Published on Jun 3, 2013
"Take a Doepfer Dark Energy or any Modular System, or any other LFO you have, and the Korg Monotribe. With the external output of LFO 1 you go to the SYNC input of the Monotribe. The frequency of the LFO should be set to square wave.
Now you can control the tempo of the Monotribe. If you multiply the signal from the LFO 1 and send it to the VCF Frequency input of the Doepfer, you already have a synchronous bass. By multiplying the LFO Trigger, you can use the same signal to manipulate other cv targets, in my case a Roland alpha juno 1.
Lucky owners of a Korg monotribe with miditribe mod can additionally sync all Midi Instruments they have. The miditribe will send the tempo as midiclock. The DSI Mopho receives also the Midi clock, shows the BPM and syncs its Arpeggio and Sequencer plus its internal LFOs.
With the LFO 2 Signal of the Doepfer you can disrupt the blunt rhythm of LFO 1 and try crazy Variations. Try yourself and have fun!"
LFO+A-160+A-161+A-138b+monotribe=FUN
Published on Aug 10, 2013
"Modular Synthesizer on the Installment Plan. The best method to get a great synthesizer, IMHO. Ask if you want to know more
https://soundcloud.com/cheapchip"
Saturday, August 10, 2013
Sync external LFO with Monotribe w Midi to other gear
Synths Spotted on Squrespace
http://www.squarespace.com
This one spotted by Charlie. It's pretty hit an miss whether it comes up, but there it is. Anyone know the story behind this one?
Make Noise eurorack modules, Tiptop Audio uZEUS power, Roland TR-606, Red SH-101 & SH-2.
DR-110 Mods Demo
Published on Aug 10, 2013
Boss DR-110 con modificaciones y sincro.
Boss DR-110 with mods & sync.
Boss DR-110 con modificaciones y sincro.
Boss DR-110 with mods & sync.
First Dream
"First installment in: The Dreams of Dr. Plague"
via Dave Allen on The MATRIXSYNTH Lounge
"Here's something ambient and the little system I did it on. One live take. OK, it's pretty much just a rip-off of Eno, but it's something I've been wanting to do for awhile. The Soundcloud link is here"
Corsynth C104 Odyssey of Sound Oscillator Review on Atomic Shadow
"This oscillator covers a lot of sonic territory. It is based on the ARP 2600/Odyssey design, hence the Odyssey of Sound Name. There is enough sonic difference to make it a great companion to the Q106 when making two oscillator lead patches. The clipping circuit can go from soft and fuzzy to fairly nasty and distorted. The ring modulator is a cool addition with the square wave internally connected to it. The soft clipping level can be voltage controlled and outputs either the saw or triangle wave. Download the PDF manual and hear multiple audio clips at Corsynth's website..."
via Atomic Shadow where you'll find the full post.
New Doepfer A-190-5 Polyphonic USB/MIDI-to-CV/Gate Interface
via PatchPierre.Net
"Planned to be released in the fall of 2013*, so more and more details keep popping up on the internet about the A-190-5 four voice Polyphonic Midi to CV/Gate interface. The prototype of this module already been displayed at MusikMesse 2013 and at Dieter´s latest workshop in Munich, Germany last month...
The new A-190-5 is now a completely redesigned version that contains an LC display (similar to the A-187-1), some control buttons, a USB interface and higher resolution DACs with higher voltage range (probably 12 bit and 0...+10V).
It will have 12 CV and 4 Gate outputs, different modes (e.g. unisono, four-fold monophonic or polyphonic, and different four voice polyphonic modes)
For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers. The basic modes can selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states. The range of the CV outputs (CV1...CV3) is 0...+10V (i.e. 10 octaves for CV1). The resolution is 12 bit. The gate voltages are 0/+5V (maybe even adjustable to 0...+10V for non A-100 applications)."
"Planned to be released in the fall of 2013*, so more and more details keep popping up on the internet about the A-190-5 four voice Polyphonic Midi to CV/Gate interface. The prototype of this module already been displayed at MusikMesse 2013 and at Dieter´s latest workshop in Munich, Germany last month...
The new A-190-5 is now a completely redesigned version that contains an LC display (similar to the A-187-1), some control buttons, a USB interface and higher resolution DACs with higher voltage range (probably 12 bit and 0...+10V).
It will have 12 CV and 4 Gate outputs, different modes (e.g. unisono, four-fold monophonic or polyphonic, and different four voice polyphonic modes)
For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers. The basic modes can selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states. The range of the CV outputs (CV1...CV3) is 0...+10V (i.e. 10 octaves for CV1). The resolution is 12 bit. The gate voltages are 0/+5V (maybe even adjustable to 0...+10V for non A-100 applications)."
Moog MultiMoog Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
via this auction - learn how to sell on eBay here.
[DEMO] Korg iPolysix (Factory Sounds)
Published on Aug 10, 2013 Thiago Gomes·61 videos
"Runnin' the Korg iPolysix through my iPad using the "Camera connection kit" and my Korg Trinity Plus (with a MIDI-USB cable).
Sorry, but the app audio is MONO. However, it's sounds very good and rich sound.
The realtime filter changes are made by Kaoss Pad from the app."
iTunes:
KORG iPolysix - KORG INC.
"Runnin' the Korg iPolysix through my iPad using the "Camera connection kit" and my Korg Trinity Plus (with a MIDI-USB cable).
Sorry, but the app audio is MONO. However, it's sounds very good and rich sound.
The realtime filter changes are made by Kaoss Pad from the app."
iTunes:
KORG iPolysix - KORG INC.
Miniwave Highpass modulation
Published on Aug 10, 2013 Christopher Winkels·63 videos
"An implementation of the Bob Borries modulation trick to mimic PWM on a Miniwave.
Simply put, an LFO (or EG, or other modulation source) sweeps the cutoff on a ramp (rising sawtooth) wave being fed into a highpass filter. The output of the highpass HPF drives the Miniwave input.
Changing the waveshape of the ramp changes the spectral content of the Miniwave, lending a PWM style tonal sweep.
Not everything sounds great, but they beauty of it is that one can go from subtle sweeps to nails-on-a-chalkboard grind with relatively little effort."
"An implementation of the Bob Borries modulation trick to mimic PWM on a Miniwave.
Simply put, an LFO (or EG, or other modulation source) sweeps the cutoff on a ramp (rising sawtooth) wave being fed into a highpass filter. The output of the highpass HPF drives the Miniwave input.
Changing the waveshape of the ramp changes the spectral content of the Miniwave, lending a PWM style tonal sweep.
Not everything sounds great, but they beauty of it is that one can go from subtle sweeps to nails-on-a-chalkboard grind with relatively little effort."
Tempest and Analog Four: "Analog Together..."
Published on Aug 10, 2013 freelanderride·17 videos
"Hi from the Netherlands !
Tempest and Analog Four analog together. After a few months break I make this afternoon a simple "analog together". Dave Smith with Elektron, both most creative machines.
Enjoy !
Grtz Freelander"
"Hi from the Netherlands !
Tempest and Analog Four analog together. After a few months break I make this afternoon a simple "analog together". Dave Smith with Elektron, both most creative machines.
Enjoy !
Grtz Freelander"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH