"I had a cool idea to use an old iPhone G3 case I had lying around for my Pocket Operator. Turns out they are almost the same size as the old iPhone. It worked so well I bought new ones to use. All you need to do is put the PO in the case upside down and cut some holes for your audio jacks."
Upside down for the hanger to fit through the charging gap in the case as you can see in the pics. Simple, affordable, and smart solution. Think of of the case styles out there to customize it as well.
"in the center are 3 random granular sequences (internal random lfo controls starting points) of the orthogonal devices er-301 (starting material: 30 seconds loop, mutable instruments rings randomly sequenced by the disting mk4).
at the beginning, a ring modulation (intellijel dixie 2 / make noise sto) is alternately heard with a sound sequence of the make noise morphagene. both go through the zvex instant lo-fi junky in the tape delay of the disting mk4.
the noisy sounds comes from the dreadbox gamma and go into the 4ms dld. volume is controlled by batumi.
from 05:43
mutable instruments rings randomly sequenced from the malice voltage block and then goes into mutable instruments clouds. the bass comes from the dreadbox omikron. the drums-like sound is produced by dreadbox lamda in self-oscillation.
recorded live with tascam dr 100. no audio processing.
for the best listening experience listen to the video with headphones or good speakers."
"In 1987 Oberheim released the DPX1, a 2-unit rackmount 'Sample Player' during the era of the classic samplers. Its function is to load 3.5" and 5" diskettes containing samples. These samples are loaded into its 1 MB of RAM from which you can play the samples using any MIDI keyboard, controller or sequencer. It was compatible with the E-mu Emulator II , Sequential Prophet 2000, 2002, 2002+ , Ensoniq Mirage DSK8/DMS8 and the Akai S900 formats. You can't edit any of the samples, the DPX1 is simply a load-n-play machine. Its universality among these early samplers makes it great for anyone who may still have old disks of samples but not the samplers that created them. With the DPX1 you can resurrect those samples and use them again, or resample them into a modern sampler. Sounds can also be re-stored in an Oberheim DPX format on to 3.5" disks. The DPX1 has a very impressionable architecture. That is, it recalls the nuances of you're samples including any processing, looping, filtering and modulations resulting in very accurate reproductions of the samples as they would have sounded through their original Sampler synths. However you can't edit, alter, re-program or create new samples. Ensoniq and E-mu samples come through sounding just like they're being played out of the original synths, if not better. However, the Sequential sounds are not quite as nice when played from the DPX1 and cannot be stacked as they may be in the Prophet. The DPX1 has limited potential, but if you have the samples (and not the Samplers) this is an economic way to recover and hear those classic samples again."
Playlist:
Tim Exile's SLOR Shed Load Of Resonators - Sonic State video (new Project Rockpool collaboration mentioned at 8:15)
SLOR - Next level creative FX plugin
SLOR Sonic Exploration
SLOR Preset Examples
Next-level creative FX plugin
Mutate your sound like never before with Shed Loads Of Resonators
The Butterfly Effect
Transform the simplest sonic event into the huge, the complex, the seismic. SLOR’s brand new audio-reactive processing algorithms mutate and augment your sound like never before. Build out an entire track from a single beat by transforming it into bass, chords and percussive FX, turn background noise into a cinematic soundscape or live-process an acoustic instrument for a mind-bending performance.
Infinite resonators, infinite possibilities
SLOR’s swarm of ground-breaking infinite resonators take sonic manipulation into new territory, blurring the lines between FX processing and synthesis.
Infinite resonators use a special algorithm to control the feedback path to allow transformations which are both extreme and tightly controlled. This is what gives SLOR the power to add subtle atmospheres, bend beats into chords and melodies or set up autonomous compositions and morph continuously between all of these.
Deep sound design in no time
SLOR’s interface is incredibly straight-forward and tweakable for an effect with so much power. Explore ideas and make radical transformations quickly without menu-diving - and if you want to explore further there’s plenty of depth hidden in the ‘+’ pages just one click away from the front panel. Make big waves in your production using features such as live transient detection, envelope following, morphing, parametric polyphonic LFOs, polyphonic scale mapping, swarm pattern switching and much more.
System requirements
MacOS 10.10 onwards, Intel Core 2 Duo or higher
Windows 7, 8, 9 and 10, Intel Core 2 Duo/AMD Athlon 64 X2 or higher
Installation of Native Instruments Reaktor Player 6.2
SLOR is powered by Native Instruments’ Reaktor and is compatible with the FREE Reaktor Player"
