Debut LP Magazine was a zine from 1984 that featured an LP showcasing various artists. You can find the list of them on Discogs here. This was the UK version. There was a German version before it. They are great look back in time.
Ed Diaz and Scott Berry from Roland joins us for a live Facebook event showcasing some features on the Roland Jupiter-X synthesizer.
Roland Jupiter-X and Jupiter-Xm synthesizers mark the pinnacle of Roland sound and playability, combining classic design and premium build quality with a powerful synth engine. Faithfully recreating legendary synths from Roland's long history of genre-defining sounds, the 61-key Jupiter-X and 37-slim-key Jupiter-Xm offer multiple layers, loads of polyphony, and deep hands-on control for crafting huge, spacious sounds. As part of an expandable platform, the Jupiters can be updated with fresh content and share sounds and content with one another.
Get more for your money with exclusive Roland Jupiter-X and Jupiter-Xm synthesizer bundles from Kraft Music. These package deals include the accessories you'll need to get the most out of your new synth, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!
"This is a segment within the 2 hour video special comparing the Novation Summit and UDO Super 6. The original intention was simply to make a feel-good jam session track to demonstrate how they can sound in production. In this example they switch off on bass duty and show off their strengths in their own additional layers. When I thought about a fun way to help visualize the new layers of each synth being added, I remembered some old music games from college, among many others. The result is this spectacle of retro-arcade visuals over feel-good synth riffs and melodies. Enjoy! Also be sure to check out the full video!
UDO Super6 VS Novation Summit 2 Hour Special Presentation
"What do two FPGA-based Hybrid polysynths have in common? A few important things, but not as much as you'd think. Fortunately the similarities they share are some of the most important things to consider when buying something in this price range. They both sound incredibly good - possibly even the best I've ever heard. They're both similar in price. Yet on paper, the specs appear to be stacked more to one side. This video will show you that specs don't matter when considering the end result; Music.
In the end, they're both winners. In fact it was my intention to make the choice even harder if you're considering either of these.
The Summit and Super6 will be put through their paces with real world applications; Productions. Performance. No Science. There's no Oscilloscope, no measurements. Your understanding at the end of this will not come from clinical observation. It will come from listening. They sound different. Amazing, and different. For everyday stuff like leads and bass, they can sound similar for sure. But when you dive deep and exploit their strengths, this is where they will blow your mind. I hope to show you a little bit of both. Which of these fits your style, your taste? If both, start saving. They're worth it. In fact I think they might be the best sounding polysynths to come out in decades.
Leave a comment and share your thoughts. Keep it positive and speak from experience, and not from speculation."
"This #synthesizer has been on an amazing, evolving journey since it first met the world in October of 2018. To everyone here at Moog who’s helped make this instrument special, and to so many of you around the globe whose musical creations continue to inspire us, thank you."
This tells us there has been up to 3000 produced to date. It all depends on what number they started with, for example 1001 or 0001.
"The Triple Cap Chaos(C^3 Chaos) is a 2hp analog, chaos based, noise oscillator, pseudo ring modulator/harmonics generator, and audio mangler Eurorack module available as a DIY Eurorack kit, PCB and Panel, or built.
This video demonstrates the X and Y outs, emanate and width controls, some cv control from a triangle wave lfo on the skew fade, and then i input an audio rate triangle wave from the dual vco.
"The Triple Cap Chaos(C^3 Chaos) is a 2hp analog, chaos based, noise oscillator, pseudo ring modulator/harmonics generator, and audio mangler Eurorack module available as a DIY Eurorack kit, PCB and Panel, or built.
It is a unique module, like the Diode Chaos, because it has never existed as a musical instrument until now. There is also no other module to my knowledge that can do exactly what the Triple Cap can do. The circuit(with several modifications) is based on the paper 'Simple Autonomous Chaotic Circuits' by J.C. Sprott and Jessica R. Piper. As opposed to the Diode Chaos that generates control voltage this module focuses on the audio rate.
The “Emanate” potentiometer controls the coarser overall spectrum of the chaos, from lots of activity counter clock wise up to less chaos and more of a steady oscillation. The “Width, CV ATT” potentiometer can be thought of as more of a fine control for the chaos/oscillator. When something is inserted into the “CV” in the voltage normalization from the width knob is broken and the potentiometer now acts as an attenuator for the incoming cv. The Triple Cap is not a traditional volt per octave exponential VCO, and has a sort of narrow frequency range to exploit the chaotic behavior.
It expects a +5v to -5v max signal in to modulate the chaos. The “IN” jack is an A.C. coupled input for audio in, although cv and audio can work for both the “CV” in jack and “IN.” The “IN” will interfere and interact with the onboard chaotic oscillator depending on the frequency of the input, which may take some experimentation. It can create ring mod ish sounds, to added harmonics, to almost bit crushed sounds depending on the “X” or “Y” output. The “X” output is a more windy noisy sinusoidal based output and the “Y” output is more squared off and aggressive, harsher sounding output.
Some quirks about the Triple Cap: The “X” output can offset negatively or positively a little bit depending on the pot settings, but both outputs tend to stay around 10vpp. With the “Emanate” and “Width” pots all the way up the typical frequency will be around 150hz although some will reach 200hz at this setting. With the “Emanate” pot full counter clock wise “Width” pot full clock wise the frequency will be around 250hz. It is possible to send signals into the triple cap that can bring it out of the desired range causing the oscillation to cut out.
The Triple Cap has a double sided panel. meaning one side has the classic graphics and the other is Soulless with less graphics(see image gallery to the left).
Width: 2hp
Panel Material: PCB/Double Sided
Reverse Power Protected
Current Consumption: +12v: 15mA, -12v: 10mA
Depth: 37 mm or 1.46″
Ships with M3 black nylon screws
Expandable: no"
