Yamaha CS-30 Vintage Analog Synthesizer SN 1503

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Roland System 100 Model 101 w/ Original Box

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Korg Sigma vintage analog synth CHECKED AND SERVICED SN 0322

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Roland JP-08 Boutique Jupiter Desktop Synth SN Z0G6028

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JX3P synthesizer without pg200

Published on Oct 18, 2019 Paul Z

"JX3P synthesizer without pg200 - replaced by organix mod and CTRL JOX '3P software controller"

JX-8P: An Incredibly Underrated Synth! Sounds from Scratch

Published on Oct 18, 2019 MR TUNA Music

"I bought the JX8P on a whim, it was a great deal and I figured it would be redundant in my setup. Now that I own it I couldnt even think of letting it go. What an amazing, cinematic sound from this bad boy.

No external effects or editting other than that sweet, sweet, sweeeeet H9 reverb at the end when the camera dies."

Processing Synths and Drum Machines through a Vintage Maxon Mixer

Published on Oct 18, 2019 Alex Ball

"A follow up to the Boss KM-60 mixer video I did a few weeks back"

Processing Drum Machines with a 70s Boss KM-60 Mixer

Marc Doty creating more great sounds on the Easel Command!

Published on Oct 18, 2019 Buchla

GOD's BOX Humpback // Multimode Eurorack filter with BAGS of character!

Published on Oct 18, 2019 DivKidVideo

"Here we have a newly re-panelled version of the Humpback filter from GOD's BOX. This is an 8HP SEM style multimode filter with a 2 pole response across the individual low, band and high pass + notch outputs. The input level can drive the filter for that lovely harmonic 'burn' and the two CV inputs affect the cut off with attenuators. It responds well to audio rate modulation for YOI bass, glottal overtones and odd pinged hits. The resonance is severely "hot rodded" beyond the normal SEM inspired filters giving a wide range of soft and warm bass to all out chaotic screams. I stumbled upon a weird way to create distance concrete car park reverb trails in your kick drums too. So skip around below and if you have any clue what's happening with that odd reverb I managed to create - let me know.

More info - http://bit.ly/godshumpback
https://www.thonk.co.uk for all your synth DIY needs.

TIMING INDEX // SECTIONS

00:00 Hello and patch previews

00:56 What is Humpback? Feature run down

RAW SOUND DEMOS
01:53 Low Pass
02:26 Band Pass
02:42 High Pass
02:57 Notch

03:09 Acidic resonance, envelope modulation and key tracking

04:08 Feedback patching for BEAUTIFUL distortion. Bandpass output into the CV input.

04:48 Kick drums synthesis

06:10 Noise injection for weird distant ‘car park’ reverb

06:48 Tone shaping noise

7:00 The secret to sounding like frying bacon spitting all over the hob!

07:40 Filtered FX trails & feedback for beautiful run away echoes.

09:13 Saturated filter action! With mixed stepped random and envelope modulation. Plus a lovely compressed reverb trail with Lollipop.

11:18 Audio rate modulation - filter formants, glottal tone shaping and all the YOI you can shake a stick at.

12:48 A trip to the west coast with filter pings, sequences and audio rate modulation.

15:05 Notch output phaser-like modulations


*** This video is sponsored by THONK.co.uk. They have funded the production of this DEMO video, but had no input on the content both in what was said or the patches made and recorded. Thank you to THONK for their continued support. Any questions about sponsorship please just ask. *** "

4ms SWN Custom Wavetables Demo

Published on Oct 18, 2019 UncertainMusicCorps

"A demo run through of some custom wavetables on the SWN. The wavetables have been designed specifically for drone use. Mostly the range of their spectral content is intentionally limited. Aiming for subtlety here (with one obvious exception). All of them were made using the module itself. No editing software involved. They were sourced by live sampling other synths and some orchestral recordings.

SWN is set up for a simple drone, with channels A & B dropped an octave and detuned against each other. The other channels also have some detuning applied. Internal LFOs are used to modulate the WT Depth and Latitude parameters throughout. Longitude and Sphere are modulated manually.

First run through is flat - all channels to 100% no LFO modulation of the VCAs. Then going back down the same wavetables with LFOs on and some chordal spread applied
Everything recorded dry, without EQ, direct to camera apart from the final 2 mins when some reverb is applied just for comparison."