Sunday, July 03, 2016
Rheyne - 0-COAST, Mother-32, Hall of Fame, and Demora (no computer)
Published on Jul 3, 2016 Rheyne
"A patch using a Make Noise 0-COAST and 3x Moog Mother-32 synths, with reverb from a TC Hall of Fame, and delay from a Roland Demora. No MIDI - all notes are from the Mother-32 sequencers, and all modulations are from the synths. Audio is directly from the mixer and is in-sync with the vid.
Download the complete audio at SoundCloud, which is the same 24-bit/48khz file used for this video. The entire audio is 5:48, and the video is the last 2 minutes. The audio is uninterrupted from the time the sequencers were started, until they were stopped a few seconds after recording the video was finished: https://soundcloud.com/rheyne/mother0..."
Honey, They Shrunk the Synthesizer or the Grendel Grenadier
Published on Jul 3, 2016 Wein Glas
"The Grendel Grenadier is a monophonic analogue synthesizer with sequencer and some kind of 4-key-keyboard and ... it is tiny!
But it can sound very fat ;)"
Moog Voyager to Eurorack Interface From Synovatron
via @davegalemusic
"Interface your @moogmusicinc Voyager to Eurorack! Expander module from @Synovatron @MusicTechMag @BrightonModular"
via Synovatron
"ATTENTION: The first and most important thing that I need to get across here is that the VXP1 has been designed for the keyboard versions of the Moog Voyager. The Old School version has the same Accessory Port but does not have a touchpad so therefore does not support the Touch X, Y, A and Gate outputs. The RME (Rack Mount Edition) has an Output Accessory Port and does support the VX-351 and is probably OK BUT I have not been able to verify the extent to which it is compatible as there is virtually no information about the RME Output Accesory Port's signal set. Logic suggests it is very similar but I cannot yet guarantee how well the VXP1 will work with the RME. I will try and find out (maybe borrow an RME for a weekend - any offers?).TOUCH Outputs (X, Y, AREA, GATE)
This function produces TOUCH X, Y, AREA CV and GATE outputs in response to touching the Voyager's touchpad. X and Y vary according to where the pad is touched, AREA varies according to how much area on the pad is being pressed. The GATE turns on when the pad is touched.
X, Y and AREA are CV outputs that have an effective range of ±5V.
GATE is a 0V off and 10V on signal. The GATE LED illuminates when the pad is touched.
NOTE: The Touch outputs are not supported by the Old School Voyager; they will remain at zero volts. One possibility I'm looking into is to provide a modification to allow the 4 Touch connectors to be used as a mult. This would involve removing 4 resistors and adding 3 linking wires on the circuit board. Another possibility is to make X, Y and AREA into diode connected inputs to the GATE output. This would act as a logic OR gate. This would entail fitting diodes to 3 connectors and wiring them to a spare comparator chip and wiring that to the GATE output driver. These options would have to be ordered as an Old School variant with Mult or Diode options but I will publish details of how to modify or revert back to standard.
KEYBOARD Outputs (PITCH, VEL, PRESS, GATE)
This function produces KEYBOARD PITCH CV, VEL CV (velocity), PRESS CV (pressure) and GATE outputs in response to playing the keyboard. PITCH CV is determined by which key is pressed, VEL by how fast a key is pressed and PRESS by how hard a key is pressed. The GATE turns on when a key is pressed.
PITCH is a CV output that is trimmable to 1V/octave (using the screwdriver adjustment on the front panel) and has a nominal range of -0.916V (low F) to +2.667V (high C).
VEL and PRESS are CV outputs that have an effective range of ±5V.
GATE is a 0V off and 10V on signal. The GATE LED illuminates when a key is pressed.
WHEELS Outputs (PITCH, MOD)
This function produces WHEEL PITCH and MOD CV outputs in response to operating the Pitch and Mod wheels. The Pitch wheel is centre sprung to give 0V when not operated. The Mod wheel is not sprung and can be left in any position. Normally when the Mod wheel is fully rotated towards the player no modulation occurs (in the Voyager). However this position equates to -5V output. A jumper can be set on the VXP1 circuit board to provide either the standard ±5V range or a 0V-10V range. A 0V-10V range will allow it to operate a modular VCA to control modulation depth for example.
PITCH and MOD are CV outputs that have an effective range of ±5V but MOD is jumper selectable to have an effective range of 0V to +10V.
MORE TO FOLLOW IN DUE COURSE........"
"Here is the panel design that will go into production"
208r V2 - First Patch and Test Vid 2016
Published on Jul 3, 2016 djangosfire
"Just finishing up a 208r V2..... Raw beautiful analog tones .... all sounds from the module - nothing else.
Testing quickly turned to inspiration! Decided to share the moment here..... it's been a while, thank you for checking out my vids!
- Djangosfire"
Roland VP-330 Plus Vocoder SN 881094
Note: Auction links are affiliate links for which the site may be compensated.
Published on May 31, 2016 Ulises El Licenciado Lozano
"Testing my favorite Vocoder
One of the best Vocoders ever made.
Testing all the functions."
via this auction
Published on May 31, 2016 Ulises El Licenciado Lozano
"Testing my favorite Vocoder
One of the best Vocoders ever made.
Testing all the functions."
via this auction
1970s Crumar Performer Vintage Analog Synthesizer Strings & Brass with Transpose Slider Mod
Note: Auction links are affiliate links for which the site may be compensated.
"1970's Crumar Performer synthesizer in exceptional condition and in perfect working order. This vintage analog synth has been recently and thoroughly serviced, with the addition of a transpose slider on the bass side cheek block to give it the same six octave functionality of the Performer 2, as well as a couple extra sustain and crescendo options.
Compact and fully polyphonic across the 49 keys, this synth was manufactured in Italy and introduced in the late '70s. Programming is simple and clearly laid-out on the Performer, with just 15 sliders and a few buttons. A solid black chassis and wood end-cheeks round out this classic and often overlooked string machine, which was fully serviced and modded by Bob Weigel of "String Doctorin."
The Performer is best remembered for its Strings, and features a simple three-band equalizer with high, mid and low sliders can be used to give the strings shimmering sparkle or moody dark timbres. The Strings section uses two oscillators per voice with 8' and 16' settings. Simple Attack and Sustain sliders give you some control of your strings envelope settings as well.
The Brass section uses a single oscillator with just a square wave, and it has a low-pass voltage-controlled filter with resonance. Simple Attack and Decay sliders control its envelope settings too.
The LFO is quite nice, with delay length, rate and depth control. It can modulate both Brass and String sections and can be routed either to the VCF or pitch. There are three outputs on the back: main output, brass output and signal output (for external processing) as well as CV and Gate connections.
Cosmetically, there is light wear on the wooden ends and a few small scuffs on the enclosure, but overall, this Crumar is in impressive shape, with all of its original slider caps. Fairly uncommon in any condition, it's very rare to find a Performer that has received the necessary servicing and care from which this synth has benefitted!
A partial Crumar cover is included, which is essentially just half of an original zippered case that now works as a fancy dust cover."
"1970's Crumar Performer synthesizer in exceptional condition and in perfect working order. This vintage analog synth has been recently and thoroughly serviced, with the addition of a transpose slider on the bass side cheek block to give it the same six octave functionality of the Performer 2, as well as a couple extra sustain and crescendo options. Compact and fully polyphonic across the 49 keys, this synth was manufactured in Italy and introduced in the late '70s. Programming is simple and clearly laid-out on the Performer, with just 15 sliders and a few buttons. A solid black chassis and wood end-cheeks round out this classic and often overlooked string machine, which was fully serviced and modded by Bob Weigel of "String Doctorin."
The Performer is best remembered for its Strings, and features a simple three-band equalizer with high, mid and low sliders can be used to give the strings shimmering sparkle or moody dark timbres. The Strings section uses two oscillators per voice with 8' and 16' settings. Simple Attack and Sustain sliders give you some control of your strings envelope settings as well.The Brass section uses a single oscillator with just a square wave, and it has a low-pass voltage-controlled filter with resonance. Simple Attack and Decay sliders control its envelope settings too.
The LFO is quite nice, with delay length, rate and depth control. It can modulate both Brass and String sections and can be routed either to the VCF or pitch. There are three outputs on the back: main output, brass output and signal output (for external processing) as well as CV and Gate connections.
Cosmetically, there is light wear on the wooden ends and a few small scuffs on the enclosure, but overall, this Crumar is in impressive shape, with all of its original slider caps. Fairly uncommon in any condition, it's very rare to find a Performer that has received the necessary servicing and care from which this synth has benefitted!
A partial Crumar cover is included, which is essentially just half of an original zippered case that now works as a fancy dust cover."
Custom Black UNIVOX MINI-KORG K-2 ANALOG SYNTHESIZER
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Note: White keys are painted black, low key is a bit mangled but works fine and the scratches by the pot are pretty noticeable."
via this auction
"Note: White keys are painted black, low key is a bit mangled but works fine and the scratches by the pot are pretty noticeable."
Freeforn D Circuit Bent Wrestling Belt
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Some synth bling to wear at the next synth meet. Creepy video further below.
"The Mods are:
Mono mini jack output
Centre off toggle switch to select Pitch - Up - Off - Down
Grey and Yellow Controls for Pitch Up or Pitch Down
You might need to add some Velcro on the back because the belt down not fasten, I used some string which worked fine."
via this auction
Some synth bling to wear at the next synth meet. Creepy video further below.
"The Mods are:
Mono mini jack output
Centre off toggle switch to select Pitch - Up - Off - Down
Grey and Yellow Controls for Pitch Up or Pitch Down
You might need to add some Velcro on the back because the belt down not fasten, I used some string which worked fine."
MUSICAID CLAP TRAP
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"VERY RARE Classic 80s Clap Synth from the British Drum Machine Legends MUSICAID/SIMMONS ELECTRONICS
This one is in great condition and PARTICULARLY RARE, being the more scarce early MUSICAID analog version of the Clap Trap which is much harder to find. Excellent both cosmetically and functionally"
via this auction
"VERY RARE Classic 80s Clap Synth from the British Drum Machine Legends MUSICAID/SIMMONS ELECTRONICS
This one is in great condition and PARTICULARLY RARE, being the more scarce early MUSICAID analog version of the Clap Trap which is much harder to find. Excellent both cosmetically and functionally"
Korg KPR-77 Programmable Rhythm ANALOG DRUM MACHINE
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The KPR-77 was Korg's answer to the TR-606 drum machine. Like the 606, the KPR-77 is basically an analog machine. Its sounds consist of bass, snare, two toms, open and closed hi-hats, accent and (switchable) cymbal/clap. Each drum sound's level can be individual mixed via the sliders. Unfortunately the KPR does not sound nearly as nice as the 606 can. But it has a simple LCD programming display sort of like what the TR-505 sports.
It holds up to 48 patterns (3 groups of 16) and two songs. A pattern can hold up to 32 steps. Like the TR-606, the KPR can be battery operated and REQUIRES batteries for retention of your programmed drum patterns and songs when it is turned off! Fortunately a casette out lets you store its memory to tape for offline storage. The KPR-77 has DIN SYNC IN/OUT as well as Tom trigger outs (like the 606) for external control and triggering. However, Korg's DIN Sync is not the same as Roland's DIN Sync. When syncing Roland and Korg gear via DIN sync, they will work however the Korg machine will run at 1/2 the tempo/speed of the Roland unit. This is because Korg uses a 48 ppqn (parts per quarter note) DIN standard whereas Roland's is 24 ppqn. This can be corrected with several devices which will translate 24-48 sync, such as the Korg KMS-30."
via this auction
"The KPR-77 was Korg's answer to the TR-606 drum machine. Like the 606, the KPR-77 is basically an analog machine. Its sounds consist of bass, snare, two toms, open and closed hi-hats, accent and (switchable) cymbal/clap. Each drum sound's level can be individual mixed via the sliders. Unfortunately the KPR does not sound nearly as nice as the 606 can. But it has a simple LCD programming display sort of like what the TR-505 sports.It holds up to 48 patterns (3 groups of 16) and two songs. A pattern can hold up to 32 steps. Like the TR-606, the KPR can be battery operated and REQUIRES batteries for retention of your programmed drum patterns and songs when it is turned off! Fortunately a casette out lets you store its memory to tape for offline storage. The KPR-77 has DIN SYNC IN/OUT as well as Tom trigger outs (like the 606) for external control and triggering. However, Korg's DIN Sync is not the same as Roland's DIN Sync. When syncing Roland and Korg gear via DIN sync, they will work however the Korg machine will run at 1/2 the tempo/speed of the Roland unit. This is because Korg uses a 48 ppqn (parts per quarter note) DIN standard whereas Roland's is 24 ppqn. This can be corrected with several devices which will translate 24-48 sync, such as the Korg KMS-30."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
