency). Four is audio, One is nearly ultrasonic. The One Domain is where you will find the oddest/most ethereal Noises: static, wind, the impression of voices. It has a lot of what seem to be dead spots, but it is worth the time to wander the Domain and see what can be found.
Frequency: This is the main frequency control within the selected Domain - it sweeps over the entire Domain (depending on Range, see following). The Fine control sweeps up to 1/5 of the size of the band that Coarse does.
Range: This controls how wide of a sweep Frequency covers. Fine control same as with Frequency.
Width: This one is a bit more esoteric: it controls the “width” of the band of the current domain that the Fine controls cover, hence the “up to 1/5”. In Domain 1, wide open is best. In Domain 1 the bands of sound are very narrow, so it is best to set the width all the way down to find the hidden sweet spots.
In other words, a quarter of the possible frequency range is selected by Domain, and the other controls select how much of that Domain the frequency control can sweep across. The Coarse knob is for a broad sweep over the Domain, and the Fine knob is for finding the perfect “sweet spot”.
Tone: The high-frequency content from the IMP can be somewhat painful at some of the higher settings, so a variable low-pass filter is included. It can also provide some interesting timbre variations."
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Tama Snyper DS200 Analog 2-Channel Drum Synthesizer with Original Box
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"From the late 1970s here is a Tama Snyper two-channel ANALOG drum synth. Stewart Copeland used on of these to add low end to his bass drum in concert. You can plug in a microphone or trigger pad/pedal. Gives a great low end, or the ear-splitting high-pitched syndrum-type sounds."
via this auction
"From the late 1970s here is a Tama Snyper two-channel ANALOG drum synth. Stewart Copeland used on of these to add low end to his bass drum in concert. You can plug in a microphone or trigger pad/pedal. Gives a great low end, or the ear-splitting high-pitched syndrum-type sounds."
ROLAND TB-303 BASSLINE with Gig Bag
8E9s4l90eZBRVzFPD(pg~~60_57.JPG)
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
