Thursday, May 07, 2015
Elektron Analog 4 Analog Keys Patches
Published on Aug 10, 2014 Wavestrike Electronics
"Patch Download:
https://www.tradebit.com/filedetail.p...
Support me if you like these videos:
https://www.patreon.com/user?u=463538"
Novation Bass Station II - presets demo | AE
Published on May 7, 2015 Alba Ecstasy
"Coming soon: a new sound set for Bass Station II.
On http://www.albaecstasy.ro/novation/
Get 20 FREE patches right now. Visit the website!"
NovationMusic.com
MOOG Sub37 Firmware 1.1.0 testing
Published on May 7, 2015 SYNTH GURU
"Moog Sub 37 Firmware 1.1.0 Sequencer testing & some tweakings"
http://www.moogmusic.com/products/phattys/sub-37
Meet The Makers - Tip Top Audio
Published on May 7, 2015 sonicstate
"We talk to Gur Milstein from Tip Top Audio about the state of Eurorack at Musik MESSE 2015 - the first of a series of interviews."
Meng Qi Improvisation On Kalimba in a stariwell @ TAFA
Published on May 7, 2015 Meng Qi
mengqimusic.com
Not a synth video, but rather a creator of synths video.
LuSH 101 - Brief Tutorial
Published on May 7, 2015 d16group
"Short video tutorial describing key features of LuSH-101 and the most vital aspects of using it."
Wednesday, May 06, 2015
TORINO SYNTH MEETING 2015 List of Exhibitors
The following is the list of exhibitors for the upcoming Torino Synth Meet on June 7, 2015:
ACCESS (DE)
APOGEE (USA)
ARTURIA (FR)
BASTL INSTRUMENTS (CZ)
DAVE SMITH (USA)
ELEKTRON (SE)
ERICA SYNTHS (LV)
EUTERPE SYNTHESIZER LABORATORIES (I)
FRAP TOOLS (I)
GRP SYNTHESIZER (I)
KINETIK LABORATORIES (I)
MIDIMUSIC (I)
MIDIWARE (I)
MOOG (USA)
NATIVE INSTRUMENTS (DE)
NOVATION (UK)
PATCHBLOCKS (UK)
RADIKAL TECHNOLOGIES (DE)
ROLAND (I)
SEELAKE (I)
SENNHEISER (DE)
SOUND MACHINES (I)
SOUNDWAVE (I)
TEENAGE ENGINEERING (SE)
WALDORF (DE)
Full details at http://www.synthmeeting.com
things that dark
Published on May 6, 2015 SunFallsMusic
"Fine tuning the darkness of time. Or the light. Whichever is inclined to influence the clock. Theres a show this weekend you see. And I've got to get those beating clocks in order. And, here, the Richter OSC II is making an appearance as fascinating clock source.
thanks for listening :)"
Orig 70s Vintage Arp Odyssey mk1 Synth w/4035 Moog Filter Upgrade
Note: links to listings are affiliate links for which the site may be compensated.
via this auction
via the seller: "Here we have an original early 70's Arp Odyssey mk1 (with Arp's 4035 moog filter) in good condition that has been professionally serviced and calibrated recently. It sounds and works just as good as if it was brand new. This is a big deal since cleaning the sliders on these instruments is very time consuming. You must disassemble the instrument to do this properly. I had an Arp expert go over every inch of the machine and it is ready for the stage or studio.
This machine is not mint but it has been pro owned it's entire life and looks great. It had two mods in the 80s that I had reversed back to original specs. Two small holes were left behind that were covered with small plastic Arp style plugs. The odyssey is one of those synths that is easily modified. I had it put back to 100 percent factory spec. One mod I did later was to have the machine upgraded to the more musical moog style filter of the mark II machine. All mods were performed and/or reversed by the top Arp tech of the day.
So what you are buying is a Mark 1 machine that has recently been serviced, cleaned, calibrated, and given a clean bill of health; with the moog style filter of the mark II machine (Arp's 4035 filter only found on the black and gold mkII machines). You can easily change the filter back but after owning all the Odyssey machines, the moog style filter sounds best to me, so I had the upgrade done to all my machines."
via this auction
via the seller: "Here we have an original early 70's Arp Odyssey mk1 (with Arp's 4035 moog filter) in good condition that has been professionally serviced and calibrated recently. It sounds and works just as good as if it was brand new. This is a big deal since cleaning the sliders on these instruments is very time consuming. You must disassemble the instrument to do this properly. I had an Arp expert go over every inch of the machine and it is ready for the stage or studio.This machine is not mint but it has been pro owned it's entire life and looks great. It had two mods in the 80s that I had reversed back to original specs. Two small holes were left behind that were covered with small plastic Arp style plugs. The odyssey is one of those synths that is easily modified. I had it put back to 100 percent factory spec. One mod I did later was to have the machine upgraded to the more musical moog style filter of the mark II machine. All mods were performed and/or reversed by the top Arp tech of the day.
So what you are buying is a Mark 1 machine that has recently been serviced, cleaned, calibrated, and given a clean bill of health; with the moog style filter of the mark II machine (Arp's 4035 filter only found on the black and gold mkII machines). You can easily change the filter back but after owning all the Odyssey machines, the moog style filter sounds best to me, so I had the upgrade done to all my machines."
Elektor Formant Music Synthesizer DEMO CASSETTE
Note: links to listings are affiliate links for which the site may be compensated.
Formant Musik-Synthesizer #2 Demo-Tape 1978 (German)
Uploaded on Jul 27, 2011 MonoThyratron
Part 1 had embedding disabled. You can find it here. I found this video after seeing the auction listing for the tape below. I'm guessing this is the same, but of course I have no way of knowing for sure. If you know feel free to comment. Below is the video description in Googlish, followed by original German. It was massive so I opted to put it with the pics.
via this auction
Cool little bit of obscure synth history you don't see everyday.
Googlish description for the video above (original German after the dotted line break below):
"For educational purpose only!
This demonstration was part of the band, published by the publishing house Elektor book "Formant music synthesizer" (1978) will be presented operation and sound examples of Formant -.. Part 2/2
"The synthesizer is even for many experienced musicians a difficult instrument whose musical dimensions are in contrast to the conventional instruments is often not readily recognizable.
That an intensive study of this unusual musical instrument worth, takes the reader to the formant series hardly proven to be. After the positive reactions to the formant by readers and also by the music trade press, the following setting examples and musical hints supplement the formant series into a single unit.
By the way can also be used in an appropriate form to play the other synthesizer most tips for the synthesis of realistic instrument sounds. Specifically, the highly detailed settings described the resonance filter that play a central role in generating credible timbres, can basically for any electronic musical instrument very use to the advantage of the sounds produced.
The setting examples are divided into two main parts: First, it is important to learn how to operate the individual formant modules properly and exhausts its possibilities. This saves the less experienced formant owners that first game attempts to exist alone. The given guidance, transporting the player in a relatively short time in the position of having independently over the sonic possibilities of his instrument.
The second main part describes combinations of basic settings that make it possible to create differentiated instrumental sounds with the formant. Thus, for example, describes the settings for the sound producing a wooden flute, a trumpet, a trombone, a tuba, a vibraphone, string instruments, a clarinet, a bassoon, an oboe, a flute, a piano and so on in detail and illustrated by Einstellskizzen. An important role is played by the resonance or formant filtering education that includes an important and, audible 'improving sound shaping. The numerous tips that are presented here, can be easily used for other synthesizer and in general all electronic musical instruments.
Finally, it is explained briefly what benefits eg a Miniformant and polyphonic playing mitsichbringen. Using the manual you get to know the formant better. The settings described contribute also the handwriting of the author '. They are therefore not to be regarded as the only true, but to fuel creative doing. About own sound discoveries the joy is greater than on predetermined settings. "
Source: C. Chapman, music with the synthesizer, setting examples and tips for playing music with Formant, in: Formant music synthesizer, Elektor Verlag Gangelt 1978, p 80
ISBN 3-921608-10-4"
---------------------------------
Original German:
Uploaded on Jul 27, 2011 MonoThyratron
Part 1 had embedding disabled. You can find it here. I found this video after seeing the auction listing for the tape below. I'm guessing this is the same, but of course I have no way of knowing for sure. If you know feel free to comment. Below is the video description in Googlish, followed by original German. It was massive so I opted to put it with the pics.
via this auction
Cool little bit of obscure synth history you don't see everyday.
Googlish description for the video above (original German after the dotted line break below):"For educational purpose only!
This demonstration was part of the band, published by the publishing house Elektor book "Formant music synthesizer" (1978) will be presented operation and sound examples of Formant -.. Part 2/2
"The synthesizer is even for many experienced musicians a difficult instrument whose musical dimensions are in contrast to the conventional instruments is often not readily recognizable.
That an intensive study of this unusual musical instrument worth, takes the reader to the formant series hardly proven to be. After the positive reactions to the formant by readers and also by the music trade press, the following setting examples and musical hints supplement the formant series into a single unit.
By the way can also be used in an appropriate form to play the other synthesizer most tips for the synthesis of realistic instrument sounds. Specifically, the highly detailed settings described the resonance filter that play a central role in generating credible timbres, can basically for any electronic musical instrument very use to the advantage of the sounds produced.
The setting examples are divided into two main parts: First, it is important to learn how to operate the individual formant modules properly and exhausts its possibilities. This saves the less experienced formant owners that first game attempts to exist alone. The given guidance, transporting the player in a relatively short time in the position of having independently over the sonic possibilities of his instrument.
The second main part describes combinations of basic settings that make it possible to create differentiated instrumental sounds with the formant. Thus, for example, describes the settings for the sound producing a wooden flute, a trumpet, a trombone, a tuba, a vibraphone, string instruments, a clarinet, a bassoon, an oboe, a flute, a piano and so on in detail and illustrated by Einstellskizzen. An important role is played by the resonance or formant filtering education that includes an important and, audible 'improving sound shaping. The numerous tips that are presented here, can be easily used for other synthesizer and in general all electronic musical instruments.
Finally, it is explained briefly what benefits eg a Miniformant and polyphonic playing mitsichbringen. Using the manual you get to know the formant better. The settings described contribute also the handwriting of the author '. They are therefore not to be regarded as the only true, but to fuel creative doing. About own sound discoveries the joy is greater than on predetermined settings. "
Source: C. Chapman, music with the synthesizer, setting examples and tips for playing music with Formant, in: Formant music synthesizer, Elektor Verlag Gangelt 1978, p 80
ISBN 3-921608-10-4"
---------------------------------
Original German:
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
