MATRIXSYNTH


Monday, July 20, 2020

ROLAND CR-78 COMPU-RHYTHM SN 883705

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via this auction

EHX Grand Canyon meets Roland JD-XA Analog Crossover Hybrid Synthesizer


Rik Marston Official

#rolandjdxa #electroharmonixgrandcanyon #analogsynthesizer
"EHX Grand Canyon meets Roland JD-XA"
Synthesizer Demo by Rik Marston
***Watch in HD!!*** **Turn It UP!** ***No Talking!!!***

The Electro-Harmonix Grand Canyon meets the Roland JD-XA!
This is a simple BASS to Sci-Fi FX Demo. The Grand Canyon is in
MOD mode, modulation is added with Trails & Ping-Pong.
This is the coolest unit for delay FX I have used in a while. GET ONE!
I had G.A.S. the moment I saw the Grand Canyon! It is A+ on my list!
And of course themeets Roland JD-XA is very awesome!

EMS VCS3 - BASS DRUM (KICK DRUM)


Ramón Amezcua

OBERHEIM SEM - ROLAND TR-606


Ramón Amezcua

OBERHEIM SEM
ROLAND TR-606
ENGINE SEQUENCER

Sherman QMF QUAD MODULAR FILTER - ROLAND TR-808


Ramón Amezcua

Sherman QMF QUAD MODULAR FILTER
ROLAND TR-808
(x4) Q106 SYNTHESIZERS.COM

DIY analogue synth project ( Ad-vantage 03M Guide and sound demo Part 2)


Adamski A.

"Just a follow up vid on the AD-3M's main functionality and features which I had left out , last time round."

See the Adamski Ajull label below for more.

Sequential Artist Spotlight Interview with MODELING


You can find the interview on Sequential's website here.

Modeling is a 3-piece, synth-driven electronic group comprised of brothers Connor, Ryan and Cuinn Brogan based out of Fayetteville, Arkansas. The band focuses on creating songs inspired by films, photos, memories and fictitious dream worlds. Currently, they’re writing and producing a 6 track EP inspired by a non-existent dystopian world to be released sometime in 2020.

We chatted with Cuinn on how Modeling has been using the Prophet Rev2 and OB-6 in their music.


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You can find additional posts featuring Sequential's Spotlight series here.

Dave Smith Instruments OB-6 Synthesizer + Strymon BigSky Reverb Pedal


Mitchell Rays

Playlist:

Dave Smith Instruments OB-6 Synthesizer + Strymon BigSky Reverb Pedal
OB-6 Synthesizer + Strymon BigSky Reverb Pedal
Sequential OB-6 + Strymon BigSky Reverb Pedal
OB-6 Sequential Dave Smith Instruments (Unboxed and Sound Demo)

"The Sequential OB-6 Module 6-voice Polyphonic Analog Synthesizer Module routed through a Strymon BigSky Reverb pedal. Sequential is the new name replacing the old name Dave Smith Instruments. For some reason online retailers such as Sweetwater had it labeled under Dave Smith Instruments still. So not sure what the deal is, buuuuttt this Synthesizer is a beast! Definitely worth the money!"

SoundsDivine 'Ambient Worlds' - U-he Hive Soundset


SoundsDivine111

"This is a demo of the presets from the 'Ambient Worlds' soundset for U-he Hive.
For more information, please follow the link below:
https://soundsdivine.com/product/hive...

00:00 Intro
00:10 Big Sky Country 1
00:47 Twinkling Lights
01:25 Atomic Anomaly
02:03 Big Sky Country 2
02:39 Dark Side Of The Machine
03:14 Elysium Tears
03:51 Ambient Worlds
04:25 Mysterious Melody

#u-he #hive #presets"

m3ld by Takla Makan



New music from Tony Allgood, the man behind oakleysound.com, featuring the following:
Oakley Modular both 5U and Euro
Roland Alpha Juno 2
Novation Summit
Oberheim OB-Sx (mostly preset C3 and small edits thereof)
Oakley SRE330 ensemble and ADR30 delay effects
"Takla Makan is the artist name of Tony Allgood.

During the 1980s Tony played keyboards in a variety of bands including 'Cairo' and 'Not Before Time'. In 1986 he started producing his own synthesizer instrumental music under the name 'Takla Makan'.

His musical output is very much inspired by the work of Mike Oldfield, Vangelis, Jean-Michel Jarre and Tangerine Dream."


"I've got an overdrive module and I'm going to use it."

m3ld, pronounced 'meld', features two long format tracks, one in Dm (the saddest of all keys) and the other in Cm. And, yes, I probably did over do the overdriven synth lead sound on these two pieces. I just love a sawtooth VCO going into a highly resonant filter which then feeds an output limited high gain amplifier. There's something about the simplicity of that plaintive solo sound which gives it a wonderful and emotive ambience. I've long been inspired by the work of Mike Oldfield, and although I can't play guitar to save my life, I can't help but try to mimic the feel of his solo guitar work.

The other sound that I really like, and I've used it several times before as well as on m3ld, is the airy short vocal sound from the father of sampling, the Fairlight CMI. It's a 'preset' called 'ARR1'. When I was 15 I so wanted a Fairlight. Not only because Mike Oldfield and Jean Michel Jarre had one and it could do that sound, but also because it had a cool lightpen and a screen that had lots of wavy lines on it. Sadly, although I have fixed a few CMIs as part of my old day job, for my own compositions I have had to use samples of the real thing.

When I was younger I would spend hours writing album cover notes. And, at the end of these notes, would be the obligatory gear list. With pride I would write down a variety of home made gadgets (making them sound really quite mysterious) as well as my little Moog Rogue, Amdek RMK-100 and Roland RS-09. These days, I could write my gear on the back of a postage stamp; a small Oakley Modular, a Nord Lead A1, and a bunch of plug ins. However, for plug ins notable mention must go to U-He's Diva, Repro and Colour Copy, Synapse's The Legend, and Valhalla's Ubermod. Kids today don't know how lucky they are.

released July 16, 2020

Music composed and produced by Tony Allgood

https://takla-makan.bandcamp.com/album/m3ld
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