Thursday, August 22, 2013
New Buchla Music Easel Sighting
These in via Todd Barton aka vgermuse.
via Muff's: "So. . . I was hiking through the forests of the great Pacific Northwest when I tripped and feel into a Hobbit hole. . .there I discovered a klatch of Easel Weasels!"
BTW, Todd will be at this years Knobcon as posted here. He will be running a Buchla clinic along with a performance. I wouldn't be surprised if there was a new Buchla Music Easel sighting there as well. :)
New MTG Kawai R100 ROM Swticher Expansion Boards
This is a follow up to this post. You'll find full details on the Music Technologies Group blog.
"As you may have seen in my previous post, my Kawai R-100 Drum Machine came with a 3-EPROM 'soundswitcher'. Since this is no longer available, I thought I would make my own. It’s not an exact clone of the Drumware Inc board...
I did a 2-layer board compared to the old Drumware single-layer board that was probably taped up by hand. In fact this is how I used to make SRAM memory expansions myself in the late 80′s. I even advertised them in the back pages of Polyphony magazine (for JX3P, OB DX, Polysix and a few others)."
Note there are only a few boards available, so if you are interested click through sooner than later.
moon 8
Published on Aug 22, 2013 Ebotronix·742 videos
Update:
moon 8²
moon 8³
4ms Peg, RCD², VcaMatrix
Analogue Systems RS100², RS110²², RS360²
Arp Odyssey
Bananalogue VCS
Cyndustries Zero Oscillator²
Doepfer R2M, A143-1&2, A148, A134²² panning by A143-9
Flame Chord Machine², Talking Synth Module²
foh choices
AtomoSynth EP Now Available
Just announced last Saturday, the AtomoSynth EP is now available on iTunes: AtomoSynth - EP - AtomoSynth Proyect
via Atomo Synth on Facebook:
"Hello World!! we are proud to release our first EP it is called simply 'AtomoSynth'. All the sounds of it (except from drums) come from the AtomoSynth MochikaXL and the AtomoSynth Krakken, it has been recorded in cassette using a Tascam 4 track portastudio Porta07, different effect pedals and hardware processors. the sound of it is somehow raw and noisy but it is part of its nature due to the tools used. Tracks are:
1.Robot bacteria
2.Neon walk
3.Hysteric loop
4. Machine's own will
all composed produced and performed by Alfredo Aliaga in the AtomoSynth Records studios in Lima.
Album cover by Karin Arakaki.
Now in iTunes"
AtomoSynth - EP - AtomoSynth Proyect
KORG Volca+acidlab bassline+MFB-503+MPC
Published on Aug 18, 2013 yoshitb303r·31 videos
"電子音屋ヨクシー Home Live Vol.11
MPC2000XLを心臓にVolca 3台とMFB-503を
コントロール acidlab basslineはMidi syncさせてます。
久々にストレートなアシッド・パフォーマンスになりました☆
In MPC2000XL Volca three and MFB-503
Control acidlab bassline lets you do Midi sync.
It was after a long absence and became the straight acid performance.
equipment :Volca Beats Volca Bass Volca Keys MFB-503 acidlab bassline MPC2000XL SE-70
デモ・トラック、Freeダウンロード⇒https://soundcloud.com/yo-17
電子音屋ヨクシーのブログ⇒http://yoshitb303.blogspot.jp/
Please listen to Demo Track⇒https://soundcloud.com/yo-17"
KORG Volcas on eBay
KORG Volca+TR-505 MIDI sync Complete(Minimal Beats)
Published on Aug 6, 2013
"KORG Volca 3modelとTR-505のMIDI Sync Playのコンプリート・バージョンです☆
Midi Expander YAMAHA YME8を使用しています。 ご参考までに^^
It is a complete version of MIDI Sync Play of KORG Volca 3model and TR-505.
I use Midi Expander Yamaha YME8."
Korg Volca Bass VS Korg Monotribe & Korg Volca Break Beat
Published on Jun 23, 2013
"Volca bass VS monotribe.
Volca bassとmonotribeの比例動画です。
(*´ω`*)"
KORG Volcas on eBay
Monotribes on eBay
Korg Volca break beat
Published on Jul 7, 2013
"I like fast music.
Do you like fast music?"
"Volca bass VS monotribe.
Volca bassとmonotribeの比例動画です。
(*´ω`*)"
KORG Volcas on eBay
Monotribes on eBay
Korg Volca break beat
Published on Jul 7, 2013
"I like fast music.
Do you like fast music?"
KORG Volca Bass as Synth Expander Video
Added a new video to this post. You might want to bookmark the post and check back for updates later. Remember to check the Updates link on the top of the site daily for updates as well.
New Firmware Available for Sequential Max Users
This one in via Plutoniq9:
"*I'm reposting this from the sequential yahoogroup for AH'ers. It was a fascinating project to work with Bob on. He truly is a master of the art! What i think is fantastic is that this project has taken a very "crippled" SCI instrument with limited use and turned it into a synth that has mass potential now. It has been a long process and I applaud Bob for taking the initiative and devoting a lot of his free time to make this possible. Without his efforts this would have probably never been realized.;
In addition to what is listed below, we were able to identify and fix a major bug in the Max having to do with enabling velocity and simultaneous midi cc control.
Also, I have performed this mod alongside Bob (there were a few revision), and I can vouch that it is flawlessly implemented and feels like a whole new instrument to work with.
---------------------------------------------------------------------------------------------------------------------
Attn Sequential Max owners: With ideas and encouragement from Ryan Palmer
>(AKA Plutoniq9), I have developed a new version of
the Max firmware which has the following features:
1) 100 downloadable programs (Max had 20 that could be downloaded)
2) Storage for ~3200 notes in two songs (Max could store about 500)
3) Unison mode (Max did not support Unison mode)
4) Battery-backed storage of downloadable programs and songs
5) MIDI chan and a few other parameters are also non-volatile
6) Three sets of programs in EPROM, loadable on request:
a) Max orig 80 programs plus Six Trak Unison programs
b) Six Trak orig 100 programs
c) Multitrak orig 100 programs, without chorus and velocity sens parameters
7) Current voice parameters, including any CC changes, can be stored in program
#99
8) Program #99 can be copied to any other program.
[One quick follow up.
7) & 8) listed below addresses the Max's limited patch creation abilities. Now, using any standard midi cc controller you can create & save onboard any patches you create without the use of a computer. Prior, patch creation could be done only by a sysex sound dump TO the max (which of course would be lost once you switched off the unit). The max always had cc parameter support, however any changes to the current patch made via CC's would not be reflected when you sent a sysex sound dump to the Midi out. Shitty huh?]
9) MIDI receive buffer increased from 64 bytes to 128 bytes
[doubles the midi receive buffer from 64-bytes to 128-bytes. It doesn't sound like much, but it enables a ton more simultaneous cc control messages to be sent to the max without choking it up. Previously, more than four cc messages sent to the max while sending midi note data would lock up the voices. Also with unison now able to be enabled, that number dropped down to one! With the larger midi buffer, I haven't yet been able to lock it up in either poly or unison mode (I tried 5-6 simultaneous cc's in unison with no problem).]
To support these features, the memory chips in the Max need to be upgraded.
This requires good soldering skills. Chips need to be removed from the board, a
few traces must be cut, and a few wires need to be added.
The following parts are needed:
27C256 (new code EPROM, Flash memory chip can also be used)
32Kx8 NVRAM DS1230Y-150+ (installed in place of U12)
24-pin machined pin IC socket for NVRAM
28-pin IC socket for EPROM
Two BAT48 Schottky diodes
1K 1/4W resistor
>
>If anyone is interested in trying this mod in their Max,
>please contact me and I will provide more information and instructions. If
there is enough interest, I can make a small PC bd which will simplify the mod,
but add about $10 to the cost.
>
>I am not selling anything, except possibly the pc boards, but will help anyone
who is interested and has the necessary skills to perform the mod.
>
>Bob Grieb
>"
Update: additional details in this post.
"*I'm reposting this from the sequential yahoogroup for AH'ers. It was a fascinating project to work with Bob on. He truly is a master of the art! What i think is fantastic is that this project has taken a very "crippled" SCI instrument with limited use and turned it into a synth that has mass potential now. It has been a long process and I applaud Bob for taking the initiative and devoting a lot of his free time to make this possible. Without his efforts this would have probably never been realized.;
In addition to what is listed below, we were able to identify and fix a major bug in the Max having to do with enabling velocity and simultaneous midi cc control.
Also, I have performed this mod alongside Bob (there were a few revision), and I can vouch that it is flawlessly implemented and feels like a whole new instrument to work with.
---------------------------------------------------------------------------------------------------------------------
Attn Sequential Max owners: With ideas and encouragement from Ryan Palmer
>(AKA Plutoniq9), I have developed a new version of
the Max firmware which has the following features:
1) 100 downloadable programs (Max had 20 that could be downloaded)
2) Storage for ~3200 notes in two songs (Max could store about 500)
3) Unison mode (Max did not support Unison mode)
4) Battery-backed storage of downloadable programs and songs
5) MIDI chan and a few other parameters are also non-volatile
6) Three sets of programs in EPROM, loadable on request:
a) Max orig 80 programs plus Six Trak Unison programs
b) Six Trak orig 100 programs
c) Multitrak orig 100 programs, without chorus and velocity sens parameters
7) Current voice parameters, including any CC changes, can be stored in program
#99
8) Program #99 can be copied to any other program.
[One quick follow up.
7) & 8) listed below addresses the Max's limited patch creation abilities. Now, using any standard midi cc controller you can create & save onboard any patches you create without the use of a computer. Prior, patch creation could be done only by a sysex sound dump TO the max (which of course would be lost once you switched off the unit). The max always had cc parameter support, however any changes to the current patch made via CC's would not be reflected when you sent a sysex sound dump to the Midi out. Shitty huh?]
9) MIDI receive buffer increased from 64 bytes to 128 bytes
[doubles the midi receive buffer from 64-bytes to 128-bytes. It doesn't sound like much, but it enables a ton more simultaneous cc control messages to be sent to the max without choking it up. Previously, more than four cc messages sent to the max while sending midi note data would lock up the voices. Also with unison now able to be enabled, that number dropped down to one! With the larger midi buffer, I haven't yet been able to lock it up in either poly or unison mode (I tried 5-6 simultaneous cc's in unison with no problem).]
To support these features, the memory chips in the Max need to be upgraded.
This requires good soldering skills. Chips need to be removed from the board, a
few traces must be cut, and a few wires need to be added.
The following parts are needed:
27C256 (new code EPROM, Flash memory chip can also be used)
32Kx8 NVRAM DS1230Y-150+ (installed in place of U12)
24-pin machined pin IC socket for NVRAM
28-pin IC socket for EPROM
Two BAT48 Schottky diodes
1K 1/4W resistor
>
>If anyone is interested in trying this mod in their Max,
>please contact me and I will provide more information and instructions. If
there is enough interest, I can make a small PC bd which will simplify the mod,
but add about $10 to the cost.
>
>I am not selling anything, except possibly the pc boards, but will help anyone
who is interested and has the necessary skills to perform the mod.
>
>Bob Grieb
>"
Update: additional details in this post.
ARP AXXE Analog Synthesizer 1977 | HD DEMO
Published on Aug 22, 2013 AnalogAudio1·116 videos
"(c) 2013 by AnalogAudio1
I played the ARP Axxe with reverb effects from a Lexicon MPX-500 and delay effects from a Roland DEP-5.
The ARP Axxe is a monophonic synthesizer. It came out 1977 and was the competitor of the Micromoog. It is a cutdown version of the ARP Odyssey."
"(c) 2013 by AnalogAudio1
I played the ARP Axxe with reverb effects from a Lexicon MPX-500 and delay effects from a Roland DEP-5.
The ARP Axxe is a monophonic synthesizer. It came out 1977 and was the competitor of the Micromoog. It is a cutdown version of the ARP Odyssey."
Studio Electronics Boomstar 4075 SN 10059
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
Noisebug (RSS)
"Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.
The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.
VCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle/sawtooth or sine/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.
The oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.
The filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.
The first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.
The LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.
The VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM."
via this auction - learn how to sell on eBay here.
Noisebug (RSS)
"Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.
The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.
VCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle/sawtooth or sine/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.
The oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.
The filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.
The first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.
The LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.
The VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH