MATRIXSYNTH

Tama Techstar Analog Drum Synth Module

Note: links to listings are affiliate links for which the site may be compensated.

" Tama Techstar TS204 analog drum synthesizer module with original manual. Very cool 2 channel drum synth. One channel covers a variety of analog drum sounds (bass, snare, tom, etc...) and the other is dedicated to claps. Trigger inputs, individual outs and master out.

You can trigger this from a drum machine or sequencer and get those classic analog drum sounds."

CLICK FOR MORE »

Vile Electrodes: Empire of Wolves (live in our studio)

Published on Oct 3, 2015 Vile Electrodes

"Empire of Wolves, performed and recorded live (with zero overdubs!) in our studio.

This version will be available as a bonus track on the limited edition acrylic sleeve Stark White double CD, which is available to pre-order now: http://vileelectrodes.bigcartel.com/p..."

Matrix Code Music 01 - 'ALIAS' the One Line Code Music matrix sequencer

"Example of 'ALIAS' the One Line Code Music matrix sequencer. Coming Early 2016. It uses a 'pin board' matrix to select bitwise operators and sources to feed in. IT also has aliased and anti-aliased oscillators and analogue modelled filters."

Synth Jam - 7

Published on Oct 3, 2015 Synth Jam

Moog Voyager - FX
Moog Little Phatty - Lead
DSI Evolver - Synth
DSI Prophet 08 - Chords
AKAI VX 90 - Chords
Novation Bass Station 2 - Seq.
Roland Alpha Juno 2 - Gated Pad
Novation Drum Station V2
Jomox AirBase 99
Roland TB 3 - Bass
FX:
Boss CE 20 on Prophet 08
Boss CS 3 on Kick Drum
Lexicon MX 300
Tc Electronic Falshback
TC Electronic M 350
TC Electronic Hall of Fame
EHX Small Stone on Juno 2
Alesis Philtre on Drum Station & AKAI VX 90
Allen & Heath Zed 428 mixer
Audio directly from the mixer
Sequenced and Synced with Ableton Live midi only

SYLENTH CINEMATIC PATCHES

via samplemagic

"Exquisite synth layers, textures and elements for soundtrack and electronic productions.

Delve into an expansive collection of inspirational Sylenth patches designed to serve the needs of all electronic producers and soundtrack musicians. Sylenth Cinematic Patches comes packed with scores of ambient leads and pads, evolving layers and textures, complex arpeggios and sequences and ethereal sound design elements inspired by the finest electronica and contemporary soundtrack production.

Crafted with a phenomenal level of programming intricacy, these truly unique synth sounds will be a powerful addition to any producer or composer’s sound palette. Whether you’re working in IDM, electronica, ambient, soundtrack or sound design fields, these stunning sounds will suit anyone seeking deep, dark, expansive and spaced-out inspiration.

The full collection contains 25 leads, 24 atmospheres and textures, 20 pads, 11 percussive patches and 21 sequences.

The collection also comes bundled with 37 bonus MIDI files that are showcased in the audio demo."

Manual for KORG MONO/POLY Synth: TroubleShoot, English Alemán Française Española

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Different format than the one here and here.

"Written in English, German, Spanish and French.
Troubleshooting Chart
Chord Memory Operation Chart
Diagrams: Rear Panel Functions Explanation, Interfacing example, VCO Bank, Pulse Width, Auto Damp, Key Assign Mode, Unison/Share, Poly, Pitch Control, Waves, Keyboard Controls, and more....
CV Relationship
Connections
VCO Bank:
Tuning
Waveform, Octave & Level Controls
Noise Geneterator
VCF: Cutoff, Resonance, EG Depth, Keyboard Track, Envelope Generator
VCA EG: Attack, Decay, Sustain, Release, Trigger, Hold, Auto Damp
Key Assign Mode: Hold, Mono, Unison, Poly, Unison/Share
Arpeggiator: Range, Pattern, Off/On/Latch
Pitch Control: Master Tune, Portamento, Detune, Transpose
Modulation and Effects: Generators, MG-1 & 2, Pulse Width Modulation
Synthesizer Basics: A very good explanation of 3 basic components (pitch, tone, color), and how these are controlled by your synth. It explains how a typical synthesizer works.
Sine and Sawtooth Waves
Specifications
AND MORE: Over 50 pages!!

Very good condition, not a factory produced original, complete, clear, legible quality pages, very minor marks from use."

YAMAHA SK20 SN 2851

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Yamaha's SK-series are combo-keyboards with synthesizer, organ, brass and string sections. The SK-10 was the first of the SK-series, released in 1979 - the SK-20, 30 and 50D followed in 1980, and the SK-15 in 1981, possibly as a replacement for the SK-10. The SK-10 is the only one in the series that does not incorporate a synth section, but has organ, brass and string sections that can all be played together for more interesting combinations. Very sturdy casing, 4-octave and fully polyphonic the features also include a leslie simulator, vibrato, attack and sustain rocker switches, a slider for 'brilliance' and a one-octave transpose switch. Not exactly feature-laden, but a lovely string synth sound. Interestingly, they are often referred to as 'analog', but in fact do have a digital section. Its organ has one of the early implementations of Yamaha's FM technology in a very limited form, concurrent with the GS-1/2 development platforms which eventually led to the DX series.

The ORGAN SECTION is available in all the SK series synthesizers. It offers a full range of stop levers from 1' to 16', percussion levers with adjustable decay, and controls for overall sustain, brilliance and decay. This gives you quite a lot to work with in the way of synthesis. The organ's sound is FM based and it sounds very B3 like. You can add a Vibrato and a noisy but good Tremolo to it. Its sound is all about the 70's era rock organ, especially with the Ensemble chorus effect in use. It also has a Leslie-speaker output around back.

The PRESET STRINGS section isn't very sophisticated and offers very limited editing capabilities. It is the string section though, that is worth aquiring this keyboard for. Very similar to the best of the string synths, (such as the Arp Solina/Omni or the Logan String Machine) it has a sound reminiscent of the opening of 'Oxygene' (J-M Jarre) or the lead line from 'Love Will Tear Us Apart' (Joy Division).

The SK20 adds the POLY-SYNTH SECTION: a 7-note polyphonic synthesizer with basic filter, pitch, envelope, and portamento controls. It features two (detuneable) oscillators per voice so it's good for thick pads. It lacks any bite whatsoever and, even in normal attack mode, has way too slow an envelope to be used for any bass or percussion sounds. But, the pads and strings you can get certainly shine and glitter like Bowie a-la Ziggy Stardust (especially when layered with the Strings section). It's like a good entry-level synthesizer. Basic and simple LFO, filters and ADSR envelopes. It has a built-in sustain and the Tremolo and Ensemble chorus effect also apply to this section."

CLICK FOR MORE »