ROLAND D-50 PG1000 , ROLAND JD-800 , Big Texture ..

Published on Jul 17, 2016 CLASSIC VINTAGE

"Roland D-50 PG-1000 real-time programmer , Cutoff , LFO , Resonance . Pitch mod .. Roland JD-800 , Cutoff Freq , Env Filters , LFO 1 , LFO 2 ."

Korg minilogue -Big analog sound-

Published on Jul 17, 2016 graal7

"Korg minilogue -Big analog sound
original song:legend jee ace air
drum electribe 2
nord wave and moog sub 37"

Life Within the Vapor

Published on Jul 17, 2016 davidryle

"A second feedback patch with MI Clouds, Rings, Makenoise Echophon and Music Thing Spring Reverb. The modular is a mix of 5U and 3U Eurorack.

I used Pressure Points & Brains for a 7 step pitch voltage sequence and strum/trigger to Clouds and Rings.
The Z-DSP is used with Time Fabric (Intervals2) to pitch shift Clouds and Rings. Modifiers from two Turing Machines are used into right/left channels of Z-DSP. Loads of internal feedback applied.

This is my first patch with MI Frames (Parasite) and Euclidean Sequencer mode. A pair of Q106 vco's were used with the channel 3 cv out and FR Step output to do the two note bass line. The Bass Drum is channel 1 from another Q106, the snare is channel 2 of TipTop SD808 and the HiHat sound is channel 4 and a Piston Honda mk1.
The Piston Honda has LSB modified by Turing Machine volts and it is run through an MST Dual VCA with open/closed envelope from a Maths channel 4. The Maths has the Rise/Fall/BOTH input modified from the Turing Machine.
The speaking sounds are a sample capture from a radio broadcast into the Phonogene. Every input control except gene size and SOS mix are modified by LFO's from Intellijel Quadra and Mega Ohm Audio and Music Thing Turing Machines voltage stages.

The final sound voice is a pair of Q106 VCO's in hard sync (PWM*SAW) pitch driven by an STG Voltage Mini Store. It is sent through a Q107 State Variable Filter in high pass mode with the resonance modified by a tempo driven ramp from a Mega Ohm Audio LFO2. The center frequency has a hard sync reset slow ramp from a Q106.
The tempo clock is from the Echophon delay pulse out to various dividers like the 4MS RCD, QCD and Moon Modular M554 Octal Divider. The samples from the Phonogene are switched in and out randomly by a Yusynth Random Gates module then sent into a Modcan 73B Dual Delay in resample mode.

Other filters used were the Synthetic Sound Labs Steiner, Ken Stone CGS77 Serge 1973 State Variable Resonant, Oakley VCSVF and synthesizers.com Q150 transistor ladder 24dB/four pole and an FFB."

Rob Hordijk - Showing the new Sync OSC Part 2 & 3

Parts 2 and 3 have been added to this post.

Switched on Microbrute

Published on Jul 17, 2016 DouglasHurdGymnast

"Spent this morning recording four bagatelles of pure Microbrute straight to a DP008-EX recorder out in the garden (no midi or fx other than the stock verb....limitations and all that jazz). I love this little synth!

1 - Two Part Invention
Ended up writing it down first for convenience. It's baroque style but an original piece so no lawsuits please :)

2 - CCTV
The Microbrute rocks this sort of stuff

3 - Drivebrute
Honestly, I'd love to just write old game music forever

4 - Goodbye
Or "ciao meow" as I lamely say to my cat. I think the MB copes quite well with mellower material, which I hadn't really appreciated until now.

Gear: Microbrute, DP008-EX and lawnmower extension lead"

TEENAGE ENGINEERING OP-1 // RAINY DAY // ALL TRACKS WITH OP-1

Published on Jul 17, 2016 LESINDES

"All tracks performed and all sounds created and tweaked with TEENGAE ENGINEERING OP-1. Tiny monster! FM and other weird and rare algorithms on board.
Nice lokks and graphics."

Moog Jam 17 - I am a Sub37

Published on Jul 16, 2016 Modular Landing

"The Moog Sub 37 is an amazing and fun analog synth -- so easy to get a variety of good sounds out of, and it can also be used for sound processing. There are four Sub 37 parts in this piece: (1) a sequenced part sent from Logic via MIDI into the sub, (2) a lead part which was fed into a Moog 500 series Analog Delay (which you hear at the very beginning and end of the tracks in feedback mode); (3) another part where I play a C#m arpeggio mid-way through the piece; (4) a piano part recorded and then sent through the Sub37 for filter, resonance and noise effects. Lastly, there's a straight piano part as well, played on a Schimmel grand, as well as some drum loops in Logic and a bit of text-to-speech synthesis."

New Minimoog Model D Pilot 2016 Raw Demo

Minimoog Model D Pilot 2016 Raw Demo from Modular Grey on Vimeo.

"Quick demo of a new Minimoog Model D (#10) from the pilot production run at Moogfest 2016.

This is by no means a musical or well-thought-out demo. Watch your volume levels.

For the sequence sections it’s being driven by a Novation Circuit via MIDI. Recorded the high output to line in on a Tascam DR-40 - 48kHz, 16-bit.

Visual markers:

Part 01: Sequence - Filter - 00:02

Part 02: Sequence - Oscillators - 02:31

Part 03: Sequence - Overdrive - 05:38

Part 04: Sequence - Noise - 05:55

Part 05; Sequence - Modulation - 07:04

Part 06: Keyboard - Oscillators - 10:46

Part 07: Keyboard - Filter - 13:15

Part 08: Keyboard - General - 14:39

Part 09: Sequence - General - Audio Only (camera cut out) - 19:17"

This one in via Soviet Space Child.

Circuit Videos by Modular Grey

Circuit from Modular Grey on Vimeo.

"Playing around with sequencing a modular patch using the Notation Circuit. Part one is the wavefolded bass sound from Braids and Part two is based around the STO and VCOb + delay. Part two is also sequencing the JU-06. Drums are coming from the Analog Rytm and Circuit. Analog Keys is helping out as well with a couple more sounds. Stereo tracked through an API 5500 and RND MBP, with some additional processing in Live (Eq, Ozone)"

The Return from Modular Grey on Vimeo.

"Started this track on a plane. Novation Circuit with ReFace DX and JU-06. Compression & EQ added."

Patching for fun - Buchla Music Easel

Published on Jul 16, 2016 100 Things I Do

"Some real time exploration with no purpose in mind other than to see where I would end up from no starting position. For anyone that has not used a music easel hopefully this will give you some insight to the world of Banana patching. Before I got my Easel i was perplexed why so many people used the word 'immediate' when talking about this instrument. Once you learn to experiment you realise how quickly you can pivot a sound from atonal exploration to well tempered tunes."