ARP ODYSSEY mk.3 Vintage Analog Synthesizer (1978) no reissue "Die Odyssee"

Published on May 1, 2019 RetroSound

(c) 2019 vintage synthesizer demo by RetroSound

all synthesizer sounds: #ARP #ODYSSEY mk.3 analog #synthesizer
drums: LinnDrum (1982)
recording: multi-track without MIDI, played by hand
fx: reverb and delay

Model:Samples does Amiga Tracker Music - Crystal Hammer

Published on May 1, 2019 tubesockor

"Recreating the classic Commodore Amiga tracker song 'Crystal Hammer' - on an Elektron Model:Samples. The song was originally written by Karsten Obarski back in 1987.

The first section is a background story about Amiga and trackers in general, as well as the process on how this recreation was done.

All the sounds were converted from the original ST-01 files, and the song data was manually input on the Model:Samples, only using four out of the six available channels (all for the sake of authenticity)

At 3:25, the music starts.

This was made possible thanks to the new firmware update 1.02A, which allows samples to be parameter locked."

Korg Poly 61M Part. 2

Published on May 1, 2019 DKS SYNTH LAB

DKS SYNTH LAB Korg Poly 61M videos

Moog DFAM controlling Buchla Music Easel

Published on May 1, 2019 Honeysmack

"Quick noodle with Moog DFAM controlling a Buchla Music Easel.

Check out my new track TROMA available on the new Patch.CV THREE release: https://www.patchcv.com/product-page/...

http://www.instagram.com/_honeysmack_

http://www.honeysmack.info"

JM Jarre - Third Rendez Vous - Cover with Xerxes Synthesizer Prototype by Black Corporation

Third Rendez Vous - Cover

Performed by Ando Pilve
using Xerxes synthesizer prototype by Black Corporation, Japan.

Additional sounds with Seiko DS-250

Originally composed by Jean Michel Jarre, 1986

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This one is in via Soviet Space Child.

Toccata and Fugue in D minor, BWV 565 by J.S. Bach on the Baloran The River synthesizer

Published on May 1, 2019 Sean Christopher Evoking Emotion with Synthesizers

"This piece is dedicated to my father, Gary Dockery (1942 - 2019) who introduced me to Bach and other great classical music artists. Thank you dad, and I love you.

Toccata and Fugue in D minor, BWV 565 is a piece of organ music written, according to its oldest extant sources, by Johann Sebastian Bach. The piece opens with a toccata section, followed by a fugue that ends in a coda. It is one of the most famous works in the organ repertoire.

I recreated Bach's genius using a Baloran the River synth which was multitracked to Steinberg's Cubase 10 Pro. The reverb is from Exponential Audio’s awesome R4 reverb plugin. I'm estimating that I spent close to 100 hours putting this together....and in the end I believe that it was worth every single minute. Working on Bach pieces is very humbling. My God that man was a genius!"

Novation Circuit LoFi Ambient Experiment

Published on May 1, 2019 Flak Cannon

"I tried making LoFi ambient with Novation Circuit and a cassette dictaphone."

Meng Qi Wing Pinger Prototype Videos

Published on May 1, 2019 Meng Qi

Playlist:

1. Wing Pinger - Chaos

With multiple feedback and cross modulation paths, Wing Pinger operates according to the principles of chaos theory. All parameters except volume are interactive, future outputs are related to the current state as well as parameter settings.

2. Wing Pinger - CVGate

Wing Pinger talks to modular synthesizers via Banana jacks. Use TRIGGER outputs to sync external synthesizers to filter pings. STEP outputs are weighted mixes from shift registers.

3. Wing Pinger - Tonal Patterning

Be chaotic at will, you don't miss the expressions from melodies. Wing Pinger is capable of generating pentatonic patterns from its carefully weighted STEP modulation.

4. Wing Pinger - External Sound Processing

Process stereo or dual mono signals through great sounding filters, add spice to the tone, generate movements with special Wing Pinger modulations.

Wing Pinger will be at SUPERBOOTH and other events. You can find the list on the Meng Qi website.

"Your link to organic analog texture, rhythm, noise and melodies.

Travels between chaotic and tonal passages as fast as your emotions shift.

It encourages fine playing gestures and rewards practicing.

Wing Pinger is an analog musical instrument, centered around a pair of 4-pole resonate low pass filters.

Surrounded by a network of comparators, pulse converters, binary counters and shift registers.

Despite the absence of oscillators, it's fully capable, and actually designed to generate sound on its own."

PM Foundations SEM Tribute Modules - Comparison with Vintage SEMs

Published on May 1, 2019 Randy Piscione

1. reSEMble 1 of 2

Quick comparison of an Oberheim SEM and the new SEM-tribute modules from PM Foundations. The SEM audio is on the left, PMF modules are on the right. This is live. I tried to play similar lines on both keyboards. It is tricky to get the patches exactly the same, especially when tweaking live like this. The "echo" you hear is actually the other keyboard and modules being played. Headphones are certainly helpful on this one.

These are not clones. I asked Tom Oberheim about doing an SEM clone for Eurorack, and he referred me to a friend of his who has been helping him since the 1970s. We had a long phone conversation and his take on Tom's take is that Tom would rather see us develop something new, even if it is based on his work. So, that was our goal.

2. reSEMble 2 of 2

This is a brief overview of the new “SEM Tribute” modules from PM Foundations. Featured are two VCOs, the VCF, one envelope generator and the first version prototype of the modulation module. The little musical excerpt at the start is the new modules playing bass, along with an Alesis SR-16 on drums and Casio CZ-101 doing the chords.

Roland Juno-106 Gravitational Slingshot Other-worldly Resonance Demo #2

Published on May 1, 2019 gstormelectro

Part 1 here.

"Audio and Video by G-Storm Electro c. 2019

Today I hastily prepared a follow up demo of my Juno-106 Gravitational Slingshot upgrade chips by Analogue Renaissance. I'm still getting to know these new chips, and getting a few questions: what's the difference, should I switch? Aside from the bass frequencies being less muddy, to me the filter resonance sounds less shrill, yet more other-worldly. There are strange interactions between the resonance and other synth parameters. With this realization, the colorful name Gravitational Slingshot seems acutely fitting.

So to me it's better to show every setting on the synth panel, in manual mode - everything on the synth front panel is 'live'. And you can see, and reproduce these settings on your own synth, having original chips. To know for yourself what the difference in sound may be.

It goes without saying, a video such as this - lengthy excursions into filter self-resonance - will have some high-frequency content so watch your levels. Also gratuitous synth-parameter noodling, non-musical in-harmonic content, and generally interminable racket.

Audio recorded direct to Tascam DR-05
No additional effects."