Friday, December 13, 2013
Giving the Bugs some love
Published on Dec 13, 2013 jenamu6·59 videos
"Finally giving the Bugbrand 2 row some love again.
I got the MD triggering 2 envelopes on the bug. these control the 3 voice you hear.
All sounds except the drums come from the 2 row Bugbrand synth, in 1 take.
Jean Schouten Jenamu6"
via Jean Schouten on The MATRIXSYNTH Lounge
1st Audulus Custom Module - Step Sequencer Sub Patch
via afta8 on the Audulus forum for user patches:
"Makes sense now that 2.5 is out, sub patches have arrived at the next level...
Here is my step sequencer sub patch, taking advantage of the maths expression and showing some v2.5 love!"
follow-up to this post.
iTunes:
Mac: Audulus - Wilson Holliday
iOS: Audulus - Wilson Holliday
Marc Romboy's Roland TB 303 For Charity
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"My name is Marc Romboy, I'm a German DJ, performing and producing electronic music and I sell my Roland TB-303! This 303 is maybe the most outstanding acid house synth you could ever purchase.
The silver box is midi-fied, in a solid condition and has been signed by plenty of prominent DJs like Carl Craig, Seth Troxler, Chris Liebing, Dubfire, Agoria, Stephan Bodzin, Robert Babicz aka Rob Acid, Oliver Huntemann, Dave Clarke, Nick Curly, Dennis Ferrer, myself and many many many more!
The entire imcoming money goes straight to the Björn Schulz Stiftung in Berlin. This organisation supports hospices for children who have serious diseases like cancer in example.
So please no fun bids and feel free to share this link as much as possible! The most important thing is that the Stiftung will receive a high amount of money for its activities.
Have a look at the pictures! Here you can see many colleagues of mine who did leave there autograph on the box! For more information visit my Facebook page called /marcromboyfanpage !!!"
via Steven Stexi VdBrande on The MATRIXSYNTH Lounge
via this auction
"My name is Marc Romboy, I'm a German DJ, performing and producing electronic music and I sell my Roland TB-303! This 303 is maybe the most outstanding acid house synth you could ever purchase.
The silver box is midi-fied, in a solid condition and has been signed by plenty of prominent DJs like Carl Craig, Seth Troxler, Chris Liebing, Dubfire, Agoria, Stephan Bodzin, Robert Babicz aka Rob Acid, Oliver Huntemann, Dave Clarke, Nick Curly, Dennis Ferrer, myself and many many many more!
The entire imcoming money goes straight to the Björn Schulz Stiftung in Berlin. This organisation supports hospices for children who have serious diseases like cancer in example.
So please no fun bids and feel free to share this link as much as possible! The most important thing is that the Stiftung will receive a high amount of money for its activities.
Have a look at the pictures! Here you can see many colleagues of mine who did leave there autograph on the box! For more information visit my Facebook page called /marcromboyfanpage !!!"
via Steven Stexi VdBrande on The MATRIXSYNTH Lounge
Formant Modular
via Giovanni Napoli on Facebook
Update: Music made with the system, eurorack, a roland rs-09 and some FX pedals.
Fanciulli GOOM Live @ Recipient_Carrozzeria Margot // 51Beats.net
Published on Dec 15, 2013 51BEATSlabel·38 videos
"Fanciulli GOOM è un collettivo sonoro, un progetto organico di improvvisazione elettronica che si modifica a seconda dei vari ospiti che si alternano. Sceglie l'improvvisazione come filosofia compositiva, il dialogo fra macchine e la sincronizzazione fra diversi sistemi elettronici come criterio strutturale e la spiritualità come motivo di esistere.
Le session tendono a sonorità che si avvicinano a quelle dei primi sperimentatori della radio BBC e dello studio di fonologia musicale RAI e a quelle dei pionieri dell'elettronica. Fanciulli GOOM è dedito allo studio di fenomeni metafisici come l'impossibilità di applicare un delay al verso di una papera.
http://www.51beats.net/index.php/arti..."
Googlish:
"GOOM Fanciulli is a collective sound, a project of organic electronic improvisation that changes depending on the number of guests who take turns. Chooses improvisation as a compositional philosophy, the dialogue between the machines and the synchronization between different electronic systems such as structural criterion and the spirituality as a reason to exist.
The sessions tend to sounds that are similar to those of the first investigators of BBC radio and the study of musical phonology RAI and those of the pioneers of electronics. Children GOOM is dedicated to the study of psychic phenomena such as the inability to apply a delay to the direction of a duck.
http://www.51beats.net/index.php/arti ..."
OB Saw Solo II Sonic Projects OP-X PRO-II "Fooling Yourself"
Published on Dec 13, 2013 synthartist69·1,147 videos
"Here is my version of the Fooling Yourself keyboard solo in the middle of the song. Not 100% perfect but it works. I did leave out all the trills....I have enough trouble playing the solo as it is...lol. The first half of the video is close to normal speed. The second half I am playing it slower. I apologize for the video being slightly out of sync with the audio. I am still trying to figure out how to remedy this the easy way.
If you are trying to learn this song I hope this helps!"
Low-Gain Electronics Submix Sub Mix Mixer Module
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"The SubMix is an improved concept over the original SubMix7. I wanted more room to play around with the mixer in live situations. It now has 12 active inputs, with linear attenuators, allowing the user to have up to 7 different mix outputs. There are four dedicated mix outputs labeled A, B, C, D. There are also 3 dedicated submix outputs labeled AB, CD, and ABCD.
The SubMix was re-designed with the intention of sub-mixing the waveform outputs from VCO’s. I’ve found by using passive mixers I’d hear drop outs or “nulling” of signal which sounds similar to signals being out of phase with each other. So passive mixers basically turned into waveform “on/off” switches for me. This effect was due to the different loads being created on passive input nodes (typically caused by the attenuator varying the load). With active inputs (unity gain buffers) the load on the summing bus stays constant and you get a much better and smooth mix regardless of the load on the input.
The SubMix is CV and Audio friendly, keeping in mind you will have offset/clipping if you use submix outputs of mixers that are mixing AC AND DC signals.
You can also take advantage of the submix outputs and play around with feedback loops!
Features
(4) 3 in x 1 out
(2) 6 in x 1 out
(1) 12 in x 1 out
Audio & CV Friendly"
via this auction
"The SubMix is an improved concept over the original SubMix7. I wanted more room to play around with the mixer in live situations. It now has 12 active inputs, with linear attenuators, allowing the user to have up to 7 different mix outputs. There are four dedicated mix outputs labeled A, B, C, D. There are also 3 dedicated submix outputs labeled AB, CD, and ABCD.
The SubMix was re-designed with the intention of sub-mixing the waveform outputs from VCO’s. I’ve found by using passive mixers I’d hear drop outs or “nulling” of signal which sounds similar to signals being out of phase with each other. So passive mixers basically turned into waveform “on/off” switches for me. This effect was due to the different loads being created on passive input nodes (typically caused by the attenuator varying the load). With active inputs (unity gain buffers) the load on the summing bus stays constant and you get a much better and smooth mix regardless of the load on the input.
The SubMix is CV and Audio friendly, keeping in mind you will have offset/clipping if you use submix outputs of mixers that are mixing AC AND DC signals.
You can also take advantage of the submix outputs and play around with feedback loops!
Features
(4) 3 in x 1 out
(2) 6 in x 1 out
(1) 12 in x 1 out
Audio & CV Friendly"
Low-Gain Electronics UTL-1 Passive Format Converter Box
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"The UTL-1 is a passive bi-directional Banana Jack 1/8″ (3.5mm) and Banana Jack format jumbler. Perfect for converting your Serge and other 4U racks across to Eurorack and vice versa.
The UTL-1 comes in handy when interfacing different modular systems together. Just connect the ground jack (black jack located on the side of of the UTL) to your banana modular systems power supply ground jack and you’re ready to go!"
via this auction
"The UTL-1 is a passive bi-directional Banana Jack 1/8″ (3.5mm) and Banana Jack format jumbler. Perfect for converting your Serge and other 4U racks across to Eurorack and vice versa.
The UTL-1 comes in handy when interfacing different modular systems together. Just connect the ground jack (black jack located on the side of of the UTL) to your banana modular systems power supply ground jack and you’re ready to go!"
Yamaha CS01 Analog Monosynth Synthesizer
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
"The Yamaha CS01 monosynth has become popular as a portable bass machine with simple controls. It can run off six AA batteries, can be worn around the neck, and is compatible with Yamaha breath controllers (batteries, strap and breath controller is not included)..."
via this auction
"The Yamaha CS01 monosynth has become popular as a portable bass machine with simple controls. It can run off six AA batteries, can be worn around the neck, and is compatible with Yamaha breath controllers (batteries, strap and breath controller is not included)..."
KORG MS-20 SN 147040 with w/ Orig Manual & Patches
YAMAHA CS-15 Vintage Analog Monophonic Synth SN 4428
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH




































