MATRIXSYNTH

Monday, September 23, 2013

How to Make Your DSI Mopho Sound "Better"

via Tony of Oakley Sound Systems on Muff's (via Daniel Nikolaj Sand on The MATRIXSYNTH Lounge):

"I've got a Mopho keyboard and it's a great little thing. But one thing puzzles me; when listening to any patch using a pulse wave, I notice the overall sound somewhat dirty sounding. It's not very nice really.

You can hear what mine sounds like here:

http://www.oakleysound.com/Mopho&Pulse.wav

I popped the hood and found that it is caused by the internal CVs to the voice chip that control the pulse wdith having some sort of randomised voltage added to them.

However, it is not only the pulse width control voltages that have this unwanted randomisation. All of the CVs do, but it is most noticeable on the pulse widths. What got me onto the right track was the fact that all the CVs had worse noise when they were set to high values. This points the finger towards a noisy reference voltage to the system's DAC.

The DAC used on the Mopho Keyboard appears to use a 5V reference derived from the +12V supply. Now, the 12V supply gets tainted by noise from the other parts of the electronics of the Mopho - but in particular from the -5V charge pump power supply which generates horrible 80kHz perturbations.

However, the real problem is that the Mopho creates the 5V reference by simply dividing the +12V rail with a pair of resistors (R67 and R71). This divided down signal, complete with a portion of the noise from the +12V rail, gets sent to a voltage follower (U18b) and then sent to the DAC. Oh dear... because this noise now ends up on the CVs. The higher the CV the more noise gets through.

Solution: Filter the +5V reference voltage before it goes to the voltage follower. I did it with a 10uF tantalum cap soldered directly across R71. The reference voltage is now nice and quiet. The Mopho behaves better, not only with respect to the pulse wave, but also seems smoother in general tone too.

The Mopho Keyboard is primarily built from surface mount components using lead free solder. This makes it slightly more awkward to work on than older through hole designs. However, it is quite possible to do a nice job if you take care.

You'll need one 10uF, 16V tantalum capacitor. You can use a decent quality electrolytic if you wish, and in that case, a 10uF, 25V will suffice.

Solder the cap across the resistor R71. With the keyboard to the front of the unit, the positive terminal of the cap should be facing left. That is the negative end should go to the ground plane which is attached to the end of R71 that is nearest to the number 1 of its name.

Don't pull too hard on the cap once it is soldered in place because you might pull off the solder pads of R71.

For the Mopho Desktop:

This seems to be built in much the same way with the DAC reference being taken off the +12V line. I am guessing it too will have the same unwanted noise on the DAC reference. However, the board is different in several other respects and the parts numbering is different.

Now I haven't tried this but from online photographs I can assume that you will need to solder the 10uF cap across R52. This is situated, again above the DAC, near U12. The negative pin of the cap should be soldered towards the front of the unit, ie. the positive pin will be mounted nearest the R52 legending."

Sunday Night Drone - Somniloquy

Published on Sep 22, 2013 Tony Scharf·10 videos

"Sunday night drone, 2013-09-22. This one was a bit more noisy using found sound on the iPad and 3 noisy parallel patches on the modular. I'd intended to add some additional talking bits but ran out of time. I hope those of you who tuned in enjoyed it. - Captured Live on Ustream at http://www.ustream.tv/channel/noiseth...

You can find more of my music at http://noisetheorem.bandcamp.com and http://www.soundcloud.com/noisetheorem. Please follow me on FaceBook (http://www.facebook.com/noisetheorem) and Twitter (@noisetheorem) to be kept up to date on future broadcasts"

via Tony Scharf on The MATRIXSYNTH Lounge

Microsoft Announces Surface 2 "Remix Project" with MPC Style Control Pads

Remix Project -- Linkin Park's Joe Hahn

Published on Sep 23, 2013 surface·69 videos

"Joe Hahn explains why the Surface Music Kit is an easy way to start remixing music the way you want. Learn more at www.surfaceremixproject.com."

"The Surface Music Kit is compatible with Surface 2, Surface Pro, and Surface Pro 2. Internet access required for installation." Go with Pro if you want to run the full gamut of Windows apps. RT only supports apps specifically designed for it. Also I don't not believe Windows RT supports external MIDI devices. If you know otherwise feel free to comment.

The following video focuses on other snap on interface options for the Surface.  Remix Project makes an appearance.  Further below is a video on the Remix Project from Engadget.

Surface Workshop at Art Center College of Design

Published on Sep 23, 2013

"Three weeks before launching its new line of products, the Surface design team took a trip to Pasadena, CA, where they held a 3 day workshop with renowned design school Art Center College of Design.

The group of 11 students chosen for the workshop were the first people outside of Microsoft to see a new accessory the design team has been working on: a music attachment that clicks into a Surface and allows users to easily remix music. They asked the students: what else would you want to attach to a Surface? They code named these attachments blades."

Microsoft Surface 2 Remix Project Hands-On | Engadget

Published on Sep 23, 2013 Engadget·1,050 videos

"Microsoft Surface 2 Remix Project Hands-On. Read on at Engadget:"

http://www.engadget.com/2013/09/23/microsoft-surface-remix-project-hands-on/

"Inside the application, you'll find "stems" (things like the bass track of a song), "clips" (the intro to a pop song, say) and "oneshots," which include sound effects like claps. From there, you can drag and drop the tracks into a workshop area, not unlike the way you'd handle media in a video-cutting program (or any other digital audio workshop, really). What's especially cool is that the Touch Cover here is pressure-sensitive, just like the new Touch Cover 2, so if you want a light drum sound, you can tap it lightly; if you want something more intense, just start mashing it with your fingers..."

This one in via Soviet Space Child.

VINTAGE 1976 ARP 2600 with MOOG 4012 LADDER FILTER & Philip Dodds Number

Note: links to listings are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here

Pics of the inside and ARP / Philip Dodds' old phone number below.

CLASSIC MINIMOOG MODEL D SN 7625

Note: links to listings are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here

Moog Sonic Six

Note: links to listings are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here

"This is a Moog in suitcase. A synth designed by MuSonics and worked on by Bob Moog. The X/Y LFO's allow you to create layers of modulation that ad depth to any sound. The filter sounds amazing; I have never heard a filter oscillate as loudly and smooth as this synth's. This synth was fully restored by one of NYC's finest synth repair shops. I have a receipt from August 2013 that shows this synth was fully cleaned, calibrated and tested 100% functional. The speaker was even replaced with a newer, higher quality speaker that sounds nice. The speaker is great for coming up with sounds in your room, or taking the synth over to a friends place to write music. This synth has ring mod, separate outs for the pre-filter oscillator signals, oscillator sync, the LFO's can trigger the oscillator... there is so much this synth can do that even modern analog synths don't tackle..."

Vintage Fire Moog Modular 912 Envelope Follower

Note: links to listings are affiliate links for which the site may be compensated.

via this auction - learn how to sell on eBay here

via the seller / listing: "Okay. This is a vintage Moog Modular 912 Envelope Follower. And it LOOKS LIKE IT WAS IN A FIRE at some point. I came across it about ten years ago when I got my now-newly-sold Moog Modular system. I bought it only from looking at the front panel and while I was surprised at the condition when it arrived, I figured that seeing as how it was repaired and the front panel isn't wrecked, it really made no difference because this item is a function generator, not a sound generator. Before you bid on this, look carefully at the circuit board and the electronics. I never plugged this in and so I'm selling it as-is ASSUMING that it works. It looks like the diodes, transistors and variable resistors were replaced. And judging from the new solder points and new parts, some care went into restoring it. The front panel could use some more cleaning, but it's actually good to stick in your box right now. The front panel looks fine. Not great. But not awful either. Look at the picture. Your mom will never notice.

If nothing else it will be an interesting piece of history and quite a conversation piece in your modular system because it's a REAL MOOG MODULE so get over yourself. Where else are you going to find one of these? Probably nowhere. So decide what you're gonna do. Time's wasting. You may have a 911 and a 913 so fill in that gap with this HOT little number 912. This little guy really looks like a hero if you ask me (which you would if you were here), it's been through so much. It might be the sole survivor of a Big Moog Flameout for all we know. A Moog Champion. Maybe he pulled a trigger delay out with him and gave it input to output resuscitation. We'll never know what stories it holds in its quiet, yet proud circuitry. Right now it's just an orphan with no modular buddies to follow and swap voltages with. It's sad, really. But you can help. And I think you know the right thing to do. Yes, you do.

I have no way to test this, otherwise I would. But just like trying to choose the sex of your child, there are no guarantees. And like your teenage son, it may or may not work. But I think it does. This is all pretty exciting isn't it? What are you waiting for? Make it yours - don't let some nasty bid sniper rob you of your dreams. On behalf of this 912, I thank you."

Red Sound Systems DarkStar XP2 Demo


Published on Sep 23, 2013 Cassandra Moone·4 videos


via this auction

"Highlights from the studio test of our latest project: a Red Sound Systems DarkStar XP2 synth. This refurbishment included a full take down, clean, rebuild, and custom replacement red joystick (replacing a missing silver original control)

The DarkStar XP2 was produced in the early 2000s by UK-based Red Sound Systems. It offers a truly unique sound, and plays *very* well with external effects (hint, hint :)

The synthesizer being played in this video has been fully refurbished is currently listed for sale in our eBay store.

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Content copyright 2013 analoghardware. All rights reserved."

NOD-E Generative Beat

Published on Sep 23, 2013 Antonio Blanca·8 videos

"An example using Reaktor NOD-E to create beats/percussion, it generates sequences doesn't repeat over the time. Sound is generated from Newscool synth engine. Check NOD-E introduction tutorial by Brent Kallmer here: http://www.bluewatervst.com/nod-e/"


This Is NOD-E for REAKTOR
Published on Sep 12, 2013

"You might start by thinking of NOD-E as the sequencer that you get when the nodes in Spiral reach escape velocity and break out of orbit."

Akai MPX8 SD Sample Player - Sonic LAB Review

Published on Sep 23, 2013 sonicstate·554 videos

"A new piece of pad based sample playback hardware from Akai, sounds familiar.."

Akai MPX8s on eBay
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