"Now the run down. This was bought from a man who kept it in a case for 15 years. He never used it. I bought it with crackly pots on 2 of them and the keyboard was kind of too clacky. These keyboards always are and it still is but it has been fixed to normal operating clack condition. Meaning the Pro One already has somewhat of a clacky keyboard. This is my second Pro One so I can tell you this is the case. My tech who is a professional and Hollywood's top synth tech who's been working on synths since the 70's fixed it all up. Actually not much had to be done other than those two mentions. It is in top mint condition I would rate is 100 functioning perfect and body condition I would rate a 9.9. If you're looking for mint this is it. Very very small wear mark almost not even visible at all, I am being super super picky and a very small wear mark on the rear. Both are not even anything. Not even kidding.
I have been using it with a Kention CV to Midi Pro Solo II box and it has work flawlessly. Kenton not included."
"The SH-09 (or Synthesizer-09) is a single VCO monophonic analog synthesizer with a 2 1/2 octave, 32-note (F-C) keyboard. The VCO is switchable between 5 octaves: 2', 4', 8', 16', 32'. Available waveforms are sawtooth, square, pulse (with pulse width modulation), or white noise. There is also a sub-oscillator switchable between a square wave one octave down, a square wave two octaves down, and a pulse wave three octaves down. It is possible select the noise source at your oscillator and still have the sub-oscillator as a waveform. The VCF is self oscillating and can be modulated by the envelope follower which is wired to the external input. The envelope generator is an ADSR (attack decay sustain release) with a slider for each stage. On the control panel to the left of the keyboard is a horizontal pitch-bend/modulation lever, with pressure up and down controlling modulation amount. There are also two sliders controlling amount of modulation routed to the VCO and VCF, as well as a slider adjusting portamento amount and the main power switch. On the back panel there is a main output, and the CV/gate inputs and outputs."
"Original late 1970's Oberheim CPS-1 synthesizer expander module. Works perfectly, excellent condition. 2 syncable analog oscillators and audio i/o. You can process external audio through filters and modulator. Unit is stock. Pots, jacks, and internal connectors have been cleaned. S/N 409."
"Great working condition vintage Korg Sigma KP-30 from 1979... that's a 37 year old vintage synthesizer and only 1000 units were ever made. This is when Korg was still repping the Keio Electronic Labratory Corp. and made all their synths in Japan. Very high quality build has been near maintenance free for the last 20 years with just a professional deoxit tune-up every other year or so."
"This fantastic British Mono synth was designed by Tim Orr of EMS. He was the chap behind some of the most classic and sought after early synths like the EMS synthi used by Pink Floyd
This was the first synth used by Joy Division / New Order and appears on there early tracks"
"Echo. Echo. Echo's of the past.
Metropolis to Piston Honda with EG from Maths then into Phonogene.
Phonogene is in Broken Recorder mode with voltage modulation to the organize and gene size parameters from a Turing Machine and an EOC pulse from the Quadra to the vari-speed parameter.
The Phonogene out is run to Clouds in Spectral Madness mode. From there the signal splits to a Z-DSP with Valhalla Shimmer and an Echophon.
Rings in Modal resonator mode and duo polyphony is picking up the pitch cv from the Metropolis and strum from a Turing Machine pulses.
All of the various signal pathways are routed through Frames automated keyframe mode.
Additional delays are the Strymon Blue Sky and Lexicon MX200.
Clocking from Metropolis to 4MS QCD to Turing Machine, Quadra and Clouds trigger."
"Let's Play with the amazing Stepper Acid Sequencer! If you like this, please support me and access a 50-minute bonus Stepper Acid video on Patreon for $4+ Patrons: https://www.patreon.com/mylarmelodies"
"EDIT: One nice thing about using Ableton and tracking this jam is that I could go back and remix. I noticed that the synth parts I was playing live were too hot so I went back and remixed those and replaced the audio track with the new mix.....Noice!!! ... So here's what is going on: I picked up an APC Mini because I was hoping it would allow me to create more complex live performances. Wow does it! This is a live jam with 100% Yamaha Montage. I recorded a bunch of loops into Ableton then used the APC to trigger them. All tracks were either played live and recorded for playback from Ableton, or just straight played live from the Montage. Such a phenomenal instrument this Yamaha thing.... I love it. Oh and I have to thank Depeche Mode for inspiring the first few bars that spawned this whole thing"