Monday, January 24, 2022
Snare drum sound design on Gotharman's LD3
video upload by Meska
"Sonic exploration around Snare drum with the Gotarman's LD3
I will take many shortcute of things allready explained in the kick drum sound design : [posted here]
percussive oscilator is a optional LD3 ubgrade .
Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
i'm tattooist at day jobs and you can found my work here : www.meska.fr
You can stream my albums and EPs at https://statikwave.bandcamp.com"
Beginner Friendly Dub Techno Chords
video upload by Omri Cohen
"Here is the selection file you can download and load into your patches - https://patchstorage.com/beginner-fri...
00:00 - Introduction
01:14 - Oscillators
04:24 - Filter \ VCA \ Envelopes
09:02 - Making it mono
11:06 - Effects
20:38 - The result"
Omri's Links:
"Want to learn Modular Synthesis? have a look here - https://bit.ly/learnmodular
Do you also think that reverb is life and want to share it with the world? Have a look here - omri-cohen.creator-spring.com
If you just want to buy me a coffee :) - https://www.buymeacoffee.com/omricohen
Consider joining me on Patreon - https://www.patreon.com/omricohen
Patching techniques and ideas document - https://bit.ly/3o1Q3Sg
I'm using DistroKid to distribute my music to Spotify, iTunes, Apple Music, and more. By signing up through this link you will get 7% off and will support this channel - http://distrokid.com/vip/omri"
UDO Audio Super 6 12-Voice Polyphonic Binaural Analog-Hybrid Synthesizer 2020 Blue SN S611865
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"UDO's Super 6 is a Roland-inspired, hybrid twelve-voice polysynth with a fully binaural signal path, perfect for creating everything from classic pads and synth key sounds to rich, swarming stereo textures. Using FPGA-based oscillators, an analog filter section, analog VCA section, and 192kHz, 24-bit effects, the Super 6's voice architecture alone is uncommonly powerful and clean. Combined with an intense and well-considered modulation section, Fatar keybed with velocity and aftertouch, and an integrated arpeggiator and sequencer, the Super 6 feels like we're back in the early 1980s imagining what the future of synthesizers would be like.
Each voice's two oscillators are FPGA-based wavetable designs, each with their own special tricks and sound-making possibilities. Oscillator 1 (called DDS1 on the panel) employs UDO's super-wavetable engine: a sort of hybrid of wavetable and super-saw like techniques for creating absurdly huge stereo swarms. DDS1 is, in fact, a single centroid oscillator and six sister oscillators which may be phase-separated across the stereo field for intense, swirling spatial images. User wavetables are supported via import from a computer, so you can truly make the Super 6 sound like whatever you want. Oscillator 2, also DDS-based, provides easy access to traditional waveshapes along with classic synth sound design techniques like hard sync, suboscillator, PWM, and more.
The VCF and VCA sections are fully analog, allowing for classic manipulations of the truly unique sound source. The filter section provides resonant highpass and lowpass filters, which can be coupled together for more traditional bandpass response. The lowpass filter can self-oscillate and allows for key tracking, opening up the possibility for all sorts of gnarly filter FM and sound generation.
Envelope 1 is an invertible HADSR with option for looping, while the second is a classic ADSR. Each envelope can be sent to control multiple destinations, which, in combination with the LFO section and modulation matrix, can make for remarkably complex and singular sound design opportunities.
All of this combined with a velocity and aftertouch-sensitive keybed, sequencer, arpeggiator, MPE compliance, and an outright solid build quality serves to make the Super 6 one of the most compelling polyphonic synths around.
SUPER 6 FEATURES
Twelve-voice polyphonic synthesizer
Classic Roland look and workflow with advanced digital features
Hybrid architecture using a mix of FPGAs and analog processing
Binaural signal path for creating profound, lush stereo textures and movement
Main oscillator with "super wavetable" engine and downloadable waveforms
DDS-based second oscillator with FM, sync, suboscillator, and other classic tone shaping options
Flexible modulation with LFOs, envelopes, and extensive modulation matrix
Stereo 24-bit, 192kHz Roland-style chorus and delay
Fatar keybed with velocity and aftertouch control
Integrated arpeggiator and 64-step sequencer"
via this auction
"UDO's Super 6 is a Roland-inspired, hybrid twelve-voice polysynth with a fully binaural signal path, perfect for creating everything from classic pads and synth key sounds to rich, swarming stereo textures. Using FPGA-based oscillators, an analog filter section, analog VCA section, and 192kHz, 24-bit effects, the Super 6's voice architecture alone is uncommonly powerful and clean. Combined with an intense and well-considered modulation section, Fatar keybed with velocity and aftertouch, and an integrated arpeggiator and sequencer, the Super 6 feels like we're back in the early 1980s imagining what the future of synthesizers would be like.Each voice's two oscillators are FPGA-based wavetable designs, each with their own special tricks and sound-making possibilities. Oscillator 1 (called DDS1 on the panel) employs UDO's super-wavetable engine: a sort of hybrid of wavetable and super-saw like techniques for creating absurdly huge stereo swarms. DDS1 is, in fact, a single centroid oscillator and six sister oscillators which may be phase-separated across the stereo field for intense, swirling spatial images. User wavetables are supported via import from a computer, so you can truly make the Super 6 sound like whatever you want. Oscillator 2, also DDS-based, provides easy access to traditional waveshapes along with classic synth sound design techniques like hard sync, suboscillator, PWM, and more.
The VCF and VCA sections are fully analog, allowing for classic manipulations of the truly unique sound source. The filter section provides resonant highpass and lowpass filters, which can be coupled together for more traditional bandpass response. The lowpass filter can self-oscillate and allows for key tracking, opening up the possibility for all sorts of gnarly filter FM and sound generation.
Envelope 1 is an invertible HADSR with option for looping, while the second is a classic ADSR. Each envelope can be sent to control multiple destinations, which, in combination with the LFO section and modulation matrix, can make for remarkably complex and singular sound design opportunities.
All of this combined with a velocity and aftertouch-sensitive keybed, sequencer, arpeggiator, MPE compliance, and an outright solid build quality serves to make the Super 6 one of the most compelling polyphonic synths around.
SUPER 6 FEATURES
Twelve-voice polyphonic synthesizer
Classic Roland look and workflow with advanced digital features
Hybrid architecture using a mix of FPGAs and analog processing
Binaural signal path for creating profound, lush stereo textures and movement
Main oscillator with "super wavetable" engine and downloadable waveforms
DDS-based second oscillator with FM, sync, suboscillator, and other classic tone shaping options
Flexible modulation with LFOs, envelopes, and extensive modulation matrix
Stereo 24-bit, 192kHz Roland-style chorus and delay
Fatar keybed with velocity and aftertouch control
Integrated arpeggiator and 64-step sequencer"
Cwejman Sm-1 2020 Cream Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A masterpiece module in eurorack format."
via this auction
"A masterpiece module in eurorack format."
Waldorf Pulse Plus
Sequential Circuits Max
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pics of the inside below.
"This synth is in full working order. I used the Model610 iPhone app with the Bluetooth Yamaha MIDI interface and it really opens this synth up."
via this auction
Pics of the inside below.
"This synth is in full working order. I used the Model610 iPhone app with the Bluetooth Yamaha MIDI interface and it really opens this synth up."
Vintage Paia Proteus 1 MonoSynth with Paia 8785 Bass/Foot Pedals
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Some pics of the inside below.
via this auction
Some pics of the inside below.
Oberheim OB-8 w/ Factory MIDI
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Pic of the inside below.
"It's an early rev OB-8, with no "Page 2" serigraphy on the front panel, the keyboard is a Pratt-Read one( which is better in many ways than the later Matsushita keyboard), it also got the individual CEM3360 VCA IC per voice ( instead of the CA3080 OTA with later rev ), and was already retrofitted with factory MIDI !
Excellent cosmetic condition, with most notably 2 defects on the front panel ( check pics ), just above " cassette" and around PW knob in OSC section . Beside that, it's really excellent for a 40 year old instrument! A custom made flycase is also included with the sale .
The OB-8 works perfectly , VCOs are almost immediately stable when turned on, and the sound is nothing but a delight !
The new OS upgrade by Tauntek might be installed upon request ( additional fee will apply )
You'll be able to save/ import your patches via MIDI (Sysex), and most of all, you'll be able to control all of the OB-8 parameters with MIDI CC !
Here is a detailed report of the service work :
- New capacitors ( electrolytic / tantalum ) for the whole machine
- New bridge rectifiers w/ heatsink
- New trimmers for the whole machine ( including pan pot trimmers )
- Complete calibration according to the Service Manual
- New battery & import of the factory patches
- New set of 22 potentiometers for the front panel : these have been custom assembled and are identical to the original ones ( as they are now impossible to find )
- A dozen of logic chips on the CPU Board / Front panel have been replaced
- The keybed have been serviced : new bushings, J-wire cleaning, key alignement , overall cleaning
- New 40 pin ribbon cable between CPU => Midi Board
- Interal missing screws have been replaced by new ones
- New on/off switch : the original one didn't lit any more, so it was replaced by the exact same part"
via this auction
Pic of the inside below.
"It's an early rev OB-8, with no "Page 2" serigraphy on the front panel, the keyboard is a Pratt-Read one( which is better in many ways than the later Matsushita keyboard), it also got the individual CEM3360 VCA IC per voice ( instead of the CA3080 OTA with later rev ), and was already retrofitted with factory MIDI !Excellent cosmetic condition, with most notably 2 defects on the front panel ( check pics ), just above " cassette" and around PW knob in OSC section . Beside that, it's really excellent for a 40 year old instrument! A custom made flycase is also included with the sale .
The OB-8 works perfectly , VCOs are almost immediately stable when turned on, and the sound is nothing but a delight !
The new OS upgrade by Tauntek might be installed upon request ( additional fee will apply )
You'll be able to save/ import your patches via MIDI (Sysex), and most of all, you'll be able to control all of the OB-8 parameters with MIDI CC !
Here is a detailed report of the service work :
- New capacitors ( electrolytic / tantalum ) for the whole machine
- New bridge rectifiers w/ heatsink
- New trimmers for the whole machine ( including pan pot trimmers )
- Complete calibration according to the Service Manual
- New battery & import of the factory patches
- New set of 22 potentiometers for the front panel : these have been custom assembled and are identical to the original ones ( as they are now impossible to find )
- A dozen of logic chips on the CPU Board / Front panel have been replaced
- The keybed have been serviced : new bushings, J-wire cleaning, key alignement , overall cleaning
- New 40 pin ribbon cable between CPU => Midi Board
- Interal missing screws have been replaced by new ones
- New on/off switch : the original one didn't lit any more, so it was replaced by the exact same part"
Yamaha FS1R Formant Shaping / FM Synthesizer Tone Generator SN PLO1379
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
