ARP AXXE AUDIO INPUT

Published on Mar 20, 2014 Jason Basson·173 videos

"Although I have my Axxe since quiet some time, I never ran something through it's audio input! Here I quickly programmed some beats in a TR-606 and released it into the Axxe: with some very nice results!"

SOLTON PROJECT 100 STRINGSOUND

Published on Mar 20, 2014 Jason Basson·173 videos

"I tried to trigger the Project 100 with the MFB 601, but that didn't work.So I made a video only with the Project 100, demonstrating the very nice stringsound.The Project 100 has 3 programmed stringsounds.This was the first one."

SLOPE114 for Church Of Super Serge 3/15/14 at Robotspeak

Published on Mar 16, 2014 Dmitri SFC·128 videos

Left channel audio only for the video above. The audio is better in the two videos further below.  Below them you'll find the bandcamp embed for the release.

These are videos for Church Of Super Serge at Robotspeak in San Francisco last Saturday with Shiro Fujioka (you can see Shiro's performance here).

Dmitri is the man behind COA-Modular, makers of Serge panels and modules based on CGS.

Some additional details via Dmitri: "This month for the Church Of Super Serge we booked Shiro Fujioka AKA VoltageCtrlR to play his euro rack & Elise & I represented for the serge side of things by playing my / The Serge Monolyth as Slope114. Here are the videos in some kind of order. PS: Ive been horrible at documenting these events, anybody out there want to help? Just show up at the next Church & let me know 589, 1/2 Haight st. (robotspeak) every third Saturday @ 3pm

I for some reason thought I was recording our Slope 114 set & in the heat of the moment failed miserably with the audio recording BUT luckily Elise & I recorded a practice session the night before so here is a link to that on band camp. The download is free, it says "name your price" but people should be able to enter zero & still get the file. http://slope114.bandcamp.com/"

Part 2 Slope114 Live for ChurchOfSuperSerge 3/15/14


Part3 Slope114 forChurchOfSuperSerge 3/15/14

Quick Studio Tour - jacquesmongrelvideos

Published on Mar 20, 2014 jacquesmongrelvideos·44 videos

"Quick overview of the main bits of gear I use to make music."

I Dream of Wires Coming to CIMMFest

via I Dream of Wires on Facebook

"We're pleased to announce I Dream Of Wires' second theatrical screening, Fri May 2 at Chicago International Movies and Music Festival (CIMMFest)! This screening is taking place just days after our international premiere at Moogfest. Director Robert Fantinatto and producer Jason Amm will be in attendance, with Robert presenting an introduction, followed by a Q&A after the screening.

We hope to see some of you there! More screening announcement, including EU/UK dates, TBA soon...."

MS-20 mini and Poly-800 waltz

"Three tracks of MS-20 mini, a single track of Poly-800 pad and drums from Wurlitzer Swingin' Rhythm."

via Anthony Alfimov on The MATRIXSYNTH Lounge

KORG POLYSIX PS-6 Analogue Synth With MIDI, KIWISIX Fitted

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Eisenberg extends soft synth’s ready-made repertoire with EINKLANG Extended

"BERLIN, GERMANY: audio company Eisenberg is proud to announce availability of EINKLANG Extended — bundling its exceptional EINKLANG software synthesizer for Mac (OS 10.6 or higher) and PC (Windows XP or later) with its RED Tone Pack, GREEN Tone Pack, and BLUE Tone Pack, plus the recently-released premium WHITE Tone Pack and BLACK Tone Pack, to add a whole new range of tone colours — as of March 20...

Eisenberg’s EINKLANG is a soft synth like no other. After all, a dictionary defines a synthesizer — somewhat simplistically — as an electronic musical instrument that produces a wide variety of sounds by generating and combining signals of different frequencies. Whereas synthesizers traditionally do this according to a strict set of technical parameters, EINKLANG resynthesizes sounds using instrument models based on Eisenberg’s Artificial Intelligence Studio Technology (AIST), allowing it to understand the structures of sounds and remember specific nuances of different instruments so you don’t have to. Lowering the pitch of a cello affects its timbre in a different way to lowering the pitch of a french horn, for example — just like their real-world counterparts. Conversely, you can even detune a single string from a cello — detuning its overtones, in other words, which is physically impossible for monophonic one-dimensional resonators such as a single string. Clever stuff!

Similarly, those instrument models can be tweaked directly using the minimal TIMBRE, LOUDNESS, and MODULATION musical parameter groups — all of which affect the sound more deeply than might first appear possible, thanks to that powerful AIST engine. Elsewhere, instrument models are also morphed seamlessly from one sound to another using the MORPHING triangle with three slots for tone colours. Cleverly, EINKLANG is the first synthesizer to introduce a strong synaesthetic link between sound and colour with all GUI controls responding to MORPHING triangle relationships in corresponding colours — just like white light is able to travel through the colour spectrum in additive colour synthesis. Morph three tone colours together as one and everything is illuminated in pure white. It’s all in einklang (agreement). As a result, musicians can concentrate on doing what they do best — making musical sounds, without having to first familiarise themselves with overwhelming technology.

EINKLANG itself comes complete with 150 tone colours for morphing purposes, ranging from acoustic to synthetic. But by bundling it with RED Tone Pack, GREEN Tone Pack, and BLUE Tone Pack, plus the recently-released premium WHITE Tone Pack and BLACK Tone Pack, Eisenberg has considerably extended its sonic reach — so much so that it’s almost like playing a completely new EINKLANG each time!

RED Tone Pack, GREEN Tone Pack, and BLUE Tone Pack effectively belong together as they capably cover a third of the common tone colours between them: RED Tone Pack provides 120 synth/lead tone colours, including a variety of classic synth basses and pleasing pads — smoothly morph from an analogue-sounding lead to a shimmering-sounding pad to a screaming-sounding bass and discover numerous new sounds in-between; GREEN Tone Pack presents 120 acoustic/live tone colours, including pads, acoustic and electric pianos, various organs, synth and acoustic basses, brass, guitars, and vocal/choir sounds — all of which can be morphed with each other or other tone colours; and BLUE Tone Pack proffers pads in profusion — 120 drone/pad tone colours, to be precise, all of which create movement within themselves or any other tone colour that they are combined with. Whatever your personal preference, each offer more MODULATION over time and a stronger dynamics component compared to the standard 150 tone colours included in EINKLANG alone.

WHITE Tone Pack and BLACK Tone Pack possess an even wider range of dynamics and intra-morphing, meaning a tone could be a piano in the lower range and a marimba in the higher range or even a trumpet when played with more dynamics, for instance. In building both of these packs, Eisenberg analysed three times more content than was the case when creating their colourful siblings — hence the premium appellation. As such, WHITE Tone Pack puts forward 120 energetic/uplifting premium tone colours, making much use of useful splits, such as different basses in the lower register and a selection of sounds such as organs, electric pianos, and pads in the upper register, while BLACK Tone Pack presents 120 dark/ambient premium tone colours, including lots of touch-sensitive basses, leads, pads, and organs, as well as sounds specially designed to add certain frequencies or qualities to enhance a set of two other tone colours — ‘stringify’ sounds or sprinkle a little ‘stardust’ over the top, so-to-speak.

With sizeable savings — compared to purchasing everything separately, surely everyone will be in complete agreement: EINKLANG Extended represents remarkable value. Quite simply, sound design heaven speedily awaits anyone willing to take the plunge into the truly groundbreaking world of AIST-assisted sound generation. Generally speaking, what takes dozens of knobs to achieve using conventional synthesizers can be done with one in EINKLANG. Exactly what’s not to like? We’re sure you’ll like what you hear — morphing or otherwise!


EINKLANG Extended can be purchased from the Eisenberg online Shop (http://www.eisenberg-audio.de/shop) for €239.00 EUR/$239.00 USD.

Check out some awe-inspiring audio examples of EINKLANG in action here: https://soundcloud.com/eisenbergaudio/

All set for an April release, EINKLANG 1.2 is improved with several new features: reworked playback engine with louder main output, visual level meter with fine control for volume gain, and a new preset browser in both standalone and plug-in modes."

"practice" Roland AIRA TR-8,TB-3 by konxxxq

Published on Mar 20, 2014 konxxxq·202 videos

"４つのドラムパターンを人力で切替、即興性を生かしつつ操作を練習しております。"

Roland Aira's on eBay

ether^ra METATRON

Published on Mar 20, 2014 potterpaint2000·523 videos

"a dystopian noisefest featuring Buchla modules, a Metatron Generator and a Buchla-format Time Machine. http://etherra.blogspot.comhttp://etherra.blogspot.com"

The Metatron Generator is a Buchladized Benjolin, not sure by who though.