Published on Aug 10, 2013 Ebotronix·727 videos
4ms Peg, RCD,VcaMatrix
Alesis Metavox Vocoder
Analogue Systems RS100², RS110².², RS360²
Arp Odyssey 2821 noises
Bananalogue VCS
Cyndustries Zero Oscillator²
Doepfer R2M, A143-1&2,A148
A134².² panning by A143-9 and MP201
Flame Chord Machine, Talking Synth Module
Grendel Formant Filter²
Make Noise Brains,PP², Maths²,Optomix,QMMG,Wogglebug
Malekko Anti Oscillator².² ,Uncle³, Jag
Moog Freqbox³ , CP251,MP201
SSL Modulation Orgy
Tiptop Audio Z 8000
Toppobrillo Quantimator², Sportmodulator, TWF²
Logic masterclock to Kenton Pro 2000 to Peg & RCD
FX Boss VF 1, Lexicon PCM 80 / 90,Line6 echopro
controlled by 4x Roland EV - 5
Mackie mixer LM 3204 & CR 1604-VLZ
+ ~ -
bass (CM Arp out) by uncles
chords (CM) by Antis
freqs and Talking Synth Module to Alesis Metavox Vocoder
freqbox and TSM cv by R2m and Quantimators (#1 for scale #2 for chords)
ZO's cv by CM arp out
kick by RS110 sine to QMMG
noises by Arp Odyssey to RS110 , QMMG & A134
Saturday, August 10, 2013
Mutable Instruments BRAIDS/Gieskes VC Fan
Published on Aug 10, 2013 opsysbug·133 videos
"BRAIDS Wavetable OSC Modulated by Geskies VC Fan. Winds are blowing."
Mutable Instruments BRAIDS OSC /Gieskes VC Fan2
Published on Aug 10, 2013
"BRAIDS gets 'blown" by VC Fan. Wild Flute"
the beauty of sinewaves NORD MODULAR TENORI-ON
Published on Aug 10, 2013 michal23pl·87 videos
"track made exclusively with a sine oscillators in Nord Modular G1. recorded on analog tape. hope you'll enjoy it. thanks for watching and listening."
"track made exclusively with a sine oscillators in Nord Modular G1. recorded on analog tape. hope you'll enjoy it. thanks for watching and listening."
Analog Modular System Tinysizer & moogerfooger MF-104M analog delay
Published on Aug 10, 2013 inbetweenmovements·41 videos
"Sequenced and recorded with Ableton Live, no additional effects."
"Sequenced and recorded with Ableton Live, no additional effects."
Sync external LFO with Monotribe w Midi to other gear
Published on Jun 3, 2013
"Take a Doepfer Dark Energy or any Modular System, or any other LFO you have, and the Korg Monotribe. With the external output of LFO 1 you go to the SYNC input of the Monotribe. The frequency of the LFO should be set to square wave.
Now you can control the tempo of the Monotribe. If you multiply the signal from the LFO 1 and send it to the VCF Frequency input of the Doepfer, you already have a synchronous bass. By multiplying the LFO Trigger, you can use the same signal to manipulate other cv targets, in my case a Roland alpha juno 1.
Lucky owners of a Korg monotribe with miditribe mod can additionally sync all Midi Instruments they have. The miditribe will send the tempo as midiclock. The DSI Mopho receives also the Midi clock, shows the BPM and syncs its Arpeggio and Sequencer plus its internal LFOs.
With the LFO 2 Signal of the Doepfer you can disrupt the blunt rhythm of LFO 1 and try crazy Variations. Try yourself and have fun!"
LFO+A-160+A-161+A-138b+monotribe=FUN
Published on Aug 10, 2013
"Modular Synthesizer on the Installment Plan. The best method to get a great synthesizer, IMHO. Ask if you want to know more
https://soundcloud.com/cheapchip"
"Take a Doepfer Dark Energy or any Modular System, or any other LFO you have, and the Korg Monotribe. With the external output of LFO 1 you go to the SYNC input of the Monotribe. The frequency of the LFO should be set to square wave.
Now you can control the tempo of the Monotribe. If you multiply the signal from the LFO 1 and send it to the VCF Frequency input of the Doepfer, you already have a synchronous bass. By multiplying the LFO Trigger, you can use the same signal to manipulate other cv targets, in my case a Roland alpha juno 1.
Lucky owners of a Korg monotribe with miditribe mod can additionally sync all Midi Instruments they have. The miditribe will send the tempo as midiclock. The DSI Mopho receives also the Midi clock, shows the BPM and syncs its Arpeggio and Sequencer plus its internal LFOs.
With the LFO 2 Signal of the Doepfer you can disrupt the blunt rhythm of LFO 1 and try crazy Variations. Try yourself and have fun!"
LFO+A-160+A-161+A-138b+monotribe=FUN
Published on Aug 10, 2013
"Modular Synthesizer on the Installment Plan. The best method to get a great synthesizer, IMHO. Ask if you want to know more
https://soundcloud.com/cheapchip"
Synths Spotted on Squrespace
http://www.squarespace.com
This one spotted by Charlie. It's pretty hit an miss whether it comes up, but there it is. Anyone know the story behind this one?
Make Noise eurorack modules, Tiptop Audio uZEUS power, Roland TR-606, Red SH-101 & SH-2.
DR-110 Mods Demo
Published on Aug 10, 2013
Boss DR-110 con modificaciones y sincro.
Boss DR-110 with mods & sync.
Boss DR-110 con modificaciones y sincro.
Boss DR-110 with mods & sync.
First Dream
"First installment in: The Dreams of Dr. Plague"
via Dave Allen on The MATRIXSYNTH Lounge
"Here's something ambient and the little system I did it on. One live take. OK, it's pretty much just a rip-off of Eno, but it's something I've been wanting to do for awhile. The Soundcloud link is here"
Corsynth C104 Odyssey of Sound Oscillator Review on Atomic Shadow
"This oscillator covers a lot of sonic territory. It is based on the ARP 2600/Odyssey design, hence the Odyssey of Sound Name. There is enough sonic difference to make it a great companion to the Q106 when making two oscillator lead patches. The clipping circuit can go from soft and fuzzy to fairly nasty and distorted. The ring modulator is a cool addition with the square wave internally connected to it. The soft clipping level can be voltage controlled and outputs either the saw or triangle wave. Download the PDF manual and hear multiple audio clips at Corsynth's website..."
via Atomic Shadow where you'll find the full post.
New Doepfer A-190-5 Polyphonic USB/MIDI-to-CV/Gate Interface
via PatchPierre.Net
"Planned to be released in the fall of 2013*, so more and more details keep popping up on the internet about the A-190-5 four voice Polyphonic Midi to CV/Gate interface. The prototype of this module already been displayed at MusikMesse 2013 and at Dieter´s latest workshop in Munich, Germany last month...
The new A-190-5 is now a completely redesigned version that contains an LC display (similar to the A-187-1), some control buttons, a USB interface and higher resolution DACs with higher voltage range (probably 12 bit and 0...+10V).
It will have 12 CV and 4 Gate outputs, different modes (e.g. unisono, four-fold monophonic or polyphonic, and different four voice polyphonic modes)
For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers. The basic modes can selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states. The range of the CV outputs (CV1...CV3) is 0...+10V (i.e. 10 octaves for CV1). The resolution is 12 bit. The gate voltages are 0/+5V (maybe even adjustable to 0...+10V for non A-100 applications)."
"Planned to be released in the fall of 2013*, so more and more details keep popping up on the internet about the A-190-5 four voice Polyphonic Midi to CV/Gate interface. The prototype of this module already been displayed at MusikMesse 2013 and at Dieter´s latest workshop in Munich, Germany last month...
The new A-190-5 is now a completely redesigned version that contains an LC display (similar to the A-187-1), some control buttons, a USB interface and higher resolution DACs with higher voltage range (probably 12 bit and 0...+10V).
It will have 12 CV and 4 Gate outputs, different modes (e.g. unisono, four-fold monophonic or polyphonic, and different four voice polyphonic modes)
For each voice a pitch control voltage (CV1, 1V/octave standard to control VCOs), a gate output (to control envelope generators) and two additional control voltages (CV2, CV3) are available. The two additional CV outputs can be controlled by Midi velocity, volume, modulation, pitch bend, after touch or free assignable Midi controllers. The basic modes can selected by means of a momentary switch (probably Mode or Algor.) and is shown in the LC display. Certain parameters of each mode can be edited (e.g. the midi channel(s), the midi reference note for 0V CV, assigned controllers for CV2 and CV3). For this the momentary switch Edit/Play is used. The parameter values (e.g. midi channels) are shown in the display and can be modified by means of the momentary switches 1...4. In Play mode the LEDs of these four switches display the gate states. The range of the CV outputs (CV1...CV3) is 0...+10V (i.e. 10 octaves for CV1). The resolution is 12 bit. The gate voltages are 0/+5V (maybe even adjustable to 0...+10V for non A-100 applications)."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH




























