"The original idea of this programmer was published in Synapse magazine a few decades ago by Serge Tchrepnin himself, under the alias of Mr. Arpad Benares.
This is a realization of the programmer in Modcan A format. It is very similar to the Serge programmer and a very unique module of many different applications from four part harmony to complete madness."
"Want to turn your Shared System into a Buchla Music Easel? Here's just the thing! Excellent condition, wonderful syncable arpeggiator... You will love the flexible control this offers you for controlling your modular in all kids of exciting ways."
"MOOG Liberation Keytar Synthesizer with external interface / power supply and 6 pin connection cable, strap, and the anvil case (NOT the original case). All functions and keys work, only the Glide control knob is missing."
"You can buy it on my homepage: https://roland-mks-80-editor-controll...
Price: 5,90€ / $6.90
The "MKS-80 Editor" is the controller for the Roland Synth "MKS-80".
- It is perfect to integrate the "MKS-80" into your DAW.
- It makes the sound design easier, because you have direct access to all parameters.
- The „MKS-80" Parameters can be automated, and they can be stored with your Project.
- You can safe your new sound on the "MKS-80" Synth and the editor settings as VST Presets (..fxp) in the DAW.
- With the X-Y-Pads any Parameter can be selected and controlled.
- It is possible as VST and Standalone for PC 32/64 Bit and Mac as VST, AU and Standalone."
"An experiment of scanning a 3D printed physical wavetable for wavetable synthesis. A line-laser is used to scan the waveform via the camera on an iphone. Sound synthesis is written in openframeworks using the tonic audio library."
This is how the moon sounds - an experiment of using a camera image for wavetable audio synthesis. The image is interpreted as a heightmap and used to synthesize a waveform using openframeworks / tonic audio.
"After yesterday's delivery of great items from the 40% off and all day assembly of modules, of course we have unbonxing. We love to make such films so you can do something about us and look at Erica Synths shop and sell them because it really pays off.
The important info is that these modules will not be produced again and for the last part of the stock will never come back, that's why I emphasize this fact so much because I have these products in hand and are really great.
High performance and mega utility are certainly pluses.
in the movie itself I based music only on these modules and on PICO System II also from Erica Synths.
Very nice Tube Fusion Mixer added a little character here which nice to give a darker sound for the sum.
Also the melody is used for PICO VCO and PICO QUANT-Quantizer and the added space effect of Black Hole DSP-is a great module with 16 effects each with two control parameters, plus dry / wet. This is just a small part of what you can do with it, you can look at the offer of Erica Synths who has a huge amount of other fantastic modules.
Only the imagination can limit you, we do not allow it."
"Both synthesizers do a good job at producing a warm and colorful bass. To me, it seems that the JP8 excels in clarity but the Juno 60 excels in color, that is with the chorus effect engaged."
