Roland Juno-106 SN 542755 with Hard Case

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via this auction
tokyowax (RSS)

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Roland EF-303 Groove Effects Processor and Synthesizer

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via this auction

"Built-in Effects: 16, including FILTER, ISOLATOR, FLANGER, DELAY (+PAN), REVERB (+GATE), PITCH SHIFTER (+DELAY), SLICER (+PAN), COMPRESSOR, LO-FI PROCESSOR, RING MODULATOR (+FILTER), PHASER, VOICE, VOICE MODULATOR, SYNTH+DELAY, SYNTH BASS, SYNTH RHYTHM"

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Studio Electronics MIDImini SN 1339

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One via this auction, and one via this.
Perfect Circuit Audio (RSS)

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Yamaha TX-816 FM Synthesizer Rack

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Perfect Circuit Audio (RSS)

8 DX-7s in a rack.

Cyber Kittens Go To Sleep

Cyber Kittens Go To Sleep from Quijote Cinemusica on Vimeo.
Another "Animal" Exibit for our modular Zoo #modzoobr

DiY Yusynth/Mfos modular running generatively.


Sampling and Holding from Quijote Cinemusica on Vimeo.

"Another module i had to debug and was putting off, the Yusynth "Random" Module. I had the clock working and the noise sources, but no "sampling and holding" was occurring. Finally found the culprit, a faulty JFET. Working fine now. Shot with the Canon T31 and a Zuiko 55mm f1.2 manual focus lens on a loose tripod, one hand on the focus ring, the other on the synth :)"

Moog Sub Phatty Synthesizer - Bostich Studio Nortec

Published on Apr 9, 2013

"Ramón Amezcua from Bostich+Fussible Nortec.
Moog Sub Phatty analog synthesizer, Tuba, 808, 303.

https://soundcloud.com/nortec

puts the Moog Sub Phatty through it's paces. The track is 100% comprised of sounds created by the Sub Phatty (including the drums). Recorded live on set through an H4n into Ableton Live."

Birdie [radio mix]

Published on Apr 9, 2013

"new 'Radio Mix'
used gear:
DomX, Leipzig-S, Mox6, Xoxbox, Octapad, Urzwerg, GrooveAgent, Cubase Artist 7
Vocals: Cobalt"

More KORG Groovebox Renders

Two more added to the main post here. We also can clearly see the names of each, the Volca Keys, Volca Bass, and Volca Beats.

M.A.S.F. Thornoscillator Fuzz Oscillator Pedal

Uploaded on Oct 20, 2010 masfactory·41 videos

noise oscillator fuzz effector.
http://masf.figity.com


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"Thornoscillator is used as a fuzz guitar but also the oscillation, and match very well, connect a synthesizer or rhythm machine and multi-effects fuzz noise oscillation rate can also be used separately as a noise machine thornoscillator.

Stacked wall of noise distortion itself is important, from fine grains or dust storms of fuzz, oscillation and noise sound is a struggle most comprehensive MASF. [Volume] [character] [freq] [sens] in control of exactly what is wrong is no name, and it is usually different from the way we listen to their own. [Volume] has a volume control or more roles, [caracter] [sens] will issue a combination of many things that look, it [freq] can be changed significantly.

Also by linking the effects thornoscillator else just changes the character of the thornosicllator is hard. For example, set to leave the state without oscillation thornoscillator, explode or oscillate as if the entire system and turn on the oscillation of the effects connected to the former, and in some cases can become a funny sound input source Select the sound produced by the operation are endless."

Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer

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Uploaded on Dec 29, 2011 JetCityMusic·389 videos


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"Welcome to the Rainbow Machine, in all it’s synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no “natural sounds” that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out. A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave to the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic. The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descend’s, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controled by an external expression pedal for extra fun! The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up!

Expression Pedal
We recommend the Moog Expression pedal for the

Controls
Pitch - This controls the pitch of the harmony. All the way counter clockwise is a 4th down, all the way clockwise is a 3rd up. The middle position is unison. The pitch can be controlled by an expression pedal as well.

Exp - This is an expression pedal control jack for the pitch. The Pitch control is defeated when an expression pedal is inserted.

Primary - This controls the volume of the Primary pitch shifted signal. Unity is about 2 o'clock, anything above will boost the signal.

Secondary - This controls the volume of the secondary pitch shifted signal. The Secondary signal is one octave above the Primary from noon up and one octave below from noon back. Unity is about 2 o'clock, anything above will boost the signal.

Tracking - This controls the amount of lag time between the direct dry signal and the shifted wet signal. The pitch shifted signal will track right on the dry signal when this control is all the way clockwise. It will start to lag behind the more it is reduced. This function is especially useful when the "Magic" is engaged.

Magic - This adjusts the "weirdness" of the effect. The end result is a wide variety of wild effects depending on where the other controls are set. The magic control will only work if the magic switch is engaged and the primary and/or secondary are in use. (Technically, it's a regeneration control that creates aliasing between a mix of the primary and secondary functions feeding back against each other).

Tone - All the way clockwise is full signal, reduce to soften the highs.

Measures
4.7" x 3.7" x 1.18"

Power
Any standard 9 volt DC power supply with a negative center 2.1mm barrel. No battery option."